A cikin wannan wallafe -wallafen da ke fahimtar ɗaukaka a matsayin motsa jiki na ɗabi'a, ƙwarewa da kuma iya zama zurfin muhawara zuwa ga wanzuwar, Marcel Proust zai zama ɗaya daga cikin ginshiƙanta mafi ƙarfi. Musamman a cikin ƙarni na ashirin an ba da daidai don ceton a cikin adabi mafi kyawun wayewa wanda ya nuna mafi munin fuskar da aka sani a cikin ƙarni na ƙarshe, an tuna da yaƙe -yaƙe (ban da manyan barazanar duniya) tare da manyan makamai.
Tabbas, kowane marubuci ya fara zama a kan kujera tsakanin nasa. Say mai CelineNan take zuriyar adabin Faransanci, shine ɗalibi mai hazaka wanda a wasu lokutan ya zarce malami a cikin wasu manyan ayyukansa.
Amma a matsayin gaskiyar bambanci a yanayin tHar ila yau likita Louis Ferdinand Céline, Ya kamata a lura cewa karin maganarsa tana ƙarewa kusa da wannan asalin da aka ambata a baya Emil Cioran ne adam wata fiye da Proust. Dole ne ya zama lamari ne na ƙaddara da aka saba da shi da yawancin likitocin da ke da hannu cikin marubutan kusan karni na ashirin kamar Pio Baroja o Chekhov.
Mai kasada a cikin mafi mahimmancin ma'anarsa, ya ji rauni a cikin yaƙi, likitan likita kuma ya yi aure a lokuta da yawa, Céline ya zuba a cikin adabinsa wanda ya fito ba zato ba tsammani a cikin shekaru talatin, ba kawai hasashe mai zurfi da tunani mai zurfi ba amma har ma wani ɓangare na ƙwarewar sa.
Manyan Labarai 3 na Céline
Tafiya zuwa ƙarshen dare
Ba da daɗewa ba aka nemi kwatancen tare da Proust a cikin wannan sabon labari wanda aka sanya blog mai wanzuwa cike da gogewa kuma aka kawata shi da buri, wataƙila buri ko laifi ... duk wannan tunanin da marubuci ya juye lokacin da ya furta cewa aiki yana da ɓangaren tarihin rayuwa.
Kuma wataƙila matsalar ita ce, ƙarancin sha'awa a cikin lissafin bayanai daga baya. Saboda ta wata hanya wannan labari ya zarce fannonin «A Neman Lost Lost», ba a cikin babban yanayin gininsa ba, a cikin wakilcin aikin almara ya kusan zama cikakkiyar yanayin rayuwa a matsayin zanen hoto na zahiri, amma a aƙalla a cikin wannan gaskiyar ta kusanci da mafi girman ƙarfin abin da ke gaskiya per se, na abin da aka dawo da baƙar fata akan farin daga rayuwa kanta don gamawa ta hanyar ƙawata shi da wannan kyakkyawan labarin babban marubuci. Domin wannan littafin yana da wannan ma'anar Homeric na tafiya mai wucewa a ƙarshen dare ko zuwa tsakiyar ruhin ɗan adam, tare da duhunta da yuwuwar fitowar ta.
Babban jarumin Ferdinand Baradamu yana yawo cikin duniyar da ke cike da tsananin so da kauna, tsananin sa da rikice -rikicen sa suna daidaita yanayin ɗan adam. Tunanin wurare da yawa wanda marubucin ke zaune a ƙarshe ya sa wannan labari ya zama aiki mai ban sha'awa don dandana kamar wannan babban kwalban da aka buɗe don bikin. Tare da fa'idar da za a iya sake buɗewa da sake karantawa don gano sabbin nuances a lokuta daban -daban na rayuwar mai karatu.
Mutuwa akan bashi
Tare da sanannen sanannen patina har ma a wasu lokuta a cikin yarensa -wani abu da ya zama dole saboda bayyanannen saiti a cikin unguwannin kaskantar da kai-, wannan labari na biyu, wanda aka rubuta a cikin kyawawan shekarunsa bayan ɓarkewar sa (rikice -rikice sun haɗa) a duniyar adabi, yana haifar da bil'adama daga rayuwa.
Saboda Céline ya sani, kamar kowane marubuci da aka ba shi wannan muhimmin ikon kallo don fallasa ainihin gaskiya, cewa haruffan da ke shiga cikin rami kawai sun san cewa suna rayuwa. Abubuwa suna wanzu ta kishiyar su a wannan duniyar. Ana jin daɗin farin ciki ne kawai lokacin da ya zo, da sanin baƙin ciki. An san ɗan adam ne kawai, a matsayin kyakkyawar dabi'ar kalma, lokacin da ta sha wahala daga sauran bil'adama da ke iya cutar da kansa.
Mafi ban dariya mai ban dariya, dariya tare da muryar rashin nasara, ana jin daɗin sa ne kawai lokacin da kuka san yadda ake yarda da cewa ku masu ƙyama ne, ko sarki ne ko kumbiya -kumbiya (kawai abin da ɓarayi suka gano a baya kuma shine dalilin da yasa zasu iya yin dariya mai zafi). Tabbas, mai ba da labari na mutum na farko ya sa mu shiga cikin manyan abubuwan binciken daga ƙananan abubuwan jin daɗin da aka hana su a hukumance a fannonin kyawawan halaye. Jiki, jinsi, isar da shi ga hedonism na wani jarumi wanda, maimakon ci gaba da rayuwa, yana yawo yana ɗokin kai hari ga abin da zai iya, don buɗe sha’awoyin da ya aikata. Sauran, na wucewar kwanakinsa tsakanin tsari mara kyau da ayyuka masu sauƙi a gare shi shine sauran fatar wanda ya rasa wanda ya san kansa yana mutuwa da wuri maimakon daga baya.
Fantasy don wani lokaci
Ofaya daga cikin manyan bambance -bambancen da ke cikin aikin Céline ya bayyana a cikin sabanin tsakanin ƙyalli na ƙididdigar, dacewa da kalmomin, wadatar ƙamus ɗin lokacin da aka saita shi daidai kamar jauhari tare da ma'anar da ake nema ..., duk wannan kamar yadda na faɗi sabanin wannan ma'anar rashin nasara, na rashi wanda kallon wannan littafin ya burge, tare da sabon ma'anar tarihin rayuwar da aka gurbata, a ƙoƙarin gabatar da mafi munin a matsayin mafi munin ba tare da ɗimuwa ba.
Babu sublimation ko juriya, kawai wannan banbanci mai ban sha'awa tsakanin kyawun harshe da rubewar baƙin cikin ɗan adam. Tare da tunanin da aka sanya anan da can (wanda a wasu lokuta yana jan hankali daga asalin labarin makircin) an gaya mana game da duniya cewa mai yin gwagwarmaya yana shiga tsakanin yaƙe -yaƙe inda kawai shan kashi da wahala ke wucewa, a cikin gidajen yari wanda ya wuce cikin dawowar ɗaci. gidan waɗanda suka riga sun rasa rayukansu kuma an la'anta su da kusanci na ruhaniya, ba za su sami hutu ko bege ba.
