ʻO nā puke maikaʻi loa 3 na Marta Sanz

Me kāna puke moʻolelo ponoʻī i ka ulu mau ʻana a ma laila mākou e ʻike ai i kahi liʻiliʻi o nā mea āpau ma waena o nā ʻano moʻolelo moʻolelo a i ʻole ka moʻolelo moʻolelo. ʻO Marta Sanz ʻO ia kekahi o nā mea kākau koʻikoʻi o ka moʻolelo Spanish o kēia manawa. ʻAʻole e nalo me nā peni palapala ʻē aʻe me nā carats e like me Betelehema Gopegui o Edurne portela.

ʻO ka nīnau e hoʻoponopono ai i kekahi manaʻo moʻolelo me ka solvency o Marta Sanz, ʻo ia ka mākaukau o nā mea hana i ka lawa, me ka noʻonoʻo a me ka noʻonoʻo e kaulike i nā mea āpau i kēlā hoʻonohonoho kahaha mau.

ʻO kēlā puke kēia puke na Marta Sanz i ʻike ʻole i ka mea e pūʻiwa ai. ʻO ka makana o mea kākau me ka hana lima nui ʻo wai ka mea hiki ke ʻaʻa e haʻi iā mākou i ka moʻolelo i manaʻo nui ʻole ʻia, mai ka loiloi ʻana i ke ʻano noir, i ka moʻolelo, ma o nā hoʻolālā o kēia au.

Akā inā aia kekahi ʻano e hoʻopili pū i nā mea āpau i kēia mea kākau, ʻo ia ka manaʻo o ka hou, o ka wiwo ʻole i ke ʻano a me ka mea. Ke waiho nei i kāna ala e ʻike ai i ka honua i kāna moʻokāki, pili ʻo Marta Sanz no ka mea ʻo lākou, nā mea hoʻokūkū o kāna mau hiʻohiʻona, neʻe me kahi ʻoiaʻiʻo maoli, me ka manaʻo ke hoʻomaka ka hoʻolālā, pau nā masquerade lehulehu. E mahalo ai i nā manawa ma hope o ka ʻoiaʻiʻo.

ʻO nā puke kiʻekiʻe e 3 a Marta Sanz i ʻōlelo ai

Paʻa nā pani metala

ʻO koʻu ʻono no ka dystopian kekahi mea o ka wānana o ka hopena o ka honua. A i ʻole ka manaʻo e hoʻohālikelike ʻia ke kanaka i kahi mea make ma ke ʻano he wānana hoʻokō ponoʻī ma waena o nā manaʻo o ka overpopulation i ka honua. ʻO nā manaʻo kahi i mākaukau mau ai ka mana e hoʻomau iā ia iho i nā koina āpau, i kēlā me kēia kumukūʻai. No laila, ʻo nā moʻolelo e like me kēia ke kāhea ikaika nei i koʻu manaʻo mai nā ala hou i nā hiʻohiʻona i kipa ʻia e ka lehulehu o nā mea kākau mai Orwell a i ʻole Huxley.

Hoʻokomo kēia moʻolelo iā mākou i ka honua e hiki mai ana o Land in Blue (Rhapsody). Ma laila, noho kahi wahine makua me Flor Azul, kahi drone kahi e kamaʻilio ai me kāna hoaaloha ʻo Bibi, ʻo ia ka leo o kahi mea hana keaka. ʻO ka wahine, mehameha a poina, noho kaʻawale mai kāna mau kaikamahine, ʻo Selva lāua ʻo Tina, mālama ʻia kēlā me kēia me kahi drone ʻē aʻe: ʻo Obsolescence me ka ʻōpio Cucú.

Noho ka wahine i kahi honua i hoʻokele ʻia e ka virtual, nā hui ʻāpana a me nā papahana o ka puʻuwai. He honua i hoʻomalu ʻia e ka hoʻohana ʻana, ka hoʻopaʻi ʻana a nā mākaʻi a me ka makaʻu i ka maʻi a me ka make, kahi e mālama ai nā mea hana i nā kupapaʻu mai ka pala. ʻO ke kani o kēia kūlanakauhale-ʻāina-honua ʻo ia nā pani metala e iho koke mai, kekahi o nā leitmotifs e hōʻuluʻulu a puni iā ​​​​lākou iho, e hana ana i nā puka lou a me nā nalu, i loko o kēia buffoonery dystopian. Akā ʻo dystopian e like me ka dystopias hope à la Vonnegut: me kā lākou mau manu liʻiliʻi e ʻōlelo aʻe nei i ka lele ʻana o ke ahi.

Piha i nā winks a me nā kuhikuhi (mai ka moʻomeheu kiʻekiʻe a hiki i ke kīwī kīwī, me nā ʻano ʻano pop pop), ka moʻolelo he puke liʻiliʻi no ka wā e hiki mai ana, he cyborg symphony, he leo kūʻē, he choreography o ka neoneo, kahi vanitas hou ma mua o postmodernism, a , ma luna o nā mea a pau, he neo-romantic novel o drones i ke aloha me na wahine a lakou e malama a kiu ma, hoohuli Coppelias, sentimental vampires, hoʻowahāwahā i ke akua o ka algorithm, moeuhane, aniani, enchantments a me nā kipi: puna hiki ke puka mai ka. ʻO ka pōʻeleʻele i hoʻouluʻia e nā mea iʻikeʻoleʻia.

ʻO Clavicle

Inā maopopo iā mākou ka moʻokalaleo e like me ka hana naʻauao i ka waiho ʻana i ka ʻeleʻele i ke keʻokeʻo ʻo wai mākou, hiki i kēia "novel" autobiograpical ke hōʻike i ka manaʻo maoli maoli o kā mākou psyche e nānā nei i nā hanana i hōʻino iā ia.

ʻO ke kumu hope loa e ola ai ka make ʻana. A ma lalo o kēia kūʻē nui, ka ʻoiaʻiʻo o ka hypochondriac e loaʻa ai ke ʻano o ka waiwai mau, ka ʻike ʻana i nā mea āpau. A laila aia ka ʻōlelo, ka palapala. Kuhi nā hoʻopaʻapaʻa ma mua i nā metaphysics hohonu. A ʻo ka ʻōlelo naʻe ka pono kūpono e naturalize i nā mea āpau ma hope o kāna hoʻoponopono pono ʻana.

ʻO nā ʻōlelo pōkole akā pahū, nā axioms i ʻae ʻia e hoʻoheheʻe e like me ka huʻa kai, nā hōʻailona, ​​ka haikus o kēlā me kēia lā, kuhikuhi nā mea āpau i kahi neʻe ʻana e huki i ka ʻoiaʻiʻo e ʻike ʻia i kona ʻano maka, me ka ʻole o nā huna. A hana maʻalahi nā mea āpau., Mai ʻo ka ʻike o ka mea kākau ponoʻī, ua kau ʻia i ka kekelē kolu maʻamau e kau ʻia e kēlā me kēia kanaka iā ia iho, e hōʻike ana iā ia iho i kāna mau makaʻu a me nā kānalua i ka manawa i manaʻo nui ʻole ʻia.

ʻEleʻele, ʻeleʻele, ʻeleʻele

I nā puke moʻolelo hewa he mau maʻa mau nā lālā ʻelua, ʻo ka hihia ponoʻī a me ka mea noiʻi. No ka mea ʻaʻole lawa ka hewa i ka lawehala inā ʻaʻole ia i kūʻē i ka gehena o ka mea noiʻi ma ka hana.

A ua ʻike ʻo Marta Sanz i ka manawa kūpono a noʻonoʻo ka decompensate i kēia mea. No ka mea ʻo Zarco, kāna mākaʻikaʻi, ke kiaʻi o ka pepehi kanaka ʻana o Cristina Esquivel, pololei ..., akā ʻo ka mea nui nui, ʻo ia ka pilina pilikino me kāna wahine mua, ʻo Paula, no ka mea i hiki iā Paula lāua ʻo Zarco ke ʻike, ma mua o kāna hōʻike ākea iā ia iho me he kāne lā, hiki iā ia ke hāpai i hoʻokahi tausani mau pilikia e kali ana i loko o kēlā wahaheʻe nui e pili ana i kāna male.

E male ana lākou no ke kumu, me ke kanalua ʻole. A mai kā lākou mau kāhea mau a me nā kamaʻilio waiwai, maopopo iā mākou he mau ʻuhane ʻelua lākou ma kā lākou mau pou pono ʻē aʻe, ʻoi aku ka maikaʻi, ʻoiai ʻaʻole mākou e haʻalele i ka hihia āpau o ka wahine ʻōpio i pepehi ʻia. No ka mea ma hope o ke kamaʻilio ʻana me Olmo, kahi kāne ʻōpio a Zarco e makemake ai ma mua o ke kamaʻilio wale ʻana, ua ʻike ʻia ka diary a kona makuahine, ʻo Luz, me he mea lā ʻaʻole ia he mea weliweli no ka mea kahaha ʻo Machiavellian e hoʻonohonoho pono i kona kaiāulu, ma ke ala maikaʻi loa. .

Nā puke ʻē aʻe i manaʻo ʻia e Marta Sanz

Kaena

Ma hea kahi makaniʻino e hiki ai ke holoi i nā mea āpau. Ma hea nā hopena āpau i ka hopena a hoʻomaka i kahi ʻino hou. He maka makani pāhili ka mālie āpau i ka honua i nohoaliʻi ʻia e nā manaʻolana hiki ʻole, ka manaʻo, nā makemake a me ke ola a piha.

ʻO ka wahine wahine ʻo Valeria Falcón kahi hoaaloha o Ana Urrutia, kahi hanohano kahiko i loaʻa ʻole kahi mea e make ai. Ua hāʻule kāna hāʻule me ka puka ʻana o Natalia de Miguel, kahi ʻōpio makemake e aloha i ka cynical Lorenzo Lucas. Kūʻē ʻo Daniel Valls i kāna kūleʻa, kāna kālā a me kāna mea hoʻonani me ka hiki o kāna hoʻokō politika. ʻO Charlotte Saint-Clair, kāna wahine, mālama iā ia e like me kahi geisha a inaina iā Valeria, kahi hoa aloha o Daniel.

ʻO kahi hahau, ke kiʻi keaka o Eva i ka nude a me ke kau inoa ʻana o kahi manifo e ʻike ai ka mea heluhelu: kahi moʻolelo e pili ana i ka makaʻu i ka nalo ʻana o kahi. Ma ke kūpaʻa i ka metamorphosis a me kona maʻalahi - a i ʻole. E pili ana i ke ʻano o ka reactary i kēia lā. Ma nā loli ʻōlelo e hōʻike ana i nā loli i ka honua. I ka nalo ʻana o ka hanohano o ka moʻomeheu a me kona hiki ke komo i loko o ka ʻoiaʻiʻo. Ma ka hoʻohaʻahaʻa o ke kiʻi o ka mea pena. A me kāna precariousness. E pili ana i ka lehulehu.

Ma ka hoʻololi hanauna a me ka ʻelemakule. E pili ana i nā mea hana keaka e kau inoa i nā manifesto a me nā mea hana ʻilihune ʻaʻole kākau inoa i kekahi mea no ka mea ʻaʻohe mea e noʻonoʻo pono iā lākou. Ma ka paradox ʻoiai ke inoa inoa ʻole kekahi e hoʻomaka ʻo ia e lawelawe i kahi mea i kona kaiāulu. Ma ke aloha e like me ka hewa a me ke aloha aloha e like me kahi loop reproductive o ka pono ʻole. Ma ke hiki ke kaua ʻia ka ʻōnaehana mai loko o ka ʻōnaehana. ʻO kahi kaʻe, hoʻomākeʻaka, kaumaha, kikoʻi, ʻōlelo wikiwiki. Hōʻike ia i ka ʻoihana.