César Pérez Gellida's book
Imagination at the service of crime. I am not trying to describe an ingenious murderer but rather the writer capable of making the criminal that suggestive argument, between the morbid and the disturbing. And that is where imagination takes on its special relevance, along with the craft of the author in question. …
Thank God, for the word dwarf there is no euphemism or neoterm that could seem opportune for "neo" to censor the title of this novel. Sounds great to me, if the dwarf is lucky, let it be known. Jokes aside, in this novel by a Pérez Gellida who mutates from Jo Nesbo to Juan ...
In César Pérez Gellida everything acquires that cinematographic point, that frenetic action that turns his thrillers into irrepressible gusty waves of reading tension. So each new plot ends up being devoured by readers with the same dizzying pace of its narrative proposals. Even more so in this obvious sequel to ...
The incombustible César Pérez Gellida reinvents himself once again to give birth to one of his most complete works. After abounding in the current noir genre, through trilogies that are already emblematic of the genre in our country, this time he offers us a retrospective setting for a black narrative ...
César Pérez Gellida has managed to create his own universe based on a fully identifiable aesthetic and thematic style. The Spanish crime novel finds in this author a very new reference to consider and with an incontestable creative capacity. Olek is again the protagonist of this installment. ...