Ke kali nei ka hapa nui o mākou no ka hoʻi mai o ʻO Joel dicker de ʻo ka Baltimore a i ʻole ʻo Harry Quebert. ʻOiai ʻoiaʻiʻo, ua hoʻohaʻahaʻa iki ʻia ka pā i kāna puke e pili ana i ka nalo ʻana o Stephanie Mailer.
Aia kēlā ma hope o kahi hoʻāʻo hiki ʻole ke lanakila, o ka hoʻomaikaʻi ʻana i ka haunaele i nā huli a me nā kukui i waena o nā mea pepehi kanaka he nui. Akā ua nalowale ke kahe kūlohelohe o ka hoʻolālā, ka loaʻa ʻana o nā kumu hohonu no ka hewa o ka hewa. I nā mea kākau ʻē aʻe e kala ʻia ʻo ia no ka mea maikaʻi loa ka puke. Akā ua maʻa ʻo Joel Dicker iā mākou i ka maikaʻi.
A ʻoiaʻiʻo ua emi ka ikaika o nā huapalapala. No ka mea ua ulana pū ka pilina ma waena o nā "kaikuaʻana" ʻo Baltimore i kahi pūnaewele punawelewele kupaianaha i hana i kahi hybrid maikaʻi ma waena o ka noir a me kahi existentialism e kānalua nei. ʻOiai i ka hihia o Harry Quebert, lilo kāna pilina me Marcus Goldman i ʻano anthological ma nā ʻaoʻao he nui, ʻoiai e pili ana i ka metala metala loa o kā lākou launa pū ʻana.
I ka hala ʻana o ka ʻaoʻao hope o kēia puke hou, ua huikau nā manaʻo. Ma kekahi ʻaoʻao, noʻonoʻo wau i ka hihia o ka lumi 622 e hoʻonui ʻia ma luna o nā hohonu like o ka hihia Harry Quebert, ʻoi aku ka nui i nā manawa ke kamaʻilio ka puke e pili ana i ka mea nāna i kākau, ʻo Joel Dicker i komo i loko o nā pilikia o ka mea haʻi moʻolelo i mimic i ka ʻo kahi mea mua ma ke ʻano he protagonist mua. ʻO kahi protagonist nāna i hāʻawi i ke kumu o kona lilo i nā mea komo ʻē aʻe āpau.
ʻO ke ʻano o Bernard de Fallois, ka mea hoʻopuka nāna i hana iā Joel i ke ʻano moʻokalaleo ʻo ia, ke hāpai nei i kēia mau kumu metala i kahi mea kūpono i loko o ka puke no ka mea pēlā ka kākau ʻana. Akā pau ia i ka pakele i ke ʻano o ka hoʻolālā, no ka mea, lilo ia i mea nui ma mua o ka mea e pili pono ana ʻoiai he ʻāpana liʻiliʻi o kona ākea.
ʻO ia ka hoʻokalakupua kaulana o Dicker, hiki ke hōʻike i kekahi mau mokulele i hiki iā mākou ke hele a piʻi i lalo i nā ʻanuʻu. Mai nā hale mai kahi e mālama ʻia ai nā manaʻo huikau o ka mea kākau e hoʻopiha i nā ʻaoʻao ma mua o ka hopena wale nō, ka make; i ke kahua kupaianaha kahi i hōʻea mai ai kēlā mau puʻupuʻu puʻupuʻu ʻē, nā poʻe o ka poʻe heluhelu e hoʻohuli i nā ʻaoʻao me ka cadence ʻike ʻole ʻole ʻia, me ka hubbub o nā huaʻōlelo e kani ana i waena o nā kaukani manaʻo like.
Hoʻomaka mākou me kahi puke i kākau ʻole ʻia, a i ʻole hoʻokū ʻia paha, e pili ana iā Bernad, ka mea hoʻopuka nalo. He aloha i haki ʻia e ka mana pio ʻole o nā huaʻōlelo i hana ʻia i ka papahana o kahi puke. ʻO kahi hoʻolālā e neʻe ana ma waena o ka manaʻo kipi ʻole o kahi mea kākau e hōʻike ana i nā mea mai kona honua a me kona manaʻo, ma waena o trompe lʻoeil, nā anagrams a ma luna o nā hana maalea e like me ka protagonist pono o ka puke: Lev.
Me ke kanalua ʻole, ʻoi aku ke ola o Lev ma mua o kekahi o nā koena i hoʻāla ʻia e pili ana i ka hewa i loko o ka lumi 622. A ʻo ka hopena ka hopena o ke kala i ke kala, ka mea nui ʻole, kokoke i nā mea kōkua i kekahi manawa, kahi pae maʻamau i lilo wale pili inā pili ke kipi i kahi moʻolelo no ka hewa. No ke koena o ka manawa e hele a puni ka honua i kahi hypnotic Lev ʻoiai ʻaʻole ʻo ia ma laila.
ʻO ka haku mele hope loa ma mua o kahi puke moʻolelo kalaima. Ma muli o ka loaʻa mau o ka haʻihaʻi haʻihaʻi o Dicker iā mākou e ʻike ai i nā mosaic moʻokalaleo o ke ola. Ke hoʻopau nei i ka mālama ʻana i ke kūpilikiʻi akā hiki iā mākou ke ʻike iā mākou i nā ʻano o ko mākou ola, i kākau ʻia me kēlā mau kākau ʻike ʻole like ʻia i kekahi manawa akā me ka manaʻo piha inā ʻike ʻia ka mosaic piha.
Koe i nā manawa i ʻaneʻane makemake ka mesianic e noho aliʻi ma luna o nā ola āpau i hana ʻia i kahi puke e weliweli a lulu iā ia e like me ka cocktail akamai. No ka mea ma kahi mokuna, i ka wā o kahi hanana, e lilo paha ka mea heluhelu i ka manaʻo nui ...
He mea ia e hoʻokau i kekahi akā. A he mea ia e kakali mau nei i nā mea mai kahi mea kūʻai aku maikaʻi loa me kēlā ʻano pilikino. E like me ka mea e hiki ai, ʻaʻole hiki ke hōʻole ʻia kēlā kanaka mua nona nā mea āpau i haʻi ʻia ai, me ka hoʻohui o ke ʻano o ka mea kākau ponoʻī, ua eo iā mākou mai ka manawa mua.
A laila aia nā wili kaulana, ʻoi aku ka maikaʻi i hoʻokō ʻia ma mua o The Disappearance of Stephanie Mailer ʻoiai ma lalo o kēlā mea noʻu kāna mea haku mele "The Baltimore Book." ʻAʻole poina i ke kāhiko momona, i ulana ʻia e like me nā mea pono e Dicker akamai a pragmatic hoʻi i ka ʻimi ʻana i nā lou hou. Kuhi wau i kēlā ʻano loiloi nani a kanaka hoʻi e loulou i nā ʻaoʻao me he mea lā e like me ka hopena, ka transient o nā mea āpau, ke aloha aloha i mua o ka hana maʻamau, nā moemoeā a me nā hoʻokele e hoʻoneʻe iā lākou mai ka hohonu ...
I ka hopena, pono e ʻike ʻia, e like me ka Lev kahiko maikaʻi, he mea hana mākou a pau i ko mākou ola ponoʻī. ʻAʻole wale kekahi o mākou i hele mai kahi ʻohana o nā mea hana i hoʻokumu ʻia: ʻo nā Levovitches, mākaukau mau no ka hanohano.
Hiki iā ʻoe ke kūʻai i kēia manawa "The Enigma of Room 622", na Joel Dicker, ma aneʻi:
1 manaʻo ma "The Enigma of Room 622, na Joel Dicker"