ʻO ka mea hana keaka i hoʻomaka i ka haʻalele ʻana o ka International Goyas i hoʻokumu ʻia i ka makahiki 2022 (holo ʻia no ka home) a ʻo kekahi o nā mea hana nui ma ka laulā inā mākou e hoʻomau i ka ʻike hoʻonaʻauao. ʻO ka ʻO ka mea hana keaka Australia ʻo Cate Blanchett Loaʻa iā ia nā mea a pau, ke kiʻi a me ka makana, e hāʻawi i kāna mau huaʻōlelo i ka protagonism i loaʻa wale i ka wā e hoʻokomo ai kahi hōkū nui iā ia iho i ka ʻili o ka lā.
ʻO ka mea kupanaha, lilo kēia mea hana i mea hou loa i ka plethora o nā wahine wahine Almodovar Hāʻawi ia i ke koʻikoʻi ʻaʻole i loaʻa i nā wahine wahine ke hiki i kekahi mau makahiki. Basically ma muli o prejudices a me stigmas i ole loa eliminated i loko o ka honua o ka hale kiʻiʻoniʻoni e pono e lawe i ke alakaʻi i ka kaulike (no ka laʻana, hiki ke lilo i ka makana lokahi no ka mea hana keaka maikaʻi loa, me ka ʻole o ka manaʻo).
ʻO ka wehewehe paʻa, kū ʻo Blanchett no kēlā malleability e hiki ai iā ia ke hoʻololi i kekahi o kāna mau kiʻiʻoniʻoni i kekahi. ʻAʻole ʻo Cate Blanchett i hoʻopaʻa i kahi hana kūikawā no ka mea me kēlā me kēia hana hou ua hānau hou ʻia ʻo ia ma ke ʻano he mea hana keaka hou i hoʻokau piha ʻia i kāna kuleana. He ʻano maikaʻi e like me ke kāwele hakahaka kahi e hōʻike ai i nā mea āu e makemake ai...
ʻO nā kiʻi ʻoniʻoni ʻo Cate Blanchett kiʻekiʻe
Carol
LOA MA KEKAHI O KEIA PLATFORMS:ʻAʻole hiki iā ia ke noʻonoʻo i loko o kāna mau moeʻuhane ʻO Patricia Highsmith no kāna Carol e hana i ke ʻano ma lalo o ke alo nani o Cate Blanchett. ʻAʻole kēia manaʻo ʻaʻole lawa ka waiwai o ka moʻolelo a kēia mea kākau asocial akā akamai. Akā, ʻo ka hale kiʻiʻoniʻoni i hoʻololi maikaʻi ʻia e hoʻokō i ka ʻoi aku o ke kaiapuni o ka mea i manaʻo ʻia e loaʻa i kahi pili ʻē aʻe.
Ma kēia kiʻiʻoniʻoni, hoʻihoʻi mākou i nā manaʻo hopohopo kahiko i hoʻāla ʻia i kēlā manawa e ke aloha ma waena o nā wahine. Inā ʻaʻole ʻo ia i kāna hana ma ke ʻano he wahine wahine i hoʻopaʻa ʻia e nā kūlana, ʻo Blanchett's Carol ka mea e manaʻo nui ai mākou i ka manaʻo o ka mea i pāpā ʻia e ka moʻomeheu lanakila e komo i loko o ka noʻonoʻo kaiāulu me ka ikaika o ka hōʻole.
Pono wale ia e lele i ka lewa no ka hoʻopaʻa ʻana i nā manaʻo āpau. Mai Patricia Highsmith ka mea i wehe i kona ʻuhane e lawe ana i kona ʻike ponoʻī ma ke ʻano he kumu hoʻomaka no ka puke moʻolelo, iā Cate Blanchett nāna i hana i ka hālāwai me Therese i kēlā wahi o ka hoʻi ʻole ʻana, ʻo ia ka ʻōlelo huna e hoʻopau i ka uē.
He makemake e lilo i mea e no ka wahine aloha. ʻO ka makemake i ka manawa like ʻo ka hoʻokaʻawale ʻana e hoʻokomo i nā mea āpau i loko o ka pōʻaiapili o ke kūlana nohona o kekahi manawa. ʻO kahi kiʻiʻoniʻoni nui kahi e hoʻomālamalama ai ʻo Cate Blanchett a hōʻike i ka hoʻokō kūpono i kekahi ʻano o ke aloha.
ʻO ka hihia hoihoi o Pihi Beniamina
LOA MA KEKAHI O KEIA PLATFORMS:ʻO ka manawa ʻē a Benjamin Button ʻaʻole ʻo ia wale nō kona manawa. No ka mea, ma kēlā ʻaoʻao o kona ala ʻē aʻe ma ka honua, aia kekahi ʻo Daisy Fuller i hoʻokani ʻia e Blanchett i hiki ke hoʻopau ʻia kā Beniamina. Inā wale no kona hiki ke hana i ka manawa mau loa. ʻO ka wehewehe wale nō o kāna hoa hula. ʻO Brad Pitt, i kēia pāʻani e pili ana i ka mea i ola, i ka manaʻo melancholic o ka transience o nā mea āpau.
Kū ka uaki i nā manawa e hui like ai nā protagonists ʻelua e alo i ko lākou nani e like me ka hakakā ʻana o nā hōkū. A no laila ua hoʻopiha ʻia ke kiʻiʻoniʻoni i kēlā mau nuances i waiho wale ʻia e nā mea hana nui ma ke ʻano he kiʻi kikoʻī ma mua o nā kuhikuhi kuhikuhi.
ʻOiaʻiʻo, ʻo ka metaphor, ka hoʻohālikelike o ka wā ʻōpio e like me ka manawa e hoʻi ʻole mai, inā ʻike ʻia i loko o kona ʻano kūlohelohe a i ʻole he wahi hālāwai hoʻokahi, e lilo i mea pili i nā mea hoʻokani kiʻi ʻelua. Me ke kanalua ole ua pono ke kii i keia mau mea keaka e hoike piha i ka nani o ka ephemeral. ʻO ia ka manaʻo a ʻo ia ke kumu o ke kiʻiʻoniʻoni. A carpe diem version of impossible love when the trains are one way there and one way back...
ʻO ke ala o nā ʻuhane nalowale
LOA MA KEKAHI O KEIA PLATFORMS:Loaʻa i kēlā me kēia remake kona inaina. He mea maʻamau ia no ka mea makemake nā mea a pau i kā lākou kiʻiʻoniʻoni punahele ʻoiai ʻo ka hōʻike e lanakila mau ana ka hiku o ke kiʻi me nā ala ʻoi aku ka maikaʻi. ʻAʻole naʻe i ʻike ka mea kākau i ke kiʻiʻoniʻoni kumu a no laila ʻaʻole i hoʻopili ʻia ka leʻaleʻa e kekahi mea.
ʻO kahi kiʻiʻoniʻoni kahi e ʻike ai mākou i kahi Blanchett me kahi hiʻohiʻona ʻakaʻaka i manaʻo ʻia he hoʻoikaika hou ʻia no kāna physiognomy a me kāna mau hana e pili ana i nā ʻano o ka pāʻani hohonu. Akā me kāna makana chameleon-like, pau nā mea a pau i ka smear i kāna wehewehe ʻana i ka 10. Ma hope o ka hōʻike ʻana i nā pilikino maoli i kā lākou hoʻololi kiʻiʻoniʻoni kūpono, hiki i kekahi mea iā ia.
ʻO ka hele pū ʻana me Bradley Cooper, me kāna kiʻi picaresque o ka mimicry maʻalahi me nā pepa āpau me kahi kiko rogue hou, kōkua i kahi ʻano i hoʻoponopono ʻia i ka pono. Ma waena o nā mea ʻelua e uku lākou i kahi bila kūpono no ka remake ʻaʻole i kono iā ʻoe e ʻike i nā kumu kumu no ka mea ʻaʻole ia e waiho i nā āpau a me nā āpau.
Ma kēlā mea a mākou i hōʻike mua ai i ka maikaʻi nui o Blanchett, kona hiki ʻole ke hoʻomaopopo ʻia no ka hoʻololi ʻana, ma kēia kiʻiʻoniʻoni ʻo ia e hōʻike ai i nā manawa like ʻole. ʻO ke akamai a i ʻole ka histrionics. ʻO ka wahine make a i ʻole ka wahine ma ke ʻano o ka hōʻeha hopohopo, e hoʻomākaukau ana paha no Almodóvar