Top 3 Emma Stone Movies

The Stone's discreet yet magnetic charm serves her perfectly so that her interpretive virtues end up reaching cosmic dimensions. The character must always superimpose the performer, something like the doll capable of making us completely forget the ventriloquist. Emma Stone is never Emma Stone, from the first second she appears on screen in her new costume of her x-character.

Even having her well-deserved Oscar as a leading actress, nothing less, she does not happen to be that actress that the general public immediately evokes as one of the great actresses of the moment. That's what I mean about her discretion that she plays in her favor. Her greatest success then is convincing the viewer that she has seen Mia in La La Land or even the hilarious Wichita from Zombieland. For her characters, her glory remains and for her the satisfaction of an always excellent job.

Top 3 Emma Stone Recommended Movies

La La Land

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In the case of Ryan Gosling I already uncovered this film as the best of his career. The same goes for Emma. Flashes of tenderness, melancholy, sadness and some hope. A halo of what fate erases from our lives because of what is lived only at the first opportunity, without the possibility of rehearsal or amendment...

Who has not had that failed love due to circumstances? Or worse yet, who hasn't had that love parked because of the decisions that kept us apart? In La La Land, with a light and easy piano melody that remains sustained in our conscience, we advance in a love story that is most truncated by that inertia that separates half oranges.

One more love story, yes. But the point was to make this movie the quintessential love story. That's what it's about in the movies or in the novels. And it can be said that La La Land friezes that notion of the transcendent that grazes the soul as far as love is concerned. There is no way back for movie lovers. There is only one casual reunion that suspends time for a few seconds, that reproduces memories that are already impossible to materialize with that strange recollection that the sense of hearing has, of the music that accompanies our days with the coincidence of a song that accompanied our youth.

It is saying a lot, or not, that a film takes us back to the days of wine and roses in which to love was to live in love from the physiological to the spiritual. La La Land is about to lead us back to our best days thanks to the simple glances of Ryan Gosling and Emma Stone, an unforgettable couple.

The fact that we look at a musical further serves the intention of telling a great love story. Just as an opera leads to an epic, this musical takes the routine of its characters' lives to another level.

The battle of the sexes

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Since humor is always a “minor” genre, at least in the face of strictly interpretive consideration, Emma Stone always empathizes with laughter towards liberation from the noise. That the matter is focused on a curious sporting event from the early 70s that arranged the man in front of the woman with a morbid sexist interest more than another comparative notion, because it also gave for something else, for much more. Because in those days not any defeat could be assumed naturally...

Chronicle of the existing rivalry between the 55-year-old ex-professional tennis player, Bobby Riggs, and his 29-year-old opponent, the charismatic tennis player Billie Jean King, who faced each other in a legendary match in 1973. They then wanted to know if a female professional tennis player could actually beat a man (even an ex-professional), an event that drew more than 50 million Americans and was billed as "The Battle of the Sexes."

Maids and ladies

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From the small invoice, always considering what can be small for something made in Hollywood, Emma Stone raised this script of the novel to another level. Because in the search for that kind of proselytism to which the actor commits himself in a performance with sociological overtones, Emma has won a lot with her ability to transmit naturalness combined with a sensitivity that permeates.

Set in XNUMXs Mississippi, friend Emma Stone dresses up as Skeeter, a young southern American who returns from college with dreams of becoming a writer. Soon, she revolutionizes the inhabitants of the city, when she decides to interview black women who have spent their lives taking care of families in the area and she will confront the white ladies who are in charge of them, starting a social conflict that will revolutionize the vision of things.

Despite the danger this may pose for Skeeter's old friends, the collaboration between her and Aibileen, her best friend's housekeeper, continues, and soon more women will decide to tell their stories.

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