Ceann de bhuanna mĂłra na isaac ardaigh tĂĄ sĂ© ar a chumas gach rud a ĂșrscĂ©alĂș. NĂ ceist a thuilleadh Ă© ach ar a gcumas bogadh idir seĂĄnraĂ, i gcĂłnaĂ le sĂłcmhainneacht an scrĂbhneora cinnte agus feistithe le huirlisĂ maithe cruthaitheacha uile na trĂĄdĂĄla (iad siĂșd a allmhairĂtear agus iad siĂșd a thagann chun bheith caighdeĂĄnach).
Is Ă© an rud a dhĂ©anfaidh mĂ© nĂĄ gur fĂ©idir sa teilgean draĂochta sin dĂĄr ndomhan teacht dĂ©an an gnĂĄthshaol a athrĂș go talamh pĂłrĂșchĂĄin le haghaidh scĂ©al a dâfhĂ©adfadh a bheith suimiĂșil, Chaith Isaac Rosa a cheann isteach sa bhrat a lĂ©irĂodh ar dtĂșs mar a rinne ObĂ©lix i gciteal an indestructibility.
Agus mar sin de bĂonn saothair Isaac Rosa i gcĂłnaĂ sĂĄite againn, agus Ă© in ann an rĂ©alachas is gaire dĂĄr gcraiceann a cheilt le gaistĂ a shamhlaĂochta bunathraithe. BâfhĂ©idir gur trĂ shiombolaĂocht a thagann isteach agus a fhĂĄgann ĂĄr ndomhan, a mhĂșineann dĂșinn a bhfuil ann chun Ă© a athbhunĂș an chĂ©ad nĂłimĂ©ad eile i deformity clairvoyant an mĂ©id atĂĄ fĂĄgtha againn sa deireadh.
Rinne cluichĂ insinte lĂĄmh rĂ©alachais ar leith. MĂĄs in Ășdair is maith Ăosa Carrasco . Rud a dâfhĂ©adfadh a bheith nĂos tipiciĂșla maidir le tĂĄimhe na n-amanna ina mairimid nĂĄ mar a bhĂonn aon stampa glĂșin.
Na 3 ĂșrscĂ©al is fearr a mhol Isaac Rosa
Dea-chrĂoch
BhĂ sĂ© ina ĂĄbhar Ă© a chasadh timpeall, an hipearnasc a shocrĂș le go mbeadh sĂ© in ann labhairt faoi ghrĂĄ leis an chompord a bhaineann le cosĂĄin nua a rianĂș. Mar gheall ar sin, tĂĄ cuma nĂos fearr ar gach grĂĄ Ăłn deireadh go dtĂ an tĂșs, Ăł slĂĄn a fhĂĄgĂĄil ag an gcruinniĂș ar cosĂșil go gcuireann sĂ© gach rud cosĂșil le brag mĂłr istigh a rĂ©itĂonn sĂșil, amanna caillte agus dĂchĂĄilĂochtaĂ existential de gach cineĂĄl.
AthchruthĂș an t-ĂșrscĂ©al seo grĂĄ mĂłr ag tosĂș ag an deireadh, scĂ©al lĂĄnĂșin a thit, i ngrĂĄ leis an oiread sin daoine, a raibh drochĂde orthu, a raibh leanaĂ acu agus a throid in aghaidh gach rud - ina gcoinne fĂ©in agus i gcoinne na n-eilimintĂ: Ă©iginnteacht, neamhbhuana, Ă©ad, Throid sĂ© gan gĂ©illeadh, agus thit sĂ© arĂs agus arĂs eile. Nuair a thagann deireadh le grĂĄ, tagann na ceisteanna chun cinn: cĂĄ ndeachaigh gach rud mĂcheart? Conas a dâĂ©irigh linn mar seo? ScĂ©al faoi dhĂospĂłid Ă© an grĂĄ go lĂ©ir, agus dĂ©anann na prĂomhcharachtair Ă© a guthanna a thrasnĂș, aghaidh a thabhairt ar a gcuimhnĂ cinn, easaontĂș faoi na cĂșiseanna, iarracht a dhĂ©anamh teacht nĂos gaire. Is Ă©ard atĂĄ i gceist le deireadh sona nĂĄ autopsy gan staonadh ar a mhianta, a ionchais agus a bhotĂșin, nuair a thagann grĂosanna drĂodair, brĂ©aga agus mĂthuiscintĂ chun cinn, ach go leor chuimhneachĂĄin shona freisin.
PlĂ©ann Isaac Rosa san ĂșrscĂ©al seo tĂ©ama uilĂoch, grĂĄ, as an iliomad tosca aeroiriĂșnaithe a fhĂĄgann go bhfuil sĂ© deacair inniu: neamhbhuana agus Ă©iginnteacht, mĂshĂĄstacht rĂthĂĄbhachtach, cur isteach an mhian, samhailteach an ghrĂĄ i bhficsean ... Toisc go bhfuil sĂ© indĂ©anta go Is sĂł Ă© an grĂĄ, mar a dĂșradh linn, nach fĂ©idir linn a Ăoc i gcĂłnaĂ.
An seomra dorcha
Ceann de na hĂșrscĂ©alta is fearr a aimsĂmid cumas an Ășdair rĂ©altacht a rith trĂ scagaire gan choinne idir an iontach agus an seanchas, agus a chosa i gcĂłnaĂ ag cloĂ le rĂ©alachas an mĂ©id atĂĄ fĂĄgtha againn (agus mĂ© ag iarraidh an oiread sin uaireanta a ainmniĂș. .)
SocraĂonn grĂșpa daoine Ăłga âseomra dorchaâ a thĂłgĂĄil: ĂĄit iata nach dtĂ©ann solas isteach ann riamh. Ar dtĂșs ĂșsĂĄideann siad Ă© chun triail a bhaint as bealaĂ nua chun caidreamh a dhĂ©anamh, chun gnĂ©as gan ainm a chleachtadh gan iarmhairtĂ, trĂ mheascĂĄn sĂșgartha agus cos ar bolg. De rĂ©ir mar a thĂ©ann siad in aibĂocht lena gcinntĂ, lena ndĂomĂĄ agus lena ndeacrachtaĂ, bĂonn an dorchadas ina chineĂĄl faoisimh dĂłibh.
Le himeacht ama, socraĂonn Ă©iginnteacht shĂłisialta agus leochaileacht phearsanta ina saol agus feictear an seomra dorcha mar dhĂdean ansin. TĂĄ an rĂ©altacht ag dul i mĂ©id nĂos mĂł agus nĂos mĂł taobh istigh, cĂ© go gceapann cuid nach am Ă© seo chun dul i bhfolach ach troid ar ais, fiĂș mĂĄ chuireann a gcinntĂ an chuid eile den ghrĂșpa i mbaol.
An seomra dorcha is iniĂșchadh Ă© ar na fĂ©idearthachtaĂ liteartha doilĂ©ire ach gaisce glĂșin freisin: portrĂĄid dĂobh siĂșd a dâfhĂĄs anĂos muinĂneach i ngeall ar thodhchaĂ nĂos fearr a fheiceann siad anois ag imeacht uaidh. TrĂ shaol na ndaoine a thĂ©ann isteach ann agus a fhĂĄgann Ă© le linn cĂșig bliana dĂ©ag, feicimid an dĂșiseacht chrua i ndĂĄirĂre do ghlĂșin a mhothaĂonn go bhfuil sĂ meallta.
W
AdmhaĂm Ă©, bhuaigh na hargĂłintĂ fĂĄnacha a nascann lenĂĄr rĂ©altacht is laethĂșla liom Ăłn tĂșs i gcĂłnaĂ. Beidh sĂ© mar gheall ar an nasc atĂĄ acu lenĂĄr taobh samhlaĂoch, an chuid den inchinn a threoraĂonn sinn ag an nĂłimĂ©ad is lĂș a bhfuil sĂșil leis go dtĂ an ĂĄit is iargĂșlta ar an Domhan, go dtĂ an ceathrĂș toise nĂł chuig seomra leapa an dĂșil is dochreidte atĂĄ againn.
Is Ă© an rud faoi bualadh le do dhĂșbailt nĂĄ ficsean eolaĂochta, dystopia, fantaisĂocht eolaĂoch nĂł fiĂș dĂșbailt Ă©igin, filleadh spĂĄis-ama. Is Ă© an pointe nĂĄ go dtĂłgann Isaac Rosa Ă© anseo mar phointe casaidh chun an cas sin a thabhairt don saol a theastaigh i gcĂłnaĂ go pointe ĂĄirithe ... BhĂ Valeria, ag stad an bhus, DĂ© Luain i mĂ MheĂĄn FĂłmhair, ag smaoineamh ar a cuid rudaĂ. Ar feitheamh ar a fĂłn freisin, ag fanacht le Laura a teachtaireacht dheireanach a fhreagairt, agus amhras uirthi go raibh grĂșpa comhrĂĄ eile curtha ar bun ag a hiar-chomhghleacaithe gan Ă.
Ansin dâardaigh sĂ© a shĂșile. Agus fuair sĂ© Ă©. Ag an stad chun tosaigh. An ceann eile. A dĂșbailte, comhionann lĂ©i. Cad a dhĂ©anfĂĄ dĂĄ rithfeĂĄ le duine dĂreach cosĂșil leatsa? Nach bhfuil aon duine cosĂșil leatsa? TĂĄ ar ndĂłigh. NĂĄ bĂ ag smaoineamh go bhfuil tĂș chomh speisialta. NĂl tĂș neamh-inchĂșisithe, nĂĄ eiseamal uathĂșil. Mura bhfaca tĂș duine ar bith cosĂșil leis riamh, coinnigh ort ag fĂ©achaint. Dâathraigh saol Valeria.