ʻO kekahi o nā mea kākau Pelekane i ʻike nui ʻia i kēia lā Ian McEwan. ʻO kāna hana novelistic (ua kū ʻo ia ma ke ʻano he kākau kākau a mea pāʻani paha) hāʻawi iā mākou i kahi hiʻohiʻona leʻaleʻa o ka ʻuhane, me kāna mau mea kūʻē a me kāna mau pae loli. Nā moʻolelo e pili ana i ka wā kamaliʻi a i ʻole ke aloha, akā i nā manawa he nui me kahi kiko o ka distortion e hoʻopau i ka hei ʻana i ka mea heluhelu i kāna eccentricity, i kona hōʻike ʻana i ka mea ʻē, i kāna hōʻoia o ka mea ʻino ma ke ʻano he ʻāpana o mākou ma mua o nā hiʻohiʻona a me nā ʻaha.
Ma hope o ka paʻi ʻana o Ian McEwan i kāna puke o nā moʻolelo pōkole mua i ka makahiki 1975, ua hele pū me ia ka ʻono no nā puke nuansa i nā manawa āpau, a ke haku nei i kahi waihona puke i loaʻa he iwakālua mau puke.
Eia hou, ua hoʻoliʻiliʻi hoʻi ʻo ia i nā noi moʻolelo a nā keiki, me kēlā helu heluhelu ambivalent mai ka wā ʻōpio a ʻōpio, a i ʻole e ʻike i nā nuances hou i ka wā makua, e hoʻoili mau ana i kahi ʻano hoihoi o ke kanaka.
Nā Manaʻo Manaʻo 3 kiʻekiʻe na Ian McEwan
La cucaracha
ʻAʻole e haʻalele ka hoʻomaka ʻana o ka puke moʻolelo i kekahi mea heluhelu, no ka mea, he wehewehe hou ia o ka hoʻomaka kaulana loa o Kafka's The Metamorphosis. Ma ʻaneʻi wale nō i hoʻohuli ʻia nā huaʻōlelo a ʻike mākou i kahi moʻo i kekahi lā, i kona ala ʻana, ʻike ʻo ia ua lilo ʻo ia i kanaka nui, ʻo ia hoʻi ke Kuhina Nui o United Kingdom, ʻo Jim Sams kona inoa. A ua ʻike ʻia ʻaʻole ʻo ia wale nō ka cockroach i hoʻololi ʻia i mea kālai'āina e neʻe nei ma waena o nā echelons o luna.
Kāhea ke kuhina nui i ka poʻe e hoʻokau iā ia iho ma luna o nā mea āpau a me nā mea a pau: ka kūʻē, ka poʻe kūʻē mai kāna ʻaoʻao ponoʻī a me ka Parliament a me nā lula kumu o ka demokala. ʻO kāna hoʻolālā hōkū e hoʻokō i kahi manaʻo hoʻokele waiwai lapuwale i kapa ʻia ʻo "reversionism", nona ka manaʻo maikaʻi e hoʻololi i ke ala o ke kahe o ke kālā, no laila e uku kekahi i ka hana a loaʻa ke kālā e kūʻai ai. ʻO kahi ʻano hoʻokalakupua i manaʻo ʻia e hoʻoponopono i nā pilikia āpau ...
Huli ʻo McEwan iā Kafka e hōʻike i kahi ʻoiaʻiʻo i loaʻa i ka nui o Kafkaesque iā ia iho, akā ʻo ka ʻōlelo nui i hoʻokumu ʻia i kāna ʻōlelo hoʻomāinoino ʻo Jonathan Swift, kekahi o nā haku o ka hoʻohana ʻana i ka ʻakaʻaka e hōʻike i ka naʻaupō a hakakā iā ia. Ma muli o ka hopohopo a me ka huhū, ua kākau ʻo McEwan i kahi puke pilikia pōkole, ikaika, a huhū hoʻi e hōʻino ana i ka hoʻohaʻahaʻa weliweli o ka papa politika a me nā pōʻino e pili ana i kēia.
Part I
Kāhea ʻia nā mea aloha kaumaha o Molly Lane i ka make ʻana o ka wahine manuahi. He mau kāne ʻehā lākou i aloha iā ia i nā manawa like ʻole i kona ola.
Mai ka pupule kanaono mau makahiki i ulu ai kāna ʻōpio libertine i kahi pilina ʻekolu ala ma waena o ka mea i make me Clive he mea hoʻokani pila a me Vernon ke kanaka ʻōpio kamaʻilio e hoʻopau ana i ka nūpepa, ma o kāna male ʻana iā George Lane, kekahi o nā ʻano. ʻoi loa ka waiwai ma ka ʻāina a hiki i kona hopena ʻana iā Julian Garmony, kahi lima ʻākau a ka mea pono ʻole i kūpono ʻole i ka manaʻo o nā mea aloha ʻelua o ka wā ʻōpio.
Aia a hoʻonohonoho ʻo George Lane i nā mea āpau ... ʻO ka mea a ke kāne a Molly i hoʻoili ai iā Vernon ma ke ʻano he mea kākau moʻolelo he pōkā maoli. ʻO Garmony, ma lalo o kona helehelena ma ke ʻano he kanaka hanohano o ka pono conservative, me he mea lā e kaʻana like i nā pāʻani erotic me Molly i kēia manawa, i ʻike ʻia i loko o kahi paʻi kiʻi, e hoʻololi i nā mea āpau i poma ...
Nā haʻawina
ʻO nā maka o ke ʻano, ʻoiai inā he kamaliʻi ʻo ia, ke alo nei i nā loli, nā instabilities a me nā mutations o ka honua i hoʻopaʻa ʻia i nā vagaries o ka makemake kanaka, ʻaneʻane ʻaʻole maikaʻi loa, kokoke mau makapō. ʻO kēia ke ʻano o ke aʻo ʻole ʻana o nā keiki e pili ana i nā loina theoretical. ʻO ka kū'ēʻana o nā haʻawina e aʻoʻia e lilo i kanaka pono ...ʻOi aku hoʻi i ka wā e waiho waleʻia ai kekahi ma mua o ko lākou manawa a pono e hana i nā hoʻoholo i kūponoʻole akā akamai mau i ka hanaʻana i ka nohoʻana i kahi kaulike paʻaʻole ma waena o ke keiki a me ke keiki. ke kanaka makua.
I kona wā kamaliʻi, ua hoʻouna nā mākua o Roland Baines iā ia i ke kula hānai. Ma laila, mamao loa mai ka mālama ʻana i ka ʻohana, ua lawe ʻo ia i nā haʻawina piano me kahi kumu ʻōpio ʻo Miriam Cornell kona inoa, me ka mea i loaʻa iā ia kahi ʻike hoihoi a me ka ʻeha ma nā ʻāpana like, e hōʻailona ai i kona ola mau loa. Ua hala nae na makahiki: Ua kaahele o Roland, ua noho ma na wahi like ole, ua mare a ua hanau keiki. Akā i ka haʻalele ʻana o kāna wahine ʻo Alissa Eberhardt iā ia me ka ʻole o ka wehewehe ʻana, haʻalulu nā kumu o kāna ʻoiaʻiʻo, a koi ʻia ʻo ia e kūkulu hou i kāna mau hoʻomanaʻo a pau e hoʻāʻo e hoʻomaopopo i ka mea i hana ʻia.
Mai kona wā kamaliʻi ma Tripoli, kahi i hoʻonoho ʻia ai kona makuakāne koa ma mua o ka hoʻi ʻana o ka ʻohana i ʻEnelani, ua hōʻailona ʻia ke ola o Roland e nā hanana nui o nā makahiki he kanahiku i hala: ka pilikia Suez, nā missiles Cuban, ka hāʻule ʻana o ka Wall Berlin, Chernobyl, ʻO Brexit, ka maʻi maʻi ...
He huahana o kona manawa, he keiki o ka wā ma hope o ke kaua, ua like kona noho ʻana me nā haunaele o ka hapa lua o ke kenekulia XNUMX a me ka hoʻomaka ʻana o ka XNUMXst. ʻO ke keiki mua, a laila ke aloha, ke kāne, ka makuakāne a me ke kupuna kāne, lele ʻo Baines mai kahi hana i kekahi, ʻike i ka wahine, nā lāʻau lapaʻau, ka pilina a me ka hemahema. A ʻoiai ʻo ia e nīnau nei i ke ala o kona ola ʻana, ke hoʻomau nei ka mea i hana ʻia me ke kumu.
Ua kākau ʻo Ian McEwan i kāna moʻolelo lōʻihi loa a i ʻole kāna moʻolelo koʻikoʻi loa, ma hope o ka Atonement a me nā hana ʻē aʻe i hōʻailona ʻia e ka mōʻaukala a me kāna mau hoʻololi e like me Chesil Beach a i ʻole Operation Sweet. ʻO nā haʻawina he moʻolelo wiliwili e pili ana i kahi ʻano e hoʻāʻo nei e hoʻomaopopo i kona ola i loko o kahi honua e loli a hoʻoweliweli.
Nā puke ʻē aʻe i manaʻo ʻia e Ian McEwan
ʻO ka Māla Cement
Inā aia kahi manawa e pono ai ke kanaka i kahi mana makua a makua paha ʻo ia ka ʻōpio. ʻAʻole wau i manaʻo i ka nui o ke ola maʻamau i hiki i nā mākua ke hoʻolako.
Akā, pili ia i ka heleuma ʻana i kēlā ʻano hoʻolahalaha i ke ʻano o ka hoʻololi ʻana i ke ʻano makua, ʻoiai ʻaʻole hiki ke like me nā keiki e hōkū nei i kēia moʻolelo. Me ka makuakāne i make a me ka makuahine i hoʻomoe ʻia e ka maʻi maʻi mau, ʻike mākou i ka hoʻololi ʻana o nā keikikāne i ko lākou honua hou i ke ʻano o kā lākou hanana.
ʻO ka mea haʻi moʻolelo, ʻaʻohe mea ʻē aʻe o nā keiki, e wehewehe iā mākou me ka maʻalahi o ka mea i loaʻa ʻole nā palena, kāna ala pono ʻana i ka honua me ka ʻaʻohe ākea no lākou āpau.
ʻOiai ma kekahi ʻano, hiki ke hoʻokaʻawale ʻia ka manaʻo o ka hilinaʻi o ke kanaka, ʻaʻole hiki ke pale iā ia iho me kāna kumu ikaika, me ka ʻole o ka hoʻopio ʻana i nā pahele i hāʻawi ʻia mai ka ʻike iā mākou.
I nā ʻōpua
ʻO kekahi o kēlā mau puke me ka heluhelu pālua ʻana aʻu i kuhikuhi ai ma mua. Ke ʻano o ka retrospective o ke kanaka makua ma kāna paradaiso kamaliʻi kikoʻī.
Hele mākou i loko o nā kāmaʻa o Peter Fortune, ka mea i hoʻomaka me kāna moʻolelo mai ka makahiki 10, kahi manawa i alakaʻi ai kona manaʻo nui iā ia i loko o nā hanana pupule nui, e hāʻawi ana iā mākou i kēlā hiʻohiʻona moemoeā o kekahi o kā mākou wā kamaliʻi, a hiki i ka manawa e hiki ai. . o ka metamorphosis kūikawā i ka wā makua, haʻi ʻia e like me kekahi mau hana huikau i ka loaʻa ʻana o ke aloha mua ...
