ʻO nā puke maikaʻi loa 3 na Niccolò Ammaniti

Ka moʻolelo o ammaniti He moʻolelo koʻikoʻi kona, e ʻimi mau ana i ka pono i kēlā me kēia hiʻohiʻona, i kāna mau ʻano, i kāna mau hana.

ʻAʻole ia he mea hou Paulo Coelho, no ka mea, ʻokoʻa ka nui o kā lākou mau moʻolelo ma waena o nā mea kupaianaha a me kahi realism e pīpī i nā ʻaoʻao o kā mākou ʻoiaʻiʻo i kēlā ala o ka haʻi ʻana i nā moʻolelo intra hoihoi. Akā he mea nui ia e ʻono ai i ka alegory ma ke ʻano he aʻo a i ʻole he hōʻike o ka humanistic no ka noʻonoʻo hohonu e ka mea heluhelu.

Me kahi ʻoihana moʻokalaleo i hoʻohui ʻia, ʻoiai he kūlike ʻole i kāna mau paʻi ʻana, ʻo Ammaniti kekahi o nā leo Italia o kēia kenekulia XNUMX, ke alakaʻi o kahi hanauna i hana i kahi puke i kū i nā wahi ma kāna ʻItalia i hoʻonohonoho ʻia.

Ke hana nei mai Italia i hana i kahi kāwele hana me kēlā ʻike piha o kāna mau lawehala ponoʻī a me nā ʻano maikaʻi, ua loli kēia mea kākau i kāna ʻano hana e pili ana i nā ʻano i hoʻopili ʻia i loko o kāna mosaic ponoʻī e hōʻike ana i ka paʻi o ka mea haʻi moʻolelo.

ʻO nā puke moʻolelo ʻoluʻolu ʻelua a Niccolò Ammaniti

ʻAʻole wau makaʻu

ʻOiai nā mea a pau, he paradaiso ka wā kamaliʻi. ʻOiai i loko o nā kūlana koʻikoʻi loa a me nā traumas e hiki mai ana, ʻo ka mea i ʻike ʻia e kēlā me kēia kanaka i nā lā o ka wā kamaliʻi ʻo ia wale nō ka paradaiso.

No ka mea o ka leʻaleʻa o ka honua mai ka maikaʻi a i ka maikaʻi ʻole o nā manawa o ka wā kamaliʻi e hele i kēlā kānana o ka manaʻo, kahi e noho pū ai nā moʻo a me ka hauʻoli, a kahi e ʻai ʻē ai ka lua i ka mea mua. ʻO kēia ka hihia no kekahi manawa, ma ka liʻiliʻi: ke kauwela wela loa o ke kenekulia. ʻEhā mau hale i lilo i ka palaoa. ʻEono keiki, ma kā lākou paikikala, e holoholo ma waena o nā kula. Ma waena o kēlā kai o nā koʻi, aia kahi mea huna weliweli e hoʻololi mau loa i ke ola o kekahi o lākou, ʻo Michele.

I ke alo, e ʻike pono ʻo ia i ka ikaika i kāna mau moemoeā kamaliʻi, ʻoiai e nānā ana ka mea heluhelu i kahi moʻolelo pālua: kahi mea i ʻike ʻia e nā maka o Michele, a me kahi moʻolelo ʻino ʻē aʻe, e pili ana i nā ʻelemakule o Acqua Traverse, kahi nūhou kaumaha i nalowale i waena o na mala palaoa. ʻO ka hopena he moʻolelo mana o ka hauʻoli haʻi moʻolelo piha, kahi e lewa ai nā lewa e pili ana i The Adventures of Tom Sawyer a i ʻole nā ​​Italian Folk Tales o Italo Calvino a i ka manawa kūpono i nā makana Viareggio a me Strega. ʻO kahi puke o ka loaʻa ʻana iā ʻoe iho ma o ka weliweli loa, a me ka pono e alo iā ia, ʻaʻole wau makaʻu he aloha weliweli i nā makahiki o nā pāʻani.

ʻO ʻoe a ʻo wau

Mai ʻO Salinger Ua kākau ʻo ia i kāna hana "The Catcher in the Rye", me ka wehe ʻana i ka manaʻo i ka hoʻomaʻamaʻa ʻana, ʻo ka ʻōpio a me kāna mau ʻaoʻao i kamaʻilio ʻia ma ka literaryly mai ka fantastic a hiki i ka purely existential.

Ma kēia hana, ʻike mākou i nā ʻano hou o ke aloha me ka manawa e puka mai ai nā keiki mai ka ʻohana chrysalis ʻoluʻolu e wehe iā lākou iho i kahi honua me ka ikaika e hiki ai iā lākou ke hoʻihoʻi i hope, e hōʻole ana i kēlā ao hou. ʻO kahi hoʻomaha mamao loa mai nā mea a pau, hoʻomākaukau kahi ʻōpio ʻumikūmāhā makahiki i hoʻomaka e ola i kāna moeʻuhane solipistic o ka hauʻoli: me ka hakakā ʻole, me ka hoʻonāukiuki ʻole o nā hoa kula, ʻaʻohe comedies a me nā moʻolelo.

ʻO ka honua, me kāna mau lula hiki ʻole ke hoʻomaopopo, ua noho ma ka ʻaoʻao o ka puka. Aia a hiki i kekahi lā kona kaikuahine, ʻeiwa mau makahiki i ʻoi aku iā ia, poha i loko o kāna bunker piha i ka ikaika a koi iā ia e wehe i ka pale maka o kahi ʻōpio paʻakikī a ʻae i ka pāʻani chaotic o ke ola ma waho. Kahi puke hoʻomaʻamaʻa kūikawā e hōʻike mai iā mākou i ka ʻike maka weliweli o kēlā ao ʻōpio i uhi ʻia e kahi hamo weliweli ma lalo o laila e hiki ai ke ʻeha, ke kuhi hewa ʻole a me ka makaʻu loa. Ma ke alo wale nō o kēlā mau manaʻo mua o ke eo ʻana o ke kanaka, hiki i nā uila o nā kaikunāne ke ulu mau e lawelawe ma ke ʻano he kākoʻo a ma ke ʻano he alakaʻi mua.

Anna

Ke hele nei i kahi ala lawehala i ka ʻoiaʻiʻo o Covid-19, ke kuhikuhi nei kēia maʻi o ka mea hoʻomaʻi e hoʻopau ana i nā mākua i nā ala like ʻole, e pau ana i ka hōʻike ʻana iā mākou me ka hiʻohiʻona koʻikoʻi o ka hiki ʻana i ke kanaka makua, ka loaʻa ʻana o ka mehameha ke hele nei ke keiki. waiho ʻia ma hope.

ʻO kahi virus, i hoʻomaka e hōʻike iā ia iho ma Belgian, ua pāhola a puni ka honua e like me kahi maʻi ahulau. He ʻano ʻē kona: make wale ia i ka poʻe mākua. Hoʻokomo nā keiki iā ia, akā ʻaʻole ia e pili iā lākou a hiki i ko lākou ulu ʻana. ʻO Sisilia i ka wā e hiki mai ana. Hoʻopau i nā mea āpau. Kāhea lākou i ka maʻi a ka maʻi e hana ai iā La Roja, a hoʻolaha ʻia nā manaʻo ʻē e pili ana i nā ala i pale ʻia. ʻO Anna, he ʻumikūmākolu ona makahiki, pono e hoʻopakele i kāna kaikaina ʻo Astor a hele pū me ia i kahi huakaʻi e lawe iā lākou i Palermo a laila i Messina. ʻO ke kumu: e hele i ke kaʻe a hiki i ka pae ʻāina, kahi paha ʻo Anna, ka mea e ʻimi nei i ka makahiki, e loaʻa kahi ala e hoʻopakele ai iā ia iho.

Hele pū lākou me kahi ʻīlio, a me lākou i kahi log kahi puke uhi ʻeleʻele a ko lākou makuahine i haʻalele ai iā lākou ma mua o kona hala ʻana. Ua kapa ʻo ia iā ia i nā mea nui a kākau i lalo i kekahi mau ʻōlelo aʻo kōkua no ke ola. ʻO Niccolò Ammaniti, ka mea i hana mua me ka wā kamaliʻi a me ka ʻōpio i loko o nā puke i hala mua maikaʻi loa, koi ʻo ia i ke kumuhana, a hana pēlā ma ka hoʻohui ʻana i ka fiction science ʻepekema dystopian, ka haʻi moʻolelo, a me ka puke hoʻomaka. Hiki iā mākou ke ʻike ma ʻaneʻi i nā leo o Golding's Lord of the Flies, a i ʻole Walkabout, kēlā kiʻi ʻoniʻoni a 1971 na Nicolas Roeg e pili ana i kahi kaikamahine ʻōpio a me kona kaikaina i nalowale i ka wao akua o ʻAukekulelia. I nā hihia āpau, loaʻa iā mākou kahi ao i noho wale ʻia e nā keiki. Pehea lākou e ola ai? Pehea lākou e launa pū ai me ka loaʻa ʻole o ke kūlana koʻikoʻi a me ka pale ʻana o nā mākua? Pehea ʻoe e hana ai me ka makaʻu a me ka maopopo ʻole?