Hōʻike ʻia ka noʻonoʻo noʻonoʻo i ka nui o ka hoʻohui ʻana, i ka hiki ke hoʻoheheʻe i kahi ʻāpana i loko o kahi crucible me ka nui o nā kumuwaiwai i ka helu nui o nā manaʻo. a ma ia mea ʻO Juan Pablo Villalobos alakaʻi i nā mea haʻi moʻolelo ʻē aʻe i kēia au.
No ka mea huki kēia mea kākau Mekiko i nā mea hana like ʻole i kēlā me kēia hanana me ka nānā ʻole ʻana i kekahi, mai ka Quotes i ka hoʻopaʻapaʻa o ka kānalua, ma o kahi kaumaha noʻonoʻo pampered o kāna mau ʻano a me kahi hana i lilo i mea kupanaha mai ka mea ʻē. ʻO kēia mau mea a pau me ka lako kūpono e hoʻokau mau ai i ka mea heluhelu i ka ʻino o kona mau manaʻo a me kona mau manaʻo e holo wikiwiki nei ma luna o ko mākou ʻike.
ʻAe, kekahi manawa ke kākau ʻana i nā puke. Ma muli o ka ʻike ʻia o nā hale maʻamau a ʻike ʻia nā mea hiki ke aloha ʻia e kēlā mea akamai ʻole e hōʻole ʻia, e hāmama mau nā ala hou e hiki ai i nā mea heluhelu ke hele a pīhoihoi e nā kapuwaʻi wāwae hou ...
ʻO nā mea kākau moʻolelo kiʻekiʻe e 3 na Juan Pablo Villalobos
hale ʻuʻuku a me ka palapala
Hoʻowahāwahā nā moʻolelo nui i ka ʻakaʻaka. ʻAʻohe wahi no ka ʻakaʻaka i ke ʻano make ʻole o ka meʻe. ʻO ke ʻano like ma ke ʻano aloha a i ʻole kekahi ʻano ʻē aʻe. Mahalo i ke Akua, i kekahi manawa ua mālama ka mea lapuwale i ka hoʻokuʻu ʻana i kēlā ʻuhane hiki ʻole o ka poʻe koa a i ʻole nā mea aloha e hāʻawi iā mākou i nā mea kuhikuhi hou aku e hele a puni ka hale. No ka mea, i kēia manawa ua ʻike mākou a pau ʻo ka meʻe ka mea nāna e hana i kāna mea hiki, ʻoi aku hoʻi i ka misionari titanic o ka ʻimi ʻana i ka hauʻoli.
He moʻolelo picaresque paha kēia, ʻoiai, e like me ka ʻōlelo a ka poʻe hoʻokipa ma ke keʻena gastroenterology kahi e hele ai ka protagonist i kahi colonoscopy, hiki ke lilo i moʻolelo hewa, me nā mea pohihihi paʻakikī, nā ulia macabre, nā hōʻike hoʻopiʻi a me nā mea kānalua ʻelua: he Breton. ʻO ka lauoho lauoho me kahi pōʻeleʻele i hala a me kahi kiaʻi kiaʻi kūʻai nui i ka kākau ʻana i ka hōʻike o kāna mau ʻike i ke ola. ʻO ka mea ʻino loa, ʻaʻole i noʻonoʻo ka protagonist, no ka mea, ua hopohopo nui ʻo ia i nā hopena o ka hauʻoli, ʻo ia ka mea ʻona ʻoluʻolu e hopohopo ai ua hāʻule ʻo ia i loko o ka pahele o ka gentrification.
Ua ʻōlelo pinepine ʻia ʻaʻohe palapala ma hope o ka hopena hauʻoli, ʻo ka "palapala maikaʻi" ʻaʻole ia he palapala hauʻoli. ʻO ka hauʻoli he banal, pāpaʻi, palaka, ʻaʻohe hakakā. A me ka hakakā ʻole, ʻōlelo ʻia, ʻaʻohe palapala. He mea hiki ʻole ke kākau i kahi puke hauʻoli e pili ana i ka hauʻoli? He moʻolelo hohonu a ma ka manawa like ʻole, transcendental a banal, he moʻolelo hauʻoli ʻaʻole ia he pale ponoʻī? ʻAʻole maopopo ka manaʻo o kēia moʻolelo a hoʻāʻo e ʻike me ke kōkua o kona ʻohana; No ka mea kākau o kēia mau ʻaoʻao, manaʻo mākou he pono ʻo ia e manaʻoʻiʻo pēlā.
ʻAhaina ma ka lua
ʻO ka mea kākau crib nona ka makemake a me ka noi ponoʻī e pau i ka hānau ʻana i kahi puke nui i ka manawa mua, he mea haohao nā kamaʻāina a me nā malihini, e mālama nei i ka minoʻaka uhi pono o ka mākaukau iho i ke aniani. ʻO kahi minoʻaka i kākoʻo ʻia e ka hōʻoia e hiki iā ia ke hana hou, ʻoiai he alchemist ia me kahi ʻano maopopo o nā leka.
Makemake ʻo Tochtli i nā pāpale, nā puke wehewehe ʻōlelo, nā samurai, nā guillotines, a me nā poʻe Palani. Akā he keiki kāne ʻo Tochtli a i kēia manawa ʻo ka mea āna e makemake ai he holoholona hou ia no kāna zoo pilikino: he pygmy hippo mai Liberia. ʻO kona makuakāne, ʻo Yolcaut, kahi mea kūʻai lāʻau lapaʻau i ka piko o ka mana, mākaukau e hoʻokō i kāna mau makemake āpau. ʻAʻole ia he mea he holoholona malihini ia i ka weliweli o ka make. No ka mea hiki mau iā Yolcaut.
Noho ʻo Tochtli ma kahi hale aliʻi. ʻO kahi lua i uhi ʻia i ke gula kahi e noho ai ʻo ia me ʻumikūmākolu a ʻumikūmāhā paha mau kānaka: ka poʻe pōā, nā wahine hoʻokamakama, nā mea kūʻai aku, nā kauā a me kahi luna politika kūpilikiʻi. A laila aia ʻo Mazatzin, kāna kumu pilikino, nona ka honua kahi wahi i piha i nā pono ʻole kahi e hewa ai nā imperialist no nā mea āpau.
ʻO ka ʻaoʻao ma ka Burrow ka moʻolelo o kahi huakaʻi weliweli e hoʻokō i kahi makemake. ʻO nā poʻo ʻeha, nā muliwai o ke koko, nā koena kanaka, nā mauna o nā kupapaʻu. Aia ka lua i Mekiko a ua ʻike ʻia ia: He ʻāina nani ʻo Mekiko i kekahi manawa a i kekahi manawa he ʻāina pōʻino ia. Penei nā mea. ʻO ke ola, he pāʻani a me ka pāʻina.
ʻAʻole wau e noi i kekahi e manaʻoʻiʻo iaʻu
I ka hopena o ka ʻike absurd hiki iā ʻoe ke noʻonoʻo i kēlā ʻano wehewehe ʻana i ʻole e noi i kekahi e manaʻoʻiʻo iā ʻoe ma hope o ka imperative pono e haʻi iā ia. Akā ʻo ka protagonists o Villalobos mau ka pono o ka wehewehe pili e hāʻawi i ka ʻike i ka manaʻo nui o ke ola ...
Hoʻomaka ia me kahi hoahānau nāna, ma ke keikikāne, kuhikuhi i nā ala o ke kāne con, a ʻo ia ka mea i lilo i protagonist he Mekiko i hele aku i Barcelona me kāna ipo wahine e aʻo i nā puke, a nāna hoʻi i kāhea iā ia iho ma hope o ka mea kākau o ʻo ka puke i loko o kahi mess monumental: kahi "ʻoihana kiʻekiʻe" i huli i kona noho ʻana i ke kūlanakauhale i ʻano ʻano puke ʻeleʻele me ka hoʻomākeʻaka ʻeleʻele, kekahi o nā mea āna e makemake ai e kākau.
Ma o kēia mau ʻaoʻao e hoʻohele ai i nā ʻano holoholona like ʻole o nā huapalapala waiwai nui: nā gangsters weliweli loa ka loio, Chucky, nā Kina; he hoa aloha i kapa ʻia ʻo Valentina e heluhelu ana i nā The Detectives Wild a aia ia ma ka ʻaoʻao o ka nele a ʻike ʻole i kekahi mea. he kaikamahine i kapa ʻia ʻo Laia nona ka makuakāne he politika i hōʻino ʻia mai ka ʻaoʻao ʻaoʻao ʻaoʻao ʻaoʻao ʻaoʻao ʻākau; he kanaka Italia i nalowale kāna ʻīlio; he Pakistani nāna e hoʻopunipuni ke kūʻai aku nei i ka pia i mea e hōʻeuʻeu ʻole ai ka manaʻo kānalua ... A no ka hoʻohaʻahaʻa iki ʻana i nā mea āpau, ua puka aʻe kahi Laia ʻelua, ʻo ia ka mossa pupule a ʻulaʻula; he ʻīlio ʻo Viridiana ka inoa; kahi kaikamahine i heluhelu i nā paukū na Alejandra Pizarnik a ʻo ka makuahine ponoʻī o ka protagonist, melodramatic, haʻaheo a me nā mea ʻeleʻele e like me ka ke keaka kopa Mekiko maikaʻi.
ʻO nā moʻolelo ʻē aʻe i manaʻo ʻia e Juan Pablo Villalobos
Kūʻai aku au iā ʻoe i ʻīlio
I loko o kahi hale huluhulu ma ke kūlanakauhale ʻo Mekiko, kahi hui o ka poʻe ʻelemākule e hoʻolilo i ko lākou mau lā ma waena o nā squabbles a me nā hui palapala. ʻO Teo, ka mea haʻi moʻolelo a me ka protagonist o kēia moʻolelo, he kanahikukumamāwalu ona mau makahiki a he maʻi kona i ka loiloi maoli o Adorno, kahi e hoʻoponopono ai i nā pilikia kūloko āpau.
ʻO ka taquero luhi, ka mea pena kiʻi huhū me ka moʻokūʻauhau, ʻo kāna mea nui e mālama nei i ka nānā ʻana i nā mea inu āna e inu ai i kēlā me kēia lā e hoʻonui pono ai i kāna waihona kālā e hōʻemi nei, e kākau ana i kahi mea ʻaʻole kahi puke i loko o kahi puke noke, a me ka helu ʻana i nā manawa i loaʻa iā ia no ka hoʻi ʻana i ka home. ʻO Francesca - pelekikena o ke anaina kaiāulu - a i ʻole iā Juliette - greengrocer kipi - nāna ia i hana i kahi moe kolohe ʻekolu o ka makahiki ʻekolu e "hoʻāla i ka ʻumiʻumi o Freud iā ia iho."
Ua wāwahi ʻia ke ola maʻamau o ka hale e ka hanu ʻana o ka ʻōpio, i kau ʻia ma Willem - kahi Moramona mai Utah -, Mao - kahi Maoist clandestine - a me Dorotea - ke kaikamahine wahine Cervantine momona, moʻopuna a Juliette -, i kahi crescendo o nā absurdities i hiki i kahi climax i ka lole wāwae pulu. Ua hānai ʻia ma lalo o ke kauoha a Adorno, ka mea e hōʻoiaʻiʻo ana "ua kākau ka mea noʻeau i ke komikina o ka pōʻino", e hoʻopili ana i nā ʻāpana o ka wā i hala a me kēia manawa, uhi kēia puke i nā mea noʻeau a me nā politika o Mekiko i nā makahiki he kanawalu i hala, i kahakaha ʻia i ka moʻolelo i kamaʻāina ʻia e ka hope o nā ʻīlio o ka makuahine o ka protagonist, i ka hoʻāʻo ʻana e hōʻoiaʻiʻo i nā mea i poina ʻia, nā mea hōʻino ʻia, nā mea palena ʻole, nā ʻīlio nalowale a me nā ʻīlio hele hewa.
