Ma Justo Navarro, hauʻoli mākou i ka mea kahiko o nā leka Sepania i hāʻawi ʻole ʻia i kekahi ʻano kikoʻī. No ka mea, ʻo ka mea e kau mua i ka ʻoiaʻiʻo, ʻo ia ka avant-garde maʻamau a i ʻole ka hohonu hohonu, e pau i ke kākau ʻana i ka wā e pono ai ka mea ʻoiaʻiʻo e hoʻomaka i ke kākau ʻana me ka ʻike ʻole i ka mea hiki ʻole ke wānana.
Ua pōkole ka ʻano noir no Justo Navarro. No ka mea, hele aku kona mau ano ma mua o ka hihia o keia manawa a hoopau i ka hoohewa ana i ka lole kaiapuni ponoi no kona mau deformities grotesque a pau ole i ke kii a me ke ano o ke kanaka; a i ʻole ke ola ʻana iā ia iho ma ke ʻano he kaʻa o nā hewa āpau o ka honua. ʻOi aku kona Komisina Polo ma mua o ka mea noiʻi, he kanaka ʻo ia i kū i ka hana ʻino ma ke ʻano he ola, ʻo ia ke kumu atavistic o ke kanaka i loko o ka nohona.
Aia nō naʻe kekahi poetry, ʻaʻole au i hoʻokokoke aku, a me kahi hiʻohiʻona surrealist kamahaʻo a i ʻole ka liʻiliʻi o kahi ʻano cubist e hōʻike iā mākou me nā ʻano moʻolelo ʻē aʻe i hoʻopau ʻia e hāʻawi i nā kikoʻī hou e ʻike ʻia ma ke ʻano. He ʻano makana i ʻike liʻiliʻi nā mea kākau i ka lawelawe ʻana a ʻaʻole maʻamau ia no ka hapa nui o ka poʻe heluhelu. Akā ʻoiaʻiʻo e hana like ʻO ka ʻuhane o ka mea hoʻokele ea pono lākou e heluhelu a heluhelu hou me ka ʻimi paʻakikī.
ʻO nā moʻolelo kiʻekiʻe 3 i manaʻo ʻia e Justo Navarro
nā pōʻino pili
Aia nā huaʻōlelo ʻaʻole loa e hui pū ʻia inā ʻaʻole no ke ʻano ʻeleʻele maoli o ka manaʻo o ka mea kākau. Nā inoa i hiki koke mai ma ka waʻa mai «Hoʻolaha hoʻolaha"a hiki i"ʻO ke ahi ahi o nā lapuwale» e hele ana ma "Ka hui o ka poe naaupo" a i ole keia "Intimate accidents". ʻO ka nīnau ka hana ʻana i nā huaʻōlelo i ʻike ʻole ʻia ma ka haʻiʻōlelo maʻamau, nā hoa hana pili i ke kahaha. Ma keia hihia, i mea e hoomaka ai i ka estrangement hohonu o ka mea i hai ia mai ia makou.
Ke ho'āʻo nei ka wahine e pepehi iā ia iho i loko o ka lumi hōkele a hōʻike kāna hana i ke ʻano pilikia o kona pilina me ka poʻe e pili ana iā ia, ke akamai o ka pilina, ka paʻakikī o ka hoʻokumu ʻana i nā pilina paʻa me nā poʻe ʻē aʻe a me ka loaʻa ʻana o ka manaʻo i ke ola nona nā Interstices e hōʻino i nā ʻoiaʻiʻo o kēlā me kēia lā. .
nā pōʻino pili ʻO ia ka moʻolelo o kahi estrangement: i ka wā e kū ai ka hoaaloha o ka mea hoʻomake pepehi kanaka i nā ʻoiaʻiʻo, ua nalowale nā mea i ka manaʻo a ma ka manawa like ke kaʻina hana pohihihi o ka hoihoi me ke ʻano enigmatic o ka mea hoʻomake pepehi kanaka e hoʻomaka e hana. ʻO nā ʻāpana o ka ʻoiaʻiʻo, e like me nā puʻupuʻu i hoʻopau ʻole ʻia, nalowale ka pilina me kekahi, lilo lākou i mea pilikia. Ua lilo kēia manawa i mea hoʻoheheʻe ʻia o kahi wā i hala ʻole, ʻo nā mea i kamaʻāina e noho ana i kahi ʻāina o ke pio ʻana kahi i ʻike ʻole ai kekahi i kekahi no ka mea ʻaʻohe mea i ʻike ʻia. I ka hopena, ʻo ka ʻimi ʻana i kahi koena nalowale e koi ai i ka hoʻopunipuni a me ka wahaheʻe e kūkulu hou i kahi kūpaʻa paʻa ...
Anā hanana pili he hana maʻalahi i ka ʻike, he ʻike makaʻala o kahi honua maʻamau, mai kahi ʻoiaʻiʻo maoli, e hoʻokaʻawale iā ia iho mai nā hoʻonohonoho o ka maʻamau a lilo i opaque, malihini, ironic a, akā naʻe, aia i nā wahi a pau me ka ikaika o kahi mea ʻike ʻole.
Palika liʻiliʻi
ʻO Justo Navarro's noir kahi moʻolelo revisionism i ka ʻimi ʻana i ka wehewehe manuahi o ka mōʻaukala XNUMXth century i piha i nā wahi malu i hūnā ʻia e nā kaua anuanu, espionage, icy horizons a me nā aka hewa ʻaʻole e pau ma waena o ka nationalisms, ambitions a me nā kumu ʻē aʻe o ka mana.
Palika, Malaki 1943: Ke eo nei o Kelemania a me Italia i ke kaua. Ma hope o ka hoʻouka kaua ʻana o Anglo-ʻAmelika i ʻApelika ʻĀkau a me ka haʻalele ʻana ma Stalingrad o Field Marshal Paulus, aia ka pōʻino koa nazi-fascist i ka lewa, ʻo ka pae koke ʻana o nā hoa pili i ʻEulopa. He iwakālua mau makahiki ma mua o ka hoʻoponopono ʻana i nā hewa a Granada i huli ai, ua ʻike ʻo Komisina Polo iā ia iho i Paris ma kahi pōʻino, makaʻu ʻo ia ʻaʻole hiki ke hoʻopau i kahi huakaʻi e mau ana i kekahi mau lā. I nā wā kaua, ʻaʻole ia he mea maʻamau ka mea i hoʻolālā ʻia he kanahikukūmālua mau hola huakaʻi e hoʻolōʻihi i nā mahina, makahiki a i ʻole mau makahiki, a i ʻole e lilo i pio mau loa.
A neʻe ʻo Polo i kahi Paris liʻiliʻi, ʻo Petit Paris, piha i nā poʻe pōʻino: nā loio a me nā mea nūpepa nāna e hoʻokō i nā hana mākaʻi ma nā lawelawe consular o Sepania, nā hoa hana Gestapo ma ka ʻimi ʻana i nā Repubalika Sepania ma ka holo. Ma waena o nā limahana o ka pūʻali Paniolo, ʻekolu mau make ʻino i hana ʻia ma lalo o hoʻokahi mahina, a ma ke kikowaena e ʻike ʻia ai ka pepehi kanaka ʻana o ka nani ʻo Matthias Bohle, he mea hoʻopunipuni me kahi ola enigmatic nāna, ma lalo o kekahi inoa ʻē aʻe, ua lanakila ʻo Granada ma 1940. , me ke komisina hiki ole ke hookiekie ia Polo, a ua pau i Parisa mahope o ka aihue ana i eha kilo gula mai kekahi mea hana hana i kauoha aku ia ia e hoowahawaha ia ia mai Sepania.
Soon Polo e hoʻomaka e noiʻi i kona make, kokuaia e collaborators e like me ka insecure e like me na mea a pau i loko o ke kūlanakauhale: ka loio Palma, aneane he papalua o Polo rejuvenated kanaha makahiki a me ka Gestapo kāleka, ka mea i ike i ka punawai o ka opiopio i loko o ka huikau. o gin, Dubonnet a me amphetamines; ʻO Alodia Dolz, ka heroine o ka National Crusade, ka luna o ka Fifth Column, ka mea i ola i ʻekolu mau makahiki o ka hana huna huna ma Madrid ʻulaʻula: "Inā ʻaʻole lākou i pepehi iā ia i kēlā manawa, ʻaʻole lākou e pepehi hou iā ia." He ʻeleʻele maʻemaʻe ʻo Polo's Petit Paris, kahi kūlanakauhale e hoʻopilikia ai i ka moʻomeheu kahi e moe ai a hoʻopunipuni nā mea a pau ma ke ʻano he ala wale nō e ola ai. He moʻolelo hoʻohiwahiwa a me ka manaʻo - me ka mahalo iā Simenon, Leo Malet a me Modiano - e pāʻani ana me nā pūnāwai o nā ʻano e like me nā mākaʻi a me nā mākaʻi e lawe hou aku iā lākou.
Granada Nui
Hōʻike ʻia ka chronology o Komisina Polo ma ka ʻaoʻao ʻē aʻe i ka manawa kūlohelohe. No ka mea, ʻoi aku ka maikaʻi o ka ʻike ʻana i ke ʻano i hoʻopiha ʻia me kāna mau ukana a pau e hoʻohilahila ana i ka ʻano a me ke ʻano i nā hanana. ʻOi aku hoʻi i ka hihia o kahi mea noiʻi e like me Polo. A laila e hōʻea mai nā hana hou me nā kumu o ka modus operandi ...
1963: ua ala ka loio i make i loko o ka hōkele, i loko o ka Granada hina nui o ka makahiki o ke kaiakahinalii, a ʻo ka poʻe hoʻomake i ka pepehi kanaka e hoʻokahuli mālie i ka monopoly o ka make ʻino mai nā mākaʻi. Inā ʻoi aku ka liʻiliʻi o ka ʻoiaʻiʻo ma mua o ka cinematographic, e kamaʻilio mākou e pili ana i ka hihia o nā bachelors suicidal. Pehea e ike ai ke Komisina Polo kahiko, ka enekinia telecommunications, ka makaala o ka nana ana, ke kaula o ka televioni a me ke kelepona kiu mai kona mau aniani diopter he umikumamakolu? E ke kanaka maikaʻi, aloha i ka hoʻololi hou ʻana o ka Mokuʻāina Makai i kahi Hui Makai.
Makemake ʻo ia e ʻike i nā mea āpau, ʻike ʻo ia ma waho o kahi palena ʻoi aku ka maikaʻi o ka manaʻoʻiʻo ma mua o ka ʻike ʻana, a ke noiʻi nei ʻo ia i kekahi mau make i hiki ʻole ke pepehi kanaka: ʻo ke poʻo o ka mokuʻāina a me kāna carousel o nā hierarchs e kokoke ana e haʻalele i ka mokuna waikahe. Elua wahine. ʻElua mau hoaaloha pili, no ka mea i kapa ʻia ʻo ka poʻe homosexual pōʻai: ka honua hoʻokahi kāne, male kāne wale nō a patriarchal, o ka poʻe e holo nei i ke kūlanakauhale cryptic. ʻO kēia nā makahiki hauʻoli o ka electronic Anglo-Americanization a me ka Soviet-American naʻi ʻia o ka lewa, pinball a me jukebox, ke kumu o ka wā e hiki mai ana, a ʻaʻole kānalua nā mea hōʻoia o ke kānāwai e hoʻohana i ka hewa no ka mālama ʻana i ke kauoha.
