Almost four hundred pages to develop one of those plots that come with its originality band. In an area of the black genre in which new voices are always expected capable of filling with imagination that space in which crime becomes something lurking, morbid. More so from the capacity of a mind bent on destruction as its vital foundation.
With the intrigue of the great detective novels in which you feel capable of unraveling a ball towards a discovery between the atrocious and the fascinating, we are entering into that strange synergy that finally arouses good and evil in the most unexpected way.
Because Jack Miller is a brilliant mathematician, or at least his mind is capable of moving freely between the numbers that are fixing the probabilities, the causes and effects as a formula, the destinations as a combined operation that does not stop being complex. solvable.
The probabilities also have their theories. And those who enter them can derive consequences from previous events.
But the best of all is that the mathematical component serves for any reader to undertake a particular journey towards the wells of the soul, up to that chance that makes up our cells and that can be concluded in the most sinister end.
We only know the theatrical details of the murderer of this plot, those of a work that points to continuity but whose links are lost in that cause and effect formulation presented only from mathematical potentialities.
And so, among the investigations of an FBI whose agents are constantly shipwrecked, Jack Miller will take a leading role in which all his studies on the probable, possible and the impossible, within the framework of a randomness with its own sequence, points to the only solution to stop the murderer.
But this may not be the best time for Jack and putting his theory into practice. New personal variants can blur your attention. And perhaps this is not a mere coincidence either ...
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