Do phobal fairsing lĂ©itheoirĂ Mo yan (agus na cinn nua atĂĄ ĂĄ n-ionchorprĂș) is cosĂșil go bhfuil ainm an Ășdair cosĂșil le SĂnis. Agus fĂłs is Ă© brĂ an ainm brĂ©ige "nĂĄ labhair", rĂĄiteas ar intinn Ăł duine ar tugadh comhairle dĂł gan labhairt i laethanta Mao Zedong.
Agus chrĂochnaigh Guan Moye, a bhĂ mar ainm ar an mbuachaill a lean comhairle tuismitheoirĂ ar ĂĄisiĂșlacht an tost, ag casadh a scĂ©al timpeall chun deireadh a chur leis an scrĂbhneoireacht, in ionad labhairt, faoi cibĂ© rud a theastaigh uaidh.
DĂ©anta na fĂrinne, nuair a liostĂĄil Guan Moye in arm na SĂne ba chosĂșil go raibh teagasc an chiĂșin agus na haighneachta inmheĂĄnaithe aige go foirfe. Go dtĂ sa trĂ©imhse chĂ©anna sin, i seirbhĂs a StĂĄit, thosaigh sĂ© ag scrĂobh...
AithnĂonn sĂ© fĂ©in tionchair Ăł Gabriel Garcia Marquez, ar Tolstoy P Faulkner, ach leathnaigh sruth liteartha deiridh Mo Yan isteach i gcruthĂș le hinphrionta gan shĂ©anadh, cĂ© go ndealraĂonn sĂ© go bhfuil sĂ© curtha isteach go foirfe i bhfoirmeacha agus i dtraidisiĂșin na SĂne, go bhfaigheann sĂ© pointe iontach nĂł rĂșn uilĂoch a bhuĂochas le lĂ©argas criticiĂșil uaireanta, atĂĄ comhbhĂĄch i gcĂłnaĂ le hanam na SĂne. a charachtair agus fĂor mĂĄistriĂșil ar an luas a bhaineann le plota is fĂ©idir a roinnt uaireanta go croineolaĂoch chun an gnĂĄth-ionchas liteartha sin a chruthĂș faoi na himeachtaĂ a bhfuil trĂĄcht orthu.
Na 3 leabhar is fearr a mhol Mo Yan
PĂłir mhĂłra, cromĂĄin leathan
Agus ĂșrscĂ©al ĂĄ chur i lĂĄthair faoin teideal seo atĂĄ ceaptha iniĂșchadh a dhĂ©anamh ar stair tĂre mar an tSĂn cheana fĂ©in ag sĂșil le pointe ceannrĂłdaĂoch do stĂĄt a aithnĂtear uaireanta mar gheall ar a cinsireacht agus a cĂșngĂĄn idĂ©-eolaĂoch.
Agus ar ndĂłigh, baineann sĂ© freisin le feminization an scĂ©il, mar sin an teideal agus mar sin suntasacht Shangguan Lu agus a chuardach gan staonadh ar an leanbh fireann a dâfhĂ©adfadh sĂ© a bhailiĂș
cearta an duine go hiomlĂĄn saor in aisce agus go hiomlĂĄn oiriĂșnach dâaon ghnĂomh sĂłisialta nĂł polaitiĂșil. I Shangguan faighimid bean SĂneach a throid, bâfhĂ©idir nĂ ar mhaithe le comhfhios feimineach iomlĂĄn ach ar an rud bunĂșsach, dĂłchas an mharthanais.
Agus sa deireadh feicimid neart an duine faoi chuing machismo, portrĂĄid iontach a ghrĂosaĂonn agus a spreagann, a shaorann agus a aithnĂonn luach. NĂos mĂł fĂłs ag teacht Ăł scrĂbhneoir, i firinscneach ...
Mar gheall ar an gcaoi ar caitheadh ââleis an mbean go hiontach, agus mar gheall ar an scĂ©al fĂ©in, a thugann lĂ©i Ă i dtĂ©armaĂ plota, aithnĂm Ă© seo mar an t-ĂșrscĂ©al is fearr lĂ©i.
Sorghum dearg
NĂ gĂĄ saothrĂș sorghum a thuiscint mar ghnĂomhaĂocht choimhthĂoch. Ach fĂłs fĂ©in is eachtrannach na cĂșinsĂ timpeall ar an gceathrĂș tĂr a thĂĄirgeann an grĂĄnach speisialta seo.
Agus sa chĂĄs sin is meafar iontach coimhthithe agus sclĂĄbhaĂochta Ă© Sorghum a thug Mo Yan don ĂșrscĂ©al seo. Uaireanta le clos ar scĂ©al a tharrthĂĄlann radharc Ăł chĂșige SĂneach Shangdong le linn ionradh na SeapĂĄnach, agus uaireanta eile sĂ©anadh oscailte na bhfeoil a osclaĂonn Ăł dhubh go dubh mar mhalairt ar sluĂĄin nach n-eascraĂonn.
Saol mar thrĂ©igean, fĂ©in-shĂ©anadh i bhfabhar an cheannaire reatha. Na pĂĄirceanna dearga swayed ag sruthanna Ă©adrom an aeir cosĂșil le cuimhnĂ cinn de bhaile.
I measc na radharc bucolic agus briseadh croĂ, carachtair cosĂșil le CeannasaĂ Yu agus a Jiu'er beloved neamhaird ag a hathair i bhfabhar rathĂșnas an teaghlaigh, dĂolta agus outraged san anam, go dtĂ go bhfuil an sorghum dearg ar an tint na fola ...
TĂĄ an saol agus an bĂĄs ag caitheamh anuas orm
Glacann Ximen Nao, patriarch de theaghlach saibhir SĂneach a bhfuil eastĂĄit mhĂłra acu, guth an Ășdair chun a insint dĂșinn ar bhealach uathĂșil cad a thĂĄinig chun cinn dĂĄ theaghlach ...
Toisc go bhfuil Ximen Nao marbh, nĂl sĂ© ag iarraidh an deis a chailleann an leabhar seo chun a chuid glĂłir agus a chuid ainnise a thaispeĂĄint dĂșinn Ag siĂșl trĂ shĂșile ainmhithe clĂłis, ionas nach bhfuarthas amach Ă©, baineann Ximen leas as mionathruithe Ă©agsĂșla chun siĂșl trĂd a chlann shaibhir suaitheanta den 20Ăș haois. Agus sa deireadh bainimid taitneamh as portrĂĄid thraidisiĂșnta den tSĂn ag deireadh na mĂlaoise agus bainimid taitneamh as an mbealach alegorical chun gach rud a fheiceĂĄil trĂ na hainmhithe scĂ©alaĂochta. ĂrscĂ©al dĂĄna, spraĂĂșla agus inmholta ar fad.