Ke neʻe aku nei mākou mai ke akeakamai ma ke ʻano he kumuhana o ke aʻo ʻana a ma ke ʻano he ʻaukahu kūlohelohe, i kahi mea nui aʻe hiki ke hoihoi i nā palapala e pili ana i nā ʻike metaphysical ma ke ʻano he ala e hoʻoponopono ai i nā mea ʻino hou ma luna o ka moʻolelo o kōkua kōkua. ʻO ia ka mea a Byung-chul han nona nā moʻolelo akeakamai e huakaʻi i ka honua.
ʻAʻole ia he mea o ka hāʻawi pio ʻana i nā lima o Nietzsche. ʻAʻole ʻo ka hoʻāʻo e hoʻomālamalama iā mākou me ka clairvoyance e pane i ka pane i nā nīnau hohonu loa. He mea hoihoi wale ia i ka mea e hiki ke hoʻokaʻawale iā mākou, e hoʻokaʻawale iā mākou mai ko mākou makemake i loko o ka ʻike, nā kuʻuna, nā kuʻuna a me nā ʻano o ka maʻamau. hoʻolaha ma hoc.
ʻO kā mākou ʻike ʻana i kēia manawa i ka honua, ma o nā ʻoihana pūnaewele, e hoʻolilo iā mākou e like me nā pio i hoʻokolokolo mau ʻia. ʻO ka mālama ʻana i kāu mau pepa i mea e kūkulu ai i kou pale he mea nui ia e loaʻa ai ke kūʻokoʻa. No ka mea ma ka ʻokoʻa ma waena o ka pilikanaka a me ke kanaka, puka mai ka trompe l'oeil e hoʻohui iā mākou a pau i loko o ka hoʻopunipuni a i ʻole ka liʻiliʻi i loko o nā ʻano hoʻohālikelike like ʻole. He mea waiwai ka hauʻoli, ʻaʻole pono ka hana ma mua o ke kumu o ka leʻaleʻa. Ke koho nei nā mea ʻē aʻe i ka ʻike ponoʻī a pono ʻoe i loko, e kamaʻāina...
ʻO Byun-Chul Han nā puke kiʻekiʻe e 3 i ʻōlelo ʻia
ʻO ke kaiāulu o ka luhi
ʻO Byung-Chul Han, kekahi o nā leo akeakamai hou loa e kū mai i Kelemania i kēia manawa, e ʻōlelo nei ma kēia mea kūʻai aku maikaʻi ʻole i manaʻo ʻia, nona ke paʻi mua i kūʻai ʻia i loko o kekahi mau pule, ke hele nei kahi kaiāulu komohana i kahi hoʻololi paradigm. ke alakaʻi nei i kahi kaiāulu o ka luhi. E like me kā Foucauldian aʻo kaiāulu i hana ai i nā lawehala a me nā pupule, ʻo ke kaiāulu i hoʻokumu i ka huaʻōlelo ʻAe Hiki iā mākou ke hana i nā poʻe luhi, ʻole, a kaumaha hoʻi. Wahi a ka mea kākau, hiki ke pale ke pili wale i ka kaohi kūwaho.
ʻOi aku ka maikaʻi o ka hana maʻa iā ia iho ma mua o ka waho, no ka mea kōkua ʻia e ka manaʻo kūʻokoʻa. ʻOi aku ka maikaʻi a me ka hana o kēia ʻano hana no ka mea ua hoʻoholo manawaleʻa kēlā kanaka e hoʻohana iā ia iho i ka luhi. I kēia lā, nele mākou i ka hana hoʻomāinoino a i ʻole he mōʻī e kūʻē i ka ʻōlelo No. ʻAʻole. Ma kēia ʻano, ʻaʻole kōkua nui nā hana e like me Indignaos, na Stéphane Hessel, no ka mea, nalo ka ʻōnaehana ponoʻī i ka mea a ke kanaka e kū pono ai.
He paʻakikī loa e kipi ke lilo ka mea i hōʻeha ʻia a me ka mea hoʻokō, hoʻohana a hoʻohana ʻia. Ua kuhikuhi ʻo Han i ka ʻepekema e hoʻomaha a lilo i pāʻani pāʻani, alakaʻi i nā hopena hou loa, e haʻalele ka poʻe Komohana i nā manaʻo e like me ke kumu, ke akamai, a me ka hana ʻana mai ka wili ʻana a ʻimi i ka maʻalahi i ka noʻonoʻo ʻana: hanaʻuʻuku, a laila mākou e hana hou aku. '
A i ʻole he kuhi wale paha ka Kina, nona ka ʻike kumu ʻole a me ke akamai i ʻike ʻole ʻia, ke kuleana no ka ʻaneʻane o nā mea hou - mai ka pasta a i nā ahi - i waiho i kāna hōʻailona ma ke komohana? Eia nō naʻe, hoʻomau kēia no ka mea kākau i utopia hiki ʻole ke kiʻi ʻia no kahi kaiāulu kahi e hana ai nā kānaka āpau, ʻo ia hoʻi ka luna kiʻekiʻe loa, e like me nā kauā, hoʻopaneʻe i ka leʻaleʻa no ka wā pau ʻole.
Ka nalo ʻana o nā hana
E ʻakaʻaka ʻoe iā ʻoe iho i ka malihini i kākoʻo ʻia e ka hōʻea ʻana mai o ka Revolution Revolution a satirized ʻia e Chaplin. Ua ulu ka mea i ka sophistication a me ka hoʻopili ʻana o ka ʻōnaehana me ka mea i manaʻo ʻole ʻia. ʻAʻohe manawa e hoʻonele ai, pōloli mau ka mīkini.
ʻO nā Rituals, ma ke ʻano he hana hōʻailona, hana i kahi kaiāulu me ka ʻole o ke kamaʻilio ʻana, ʻoiai ua hoʻokumu ʻia lākou ma ke ʻano he hōʻailona, me ka lawe ʻole ʻana i kekahi mea, e ʻae i kahi kaiāulu e ʻike i ko lākou mau hōʻailona hōʻailona i loko o lākou. Eia naʻe, ʻo ka mea i lanakila ma mua i kēia lā ka kamaʻilio me ke ʻole ke kaiāulu, ʻoiai ua nalowale nā hana kaiaulu.
I ke au o ke au o kēia wā, kahi o ka likelika o ke kamaʻilio ʻana he mea nui, ʻike ʻia nā loina he obsolescence a he dispensable hindrance. No Byung-Chul Han, kona nalowale holomua e alakaʻi i ka luku ʻia o ke kaiāulu a me ka disorientation o kēlā me kēia. I loko o kēia puke, hoʻokumu ʻia nā hana kuʻuna i kumu ʻokoʻa e lawelawe ana i nā contour o kā mākou kaiāulu. No laila, kahakaha ʻia kahi moʻokūʻauhau o kāna nalo ʻoiai ʻike ʻo ia i nā pathologies o kēia manawa a, ʻo ka mea ʻoi loa, ka erosion e pili ana i kēia.
ʻAʻohe-mea: Panakalupa o ko kēia ao
ʻO ka noʻonoʻo ʻoiaʻiʻo a hiki i ka hoʻoponopono ʻana i ka pilina a mākou e hoʻokomo ai iā mākou iho i ka intangible. ʻO ka hana ikaika, ka Matrix, hana kanaka ma ke ʻano he naʻauao akamai e hoʻomalu iā mākou liʻiliʻi, hiki ʻole ke hoʻihoʻi. Hoʻopau ʻia ka ʻoiaʻiʻo a lilo nā hanana i mea liʻiliʻi, ʻaʻole maoli ...
I kēia lā, ua nele ka honua i nā mea a piha i nā ʻike pīhoihoi e like me nā leo disembodied. Hoʻopau a wehe ka Digitization i ka honua. Ma kahi o ka mālama ʻana i nā mea hoʻomanaʻo, mālama mākou i ka nui o ka ʻikepili. Hoʻololi ka pāpāho uila i ka hoʻomanaʻo, nona ka hana a lākou me ka hana ʻole a me ka hana nui ʻole.
Hoʻopunipuni ka ʻike i nā hanana. Kūleʻa ia i ka hoʻonāukiuki o ke kahaha. Akā ʻaʻole lōʻihi kēia. ʻIke koke mākou i ka pono o nā stimulus hou, a maʻa mākou i ka ʻike ʻana i ka ʻoiaʻiʻo ma ke ʻano he kumu pau ʻole o kēia mau mea. Ma ke ʻano he poʻe ʻimi ʻimi, lilo mākou i makapō i nā mea mālie a unobtrusive, ʻo ia hoʻi nā mea maʻamau, nā liʻiliʻi, a me nā mea maʻamau, ʻaʻole e hoʻonāukiuki iā mākou, akā hoʻokau iā mākou i ka noho ʻana.
ʻO kā Byung-Chul Han essay hou e pili ana i nā mea a me nā mea ʻole. Hoʻolālā ia i kahi akeakamai o Phone ma ke ʻano he loiloi o ka ʻike kuʻuna mai kahi kuanaʻike hou. I ka manawa like, loaʻa hou iā ia ka hoʻokalakupua o ka paʻa a me ke aniani a hōʻike i ka hāmau i nalowale i ka walaʻau o ka ʻike.
