Agus Ă© ina stiĂșrthĂłir aitĂopĂșil, bĂonn Woody Allen thar a bheith spreagĂșil mar gheall ar an sainiĂșlacht sin a mhĂnĂonn gach gnĂ© Ăł fhĂłcas difriĂșil nĂĄ na cinn is gnĂĄch. BâfhĂ©idir gurb Ă© sin an fĂĄth nach Ă© Allen an t-iontach tipiciĂșil a dâiompaigh an mac is fearr leis an Hollywood is trĂĄchtĂĄla (nĂos lĂș fĂłs tar Ă©is lĂomhaintĂ ominous ĂĄirithe nach bhfuil mĂ© chun a mhionsaothrĂș). Agus fĂłs, tĂĄ a legion de lucht fĂ©achana dĂlis scaipthe ar fud go leor ĂĄiteanna eile ar domhan.
Gan a bheith ina fhĂĄidh ina thĂr dhĂșchais, seasann Woody Allen freisin do pharaidĂm Nua-Eabhrac an lae inniu, contraphointe croinĂ©il na cathrach mĂłr agus an ceann a bhĂonn i gcĂłnaĂ aigĂ©adach, Fran. Lebowitz. Agus tĂĄ sĂ© sin fiĂș amhĂĄin i bhfĂs liteartha, Woody Allen Tugann sĂ© orainn pĂĄirt a ghlacadh san rĂ©alachas sin atĂĄ luchtaithe le suibiachtĂșlacht nĂĄireach, san uaillmhian shlĂĄintiĂșil a bhealach a tharchur chun na carachtair a rianĂș go rĂ©altacht reatha.
Ar bhealach ĂĄirithe tĂĄ oscailt dĂ©chotĂłmach an anama sa rud a rollann Allen don domhan, rud a lĂ©irĂonn contrĂĄrthachtaĂ sna hinnill a ghluaiseann carachtair mar uirĂll daoine. Ansin tĂĄ an teagmhĂĄil seans sin ann a dâfhĂ©adfadh nĂos mĂł ĂĄdh a bheith mar thoradh air (go hannamh nĂł ar feadh tamaill ghearr) nĂł doom (beagnach i gcĂłnaĂ agus nĂos faide). Is Ă© an tsintĂ©is nĂĄ maireachtĂĄil, stoicism, deis. Achoimre ar an saol a ĂșsĂĄideann Woody Allen mar dhĂșnadh go leor dĂĄ scannĂĄin.
Na 3 ScannĂĄn is Fearr a mholtar Woody Allen
Match Point
AR FĂIL AR AON CHEANN DE NA ARDĂIN SEO:Nuair a roghnaĂtear scannĂĄn chomh dĂ©anach sin i ngairm Allen lĂ©irĂonn sĂ© nach raibh duine an-dĂĄirĂre i gcĂłnaĂ. BhĂ an cur chuige sin ag tiontĂș cosĂșil liomsa cosĂșil leis an gceann a tharlaĂonn nuair a athfhionnaĂtear tairbhĂ agus fĂ©idearthachtaĂ glasraĂ. Agus coigeartaĂonn cĂĄch do riachtanas, staid, Ă©abhlĂłid. Mar sin go beacht is Ă© an scannĂĄn seo, lena lĂ©amh deiridh faoi sheans, a bhuaigh mĂ© ar a chĂșis.
BâfhĂ©idir nach Ă© an scannĂĄn is fearr dĂĄ chuid de rĂ©ir na lĂ©irmheastĂłirĂ. Ach nuair a thosaĂonn tĂș ar rud Ă©igin, nĂl sĂ© cĂłir ach an pointe casaidh sin a dâathraigh gach rud a chur in iĂșl. ĂitĂm, ĂĄfach, na buntĂĄistĂ a bhaineann leis an scannĂĄn per se. Mar gheall go bhfeictear dom go bhfuil an plota i bhfad nĂos dinimiciĂșla nĂĄ mar atĂĄ i gcuid eile dĂĄ phrĂomhscannĂĄin agus Ă©irĂonn lena fhorbairt Hook neamhchreidmheach mar mise ag an am. ChrĂochnaigh an oscailt sin a thĂĄinig amach beagĂĄn den introspective an scannĂĄn agus dâoscail sĂ© fĂ©idearthachtaĂ dĂĄ phictiĂșrlann.
Moladh drĂĄmatĂșil atĂĄ flĂșirseach sa choincheap sin de sheans agus an saol ag tuairteĂĄil in aghaidh an lĂontĂĄin ag fanacht le soilĂ©iriĂș cĂĄ hĂĄit a dtitfidh an liathrĂłid. FĂ©adfaidh laethanta, mĂonna nĂł blianta dul thar, ach titeann an liathrĂłid i gcĂłnaĂ chun pointe an chluiche a chinneadh. An mothĂș sin nach bhfuil dul ar ais riamh. Is cuma cĂ©n buille nĂł an dĂłigh a ndĂ©ileĂĄlann tĂș leis. Is Ă© an rud gur fĂ©idir leis an liathrĂłid an lĂon a bhualadh i gcĂłnaĂ agus gan ach anĂĄil aeir a chinneadh cad atĂĄ le tarlĂș.
Annie Hall
AR FĂIL AR AON CHEANN DE NA ARDĂIN SEO:Ceisteanna ar leith ar leataobh, sroicheann muid an scannĂĄn feathal, ag an gcruinniĂș mullaigh sin a bhĂonn cothrom le chĂ©ile ach is annamh a shĂĄraĂtear Ă©. Agus a phrĂomhcharachtar fĂ©in aige, Ă©irĂonn le Woody Allen an mothĂșchĂĄn sin a chur in iĂșl idir stoic agus nihilistic a fhanann nuair a ghlacann duine leis an mbochtanas aisteach a shoilsĂonn gach rud.
Caidrimh dhaonna ina gcuid is mĂł intĂre, creachadh an ama agus na hiarrachtaĂ neamhbhalbh chun sanity, paisean nĂł cibĂ© rud a bhĂ ann a spreag an mothĂș sin ar shaol an-mhĂłr an ghrĂĄ ina chĂ©ad radhairc. Toisc gur fĂ©idir le grĂĄ Ă© fĂ©in a athdhĂ©anamh arĂs agus arĂs eile in aon triail amhĂĄin sa saol. Is Ă© an pointe, an lucidity thuasluaite, nĂĄ, de rĂ©ir mar a thuigeann Allen dĂșinn, gurb iad na gluaiseachtaĂ sin sa treo eile go beacht, rud a fhĂĄgann go bhfuil an t-am beo neamh-chomhoiriĂșnach le dĂ©ine na mothĂșchĂĄn. MĂĄ tĂĄ sĂ© ar intinn againn na cineĂĄlacha tiomĂĄntĂĄin sin a choinneĂĄil beo freisin.
Vicky, Cristina, Barcelona
AR FĂIL AR AON CHEANN DE NA ARDĂIN SEO:TĂĄ idyll Woody Allen leis an SpĂĄinn le feiceĂĄil Ăł thaobh an lucht fĂ©achana ach freisin Ăł Woody Allen ar cosĂșil go bhfuil ionbhĂĄ aige lenĂĄr n-idiosyncrasies i mĂle grĂĄ. ScannĂĄn a thĂ©ann Ăł Barcelona go Oviedo mar eachtra idir strainsĂ©irĂ a dâfhorbair mar chineĂĄl crosbhĂłthar. Agus tĂĄ, tĂĄ baint rĂłmĂĄnsĂșil ag an tuiscint go dtuigeann Woody Allen Ă©, gan dĂ©antĂșsĂĄn nĂł musnaĂ capricious a fhanann tar Ă©is lĂĄithrithe ach nĂ bhĂonn ach.
GrĂĄ lena imill agus a chruas, lena paradacsa agus a phointe greann drĂĄmatĂșil. CinntĂ agus an neamhĂĄbaltacht cinneadh a dhĂ©anamh nuair a bhĂonn duine tumtha i bhfionnachtana gan amhras agus inertias nĂĄr samhlaigh riamh.
An torann agus an bewilderment nuair a thĂ©ann polyamory isteach trĂd an fhuinneog. An torann, an paisean agus an fury. FiĂș amhĂĄin an forĂ©igean agus braistint ag baint leis an mbuaic mhothĂșchĂĄnach a bhaint amach as a bhfuil fĂĄgtha ach titim den bharr nĂł glacadh leis an mbarr, an bhratach a chur suas agus filleadh ar bhunchampa an ghnĂĄthaimh leis an gcuimhne gur chĂłnaigh tĂș i bhfoircneacha, gan mĂłrĂĄn dua. ocsaigine.
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