Usanda kufika, njengokungathi, kodwa u-Hideo Yokoyama ukhomba ukuhlanganiswa okuseduze njengombhali wehlelo, wow. UMurakami kunguqulo ye-noir ethe xaxa. Mhlawumbe kuyindaba ye-exoticism yamasiko namasiko agcinwe kahle kakhulu futhi, ngakho-ke, iningi liphikisana nesimo samanje sokuthambekela okubi kokufana kweNtshonalanga. Ake sengeze endabeni ka-Yokoyama ukuthinta okuthile okubonakala kukhomba enganekwaneni yesayensi ngokuya nge-dystopian, kodwa okugcina kugqashuka kubheke kwezokuhlalisana kwabantu noma kokukhona.
Enye imenyu yeziqephu ezimnyama ezinokujula okuphazamisayo komcabango wase-Japan, okwazi ukwethula nokugqamisa ubugebengu obumibalabala bokubomvu okuqinile. Ubuciko bokufa buguqulwe baba impindiselo phakathi kukaShakespearian, Machiavellian kanye nalokho okumelela impindiselo ezweni lokuphuma kwelanga ... Iphuzu liwukuthi umthetho, ukubonga uNkulunkulu, uyangenelela naseJapane kulezi zimo.
Futhi into yakhe wukuthola isigebengu. Yilapho u-Yokoyama eba khona I-Conan doyle ngasempumalanga. Futhi uhlobo lwe-noir lufeza umphumela omlingo wokuhlanganisa okuhle, wembiza encibilikayo yezikhuthazo zokudala. Kungakho abantu abaningi sebevele benamathele ku-Hideo nemibono yakhe.
Izincwadi eziphezulu ezinconyiwe ngu-Hideo Yokoyama
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Esikunikeza kona Yokoyama Kule noveli eyashicilelwa okokuqala ngo-2016 (futhi ephekelwe empumelelweni ngalowo mlilo ongasheshi we-noir virtuosos kuneziqhumane eziqhuma kakhulu) ingumhlahlandlela wezivakashi. Uhlelo lokuhamba ngalezo zindawo zangaphakathi lapho ukuphambuka komuntu kusabalala njengebala eliwugqinsi, elimnyama. Ibala elimbozwa ngokushesha futhi ligqitshwe ngaphansi kwezingqimba nezingqimba ze-stoicism ebekiwe kanye nokungaziphathi kahle okubabayo.
Ngoba ngisho nodlame kufanele lugcine imithetho yalo eJapan, indlalifa engokomoya layo idluliswa njengamandla kagesi agijima kuyo yonke into kusuka emithonjeni yesithangami sangaphakathi kuze kube sekugcineni kwesandla noma ekubukeni. Futhi yonke into engahambisani nayo kufanele ikhohlwe, ngisho necala elihlukumeza ubaba obekezelayo ...
NgoJanuwari 1989, intombazane eneminyaka eyisikhombisa ubudala yathunjwa enyakatho neTokyo. Abazali abakaze bafunde ukuthi ngubani umthumbi. Futhi abayibonanga indodakazi yabo futhi. Igama lekhodi yecala: Six Four.
Eminyakeni engaphezu kweyishumi kamuva, umphathi wezindaba zamaphoyisa uphoqeleka ukuba abuyele kulo mcimbi, ukucwaswa kwawo okungazange kuphele ngokuhamba kwesikhathi: ukwehluleka kophenyo kuyaqhubeka nokuba ngumthombo wehlazo. Kodwa umakadebona uMikami akasafisi ukuxazulula ubugebengu, ufuna ukufinyelela nje emndenini wesisulu futhi anikele ngandlela thile ekuhlanzeni isithunzi somzimba. Kodwa-ke, ngemuva kokuthola ukungahambi ngendlela kuleli fayela, uMikami uzogcina eveza isisusa sobugebengu obuqukethe izimfihlo ezingacabangeki.
ukukhanya kwasenyakatho
UMnoru Aose ungumdwebi wezakhiwo othi ngelinye ilanga athole umyalelo wokwakha indlu ngendlela athanda ngayo. Iklayenti lakhe, u-Yoshino Tota, ufuna isithabathaba somuzi edolobheni elihlala ezintabeni, elizungezwe imvelo ewubukhazikhazi. U-Aose uhlangana nowayefunda naye enyuvesi futhi umphumela wokugcina awugcini nje ngokuvusa isasasa lekhasimende lakhe, kodwa ugcina ngokumbeka phambili kubadwebi bezakhiwo.
Nokho, ngemva konyaka uthola ukuthi indlu ayinamuntu futhi akuhlali muntu kuyo. Nokho, ngaphakathi kukhona iminonjana yabantu abangenele. Umuntu uphoqe umnyango, kusele ucingo nesitulo. Alukho uphawu lomndeni wakwaYoshino. Kwenzekeni ngabo? U-Aose unquma ukuzifuna futhi uqala uphenyo lwakhe ukuze axazulule le mfihlakalo.
