Droch-mhac lĂ©inn nach ndĂ©anann nĂos fearr nĂĄ a mhĂșinteoir, ba ghnĂĄch leo a rĂĄ. Is mac lĂ©inn mac freisin nuair a thugann sĂ© faoin tasc cĂ©anna lena athair. Agus sea, i gcĂĄs Jonathan Beagle TĂĄ sĂ© mar aidhm ag Robert, a athair, a shĂĄrĂș.
Toisc go bhfuil an duais mhĂłr sin ag Jonathan Littell Junior le lĂ©iriĂș le brĂłd cĂłmhalartach dĂĄ athair, rud ar bith nĂos lĂș nĂĄ Goncourt 2006. Ă shin i leith, lean Jonathan maith lena fhorbairt liteartha, dâathdhearbhaigh sĂ© an fios gnĂł sin agus an fhoighne sin atĂĄ riachtanach le bheith ina scrĂbhneoir fĂ©in.
TosaĂonn sĂ© Ăłna shaothair le saothair le ficsean eolaĂochta nĂł tograĂ scĂ©alaĂochta atĂĄ sĂĄch tragĂłideach do litrĂocht atĂĄ nĂos scagtha cheana fĂ©in. ScĂ©al dĂĄ chuid le streaks dâfhicsean stairiĂșil, existentialism Kafkaesque uaireanta agus an blas sin ar dhĂphearsanĂș agus ar mhaslĂș a lĂ©irĂonn imeachtaĂ Ăł shoilĂ©ire croĂbhriste sa deireadh.
Na 3 ĂrscĂ©al Molta le Jonathan Littell
An fabhtach
Is rud Ă© chomhbhĂĄ leis an diabhal Ă© fĂ©in a rinne mĂ© iarracht freisin i mo leabhar «Airm mo chroise«. Is Ă an cheist a mheas, mar a dĂșirt Terence cheana, gur daoine daonna muid agus nach bhfuil aon rud daonna coimhthĂoch dĂșinn. Chun an cnaipe nua seo a thaispeĂĄint Ăł Littell.
ScrĂobhadh go leor faoin NaitsĂochas ach is beag duine a rinne ĂșrscĂ©alta le feasacht NaitsĂoch a threĂĄ. In The Benevolent, cuireann Jonathan Littell dearcadh an fhorghnĂomhaitheora ar fĂĄil dĂșinn, an t-oifigeach SS Maximilien Aue, a thuairiscĂonn go pearsanta a rannphĂĄirtĂocht sa chogadh agus sna massacres ar na lĂnte tosaigh, fiche nĂł trĂocha bliain tar Ă©is dheireadh an Dara Cogadh Domhanda. an ceann seo, nuair a bhĂ sĂ© idir cĂșig bliana is fiche agus trĂocha bliain dâaois.
NaitsĂoch cinnte Ă©, gan aifĂ©ala nĂĄ nĂĄire morĂĄlta air, glacann Aue lena thiomantas dâinnealra coiriĂșil Hitler, mar bhall den Einsatzgruppen, agus mar sin freagrach as coireanna in aghaidh na daonnachta, san ĂcrĂĄin, sa Crimea agus sa Chugais. ScrĂobhann sĂ© a idirghabhĂĄil i gcath Stalingrad go dtĂ go seoltar go BeirlĂn Ă© ĂĄit a n-oibrĂonn sĂ© in Aireacht an Taobh istigh faoi Himmler, agus go gcomhoibrĂonn sĂ© i gcur i bhfeidhm agus i bhfeidhmiĂș an âRĂ©itigh Deiridhâ.
Ach nĂl Las benevolas ach ceann de na hĂșrscĂ©alta mĂłra faoin NaitsĂochas agus banbhaltacht an uilc. Is fiosrĂșchĂĄn Ă© ar an taobh dorcha de chaidrimh theaghlaigh agus obsessions gnĂ©is. TĂĄ taibhse an incest ag Max Aue lena dheirfiĂșr agus lena homaighnĂ©asachas, an chĂșis gur thĂĄinig sĂ© isteach sa SS, agus an fuath a bhĂ aige dĂĄ mhĂĄthair.
Ar an mbealach seo, is cosĂșil go bhfuil an Stair agus an saol prĂobhĂĄideach fite fuaite ina chĂ©ile i mbĂĄs, ar bhealach na tragĂłide clasaiceach. NĂ nach ionadh, tagraĂonn teideal Las benevolas do La Orestiada Aeschylus. Is clasaiceach eile iad Electra Sophocles agus Life and Fate Vasili Grossman a ndĂ©anann ĂșrscĂ©al Jonathan Littell dialĂłg orthu. Bronnadh Duais Goncourt agus an Grand Prize as ĂrscĂ©al dâAcadamh na Fraince ar Las benevolas. Agus tĂĄ lĂon na lĂ©itheoirĂ aige sna milliĂșin ar fud an domhain.
Scéalta Fata Morgana
Tar Ă©is an tsaoil, is Ă© an rud is ĂĄille gearr. An orgasm gan dul nĂos faide. Mar sin nĂ mĂłr lĂ©amh orgiastic a bheith gearr, cosĂșil le scĂ©al a chuireann as duit san osna naisc sin a scaoileann nĂ©arĂłin cosĂșil le speirm. Cuireann an scrĂbhneoir ar dualgas a chuid scĂ©alta nĂos giorra i bhfolach i gcĂłnaĂ. Ach i ndĂĄirĂre nĂl sa mhionteagasc ach imleabhar nĂos comhsheasmhaĂ a chruthĂș nĂĄ an ceann is faide dâĂșrscĂ©alta. Toisc go bhfuil draĂocht na ceirde i gceist leis an mbeagĂĄn focal sin a scrĂobh an t-Ășdar.
Agus mĂ© i mo chodladh, dĂșirt mĂ© liom fĂ©in: ba chĂłir dom scrĂobh faoi seo agus faoi rud ar bith eile, nĂ faoi dhaoine nĂł fĂșmsa, nĂ faoi neamhlĂĄithreacht nĂł lĂĄithreacht, nĂ faoi shaol nĂł faoi bhĂĄs, nĂ faoi rudaĂ a fheictear nĂł a chloistear, nĂł faoi ghrĂĄ, nĂ faoi faoi ââam. Thairis sin, bhĂ a chruth ag gach rud cheana fĂ©in. Ă 2007 go 2012, dâfhoilsigh Jonathan Littell na ceithre scĂ©al atĂĄ mar chuid den imleabhar seo san fhoilsitheoir Fraincise beag agus riosca Fata Morgana agus atĂĄ ĂĄ aistriĂș go SpĂĄinnis den chĂ©ad uair anois.
BhĂ ceithre leabhar ghearra ĂĄille, beagnach folaitheach, nach raibh aon lĂ©irmheasanna le feiceĂĄil riamh: an tsaotharlann foirfe do scrĂbhneoir a shĂleann, cosĂșil le Kafka, "nach fĂ©idir tost a dhĂ©anamh timpeall ar a scrĂobhann duine riamh." Sa deireadh dâfhorbair an trĂ©imhse mhall forbartha seo scrĂbhneoireacht agus foilsiĂș, in Gutenberg Galaxy, de An Old Story, athdhĂ©anamh leathnaithe go fiĂĄin den scĂ©al deireanach san imleabhar seo.
Sean-scéal
ĂrscĂ©al a mbeadh Houellebecq fĂ©in brĂłdĂșil as. Ach ar ndĂłigh, ciallaĂonn sĂ© sin go gcaithfidh tĂș do lĂ©itheoireacht a ghabhĂĄil ag an am ceart agus leis an tuar riachtanach. Ar ndĂłigh, nuair a thagann gach rud le chĂ©ile spreagtar buile draĂochta nuair a thĂ©ann muid trĂ na plĂĄnaĂ sin go lĂ©ir atĂĄ in ann cur sĂos a dhĂ©anamh ar ĂĄr rĂ©altacht Ăł thoisĂ anaithnid idir an chonaic, an saol eile agus turas trĂ am.
«Tagann scĂ©alaĂ amach as linn snĂĄmha, athraĂonn sĂ©, agus tosaĂonn sĂ© ag rith sĂos pasĂĄiste dorcha. Faigh amach doirse a osclaĂonn do chrĂocha (teach, seomra ĂłstĂĄin, staidĂ©ar, spĂĄs nĂos mĂł, cathair nĂł limistĂ©ar fiĂĄin), ĂĄiteanna ina ndĂ©antar na caidrimh dhaonna is riachtanaĂ a lĂ©iriĂș arĂs agus arĂs eile, go hĂ©igrĂoch (an teaghlach, an lĂĄnĂșin , an t-uaigneas, an grĂșpa, an cogadh) ».
TĂĄ an t-ĂșrscĂ©al eagraithe i seacht n-athrĂș, ĂĄit ar cosĂșil go ndĂ©anann an gnĂomh Ă© fĂ©in arĂs, an teaghlach cĂ©anna, an seomra ĂłstĂĄin cĂ©anna, an spĂĄs cĂ©anna don ghnĂ©as, don fhorĂ©igean. Ach de rĂ©ir mar a athdhĂ©anann gach rud Ă© fĂ©in, maolaĂonn gach rud, Ă©irĂonn sĂ© Ă©agobhsaĂ, is Ă© neamhchinnteacht an tĂșs. DĂ©antar claochlĂș ar fhĂ©iniĂșlacht an scĂ©alaĂ, fear, bean, hermaphrodite, duine fĂĄsta, leanbh.
Ar an mbealach seo tĂłgann Littell ficsean obsessive, suffocating, thar cionn faoi bhun an anama, inar cosĂșil arĂs go bhfuil sĂ© ag iarraidh an t-olc a chĂłireĂĄil uaitse. TĂĄ mĂĄistir-ĂșrscĂ©al eile scrĂofa ag Jonathan Littell. Mar a tharla i Las benevolas, anseo nĂ thagann an lĂ©itheoir amach gan lĂ©amh Ăłna lĂ©amh.
1 trĂĄcht ar âNa 3 leabhar is fearr le Jonathan Littell as cuimseâ