Kunabalingisi abaphelele bezinhlobo ezahlukene. U-Luis Tosar kanye nokungabaza ngomqondo wakho obanzi kungenye yezingxoxo ezijabulisa kakhulu ku-cinematography yaseSpain. Futhi lo mlingisi waseGalicia angahlanganisa ububi kunoma yimiphi imidlalo yakhe; noma ngakolunye uhlangothi, ebhekene nesabekayo njengeqhawe lansuku zonke elifaneleka kakhulu. Njalo ngalowo muzwa wabalingiswa abalimele, abasindwa yicala, belunguza kwalasha noma bebhekene namademoni athile...
Umzimba uyasiza, kunjalo. Ngoba ukubonakala kwayo kumema ukulebula okuxhunywe kulelo phuzu elimnyama. Kodwa ngale kwemibono yokuqala, u-Tosar uphumelela kakhulu ekhonweni lakhe lokuthatha noma yikuphi ukutolika okufika ngendlela yakhe ngokwedlulele.
Ngaphandle kokuqashelwa okujwayelekile nokugeza okudumile ukuthi esimweni sakhe ngokuqinisekile kwafinyelela umvuthwandaba wabo noCelda 211, umlingisi omuhle njengaye usefundiswe isikhathi eside. Umsebenzi wokulingisa ogcwele impumelelo engeke ibe ngenxa yalelo khono lokwenza abalingisi ngamunye adlale owabo. Ngoba akulula ukuzikholisa efilimini entsha ngayinye ukuthi akaseyena umlingisi wangaphambili. Futhi i-Tosar ikufeza kusukela esigcawini sokuqala.
Amafilimu angu-3 aphezulu anconyiwe ka-Luis Tosar
Njengoba ulele
IYATHOLAKALA KUNOMA YIYIPHI LAMA PLATFU:Le filimu ingithuse ngokuthinta okukhathaza kakhulu Hitchcock. Umkhiqizo okhaliphile lapho kutholakala khona ukuthi kunethalente elithe xaxa elidingekayo ukubhekana netulo elenziwe ukushuba kwesimo unomphela. Yiqiniso, ukubala ekusebenzeni okuphazamisayo kwe-Tosar le ndaba ibonakala ilula.
UnguCésar, umgcinimnyango “onobungane” owenza konke okusemandleni akhe ekusizeni izakhamuzi zomphakathi lapho ahlinzeka khona ngezinkonzo zakhe. Yiqiniso, ukusebenza kwabo kubatshazwa kakhulu ngumphathi wenkampani ehlinzeka ngezinsizakalo ezinjalo. Olunye unqenqema olufihla ubuntu bukaCésar emikhawulweni engasoleki.
Ngezinye izikhathi ubuhlobo bakhe nogogo ohlala kwelinye lamafulethi bungavusa ngisho namahlaya athile. Ngoba owesifazane ompofu, ngomoya wakhe omnene, akakwazi ukucabanga ngesilo esihlala uKhesari...
Kodwa ngokugxila engqikithini yefilimu, ubuhlobo bakhe noClara ngokushesha bukhomba ukugula okugulayo, inzondo nokukhungatheka. Ngoba kuCésar wakhe ubona okuthile okufana nenjabulo yakhe engenakwenzeka. Ngokuqinisekile wayefuna ukumyenga, nakuba engazange aveze lokhu okweqisayo. Kodwa ekugcineni akwenzayo wukugxambukela empilweni yakhe emikhawulweni engasile ngempela.
UClara omuhle akakwazi ukusola ukuthi uCésar wenzani. Futhi umbukeli akakwazi ukukhuluma ngesu elihlanekezelwe uCésar. Ekugcineni, bekungaba kanjani ngenye indlela, yonke into ikhomba umphumela obulalayo. Iphuzu liwukuthi kubi kakhulu kunalokho ebesikucabanga...
obulala ngensimbi
IYATHOLAKALA KUNOMA YIYIPHI LAMA PLATFU:Kunobulungiswa obusankondlo obungatholwa esakhiweni. UMario ungumhlengikazi onenhliziyo enhle owenza konke okusemandleni akhe ekusizeni iziguli emtholampilo asebenza kuwo. Ulindele ingane yakhe yokuqala futhi ubuhlobo bakhe nomlingani wakhe buqhubeka ngokujwayelekile, kuleso sandulela esinokuthula sokuba ubaba.
Kuze kufike isakhamuzi esikhethekile kakhulu esibhedlela. Uyinzalamizi emndenini wezidakamizwa. Yona leyo iminyaka eminingi engaba nembangela yokufa kwentsha eningi kangaka echayeke ekubeni yizigqila zezidakamizwa. Futhi-ke, uMario unikeza ukungabaza okuthile ukunikeza insizakalo yakhe yomlingiswa odume kabi.
Izingane zomgulukudu zingaphezu kwekhehla. Ngoba banethemba lokukhulisa ibhizinisi lezidakamizwa kulo, beqa imihlahlandlela nezindinganiso zalo ekugcineni ezibekwe phambi kokungenzi lutho ukuze uthole imiyalelo emisha.
Indoda "empofu" ilahlekelwa amakhono njengoba ifilimu iqhubeka. Futhi kungenxa yokuthi uMario kungenzeka ukuthi akamniki ukunakekelwa okungcono kakhulu. Kukhona okuphazamisayo okuvela kulobu budlelwano phakathi kwesiguli nomhlengikazi. UMario uba mnyama kancane kancane, njengokungathi ucwila ezivunguvungwini ezikude. Ngisho nomkakhe okhulelwe uyaqaphela kuye ukuthi umlingiswa ngokuzumayo wacwila njengamankungu amadala ogwini lwaseGalician.
Akukho okungaphuma kulobo budlelwano phakathi kwabalingisi bobabili kahle. Umphathi nomhlengikazi. Ukunanela ukuziphindiselela kukhomba emiphumeleni ebulalayo. Ekugcineni, umuzwa wokuthi udlame luletha kuphela udlame olwengeziwe nokuthi ubulungiswa ngezinye izikhathi abunakwenzeka ukuba bujezise ngokuhamba kwesikhathi labo okufanele ngabe bajezisiwe.
Iseli 211
IYATHOLAKALA KUNOMA YIYIPHI LAMA PLATFU:Ngiphinde ngathola uLuis Tosar ngale ncazelo yokuthi, ngisho nangemva kwempumelelo yakhe enkulu nabagxeki abajwayelekile nge-"Te doy mis ojos", kwakusho lokho bubanzi obukhulu njengefilimu yokuzijabulisa. Kungengcono noma kubi kakhulu, ngimane ngithi ifinyeleleke kakhulu kubalandeli befilimu bebonke.
Futhi kungenxa yokuthi ukuboshwa ejele lapho uLuis Tosar enza khona "i-Malamadre" engalibaleki isisondeza ezweni lamajele aphenduke isihogo kusukela umbhikisho ohlanganisa ngisho nezici zokushisekela izwe leziboshwa ze-ETA.
Ukuthuthuka kokushuba okuphezulu lapho uMalamadre (Tosar) abelana ngendima ehamba phambili no-Juan (odlalwa ngu-Alberto Ammann). U-Juan udlala izinhlangothi zombili ezenza esinye isiboshwa kuyilapho ngempela eyisikhulu esilahlekile phakathi nengxabano.
Amazwana ama-3 kokuthi "Amafilimu ama-3 ahamba phambili ngo-Luis Tosar ophazamisayo"