Kukhona izindaba ezibamba indlela yazo eyisisekelo. Kepha kunengozi kulokhu, futhi lokho ukuthi kungenzeka ukuthi ukwehliswa okukhulu kunokwabanye oqala ukukufunda ku-inertia, ngaphandle kwalowo mbono wokuqala omuhle.
Ngenhlanhla, le ncwadi yoMlilo, igcina futhi iphakamise imizwa emikhulu efanekiselwa yisifinyezo sayo. Phakathi komlingo, amandla omculo athakazelisayo, ucezu lomculo oluhle olungaholela ekuthambekeni nasekuhlanyeni ...
Kungumqondo wabo bonke abaculi, ukufeza lelo qoqo lamanothi athinta ukuphelela, akwazi ukuguqula iqiniso, ahlehlise, alinikeze imibala yasezulwini, iphunga le-ambrosial kanye nama-flavour. Ngeshwa, umculo, ukudweba noma izincwadi kwesinye isikhathi zikwazi ukulinganisa ukujabula okuphelele.
Kodwa kuthiwani uma kwenzeka? Kungaba yini ngalowo muntu ofinyelela ezingeni eliphakeme kakhulu lobuciko, lelo elidluliswa ngemisebe yaphezulu kumqambi osemsebenzini?
Njengoba kufanele kube njalo, izinto zemilingo zenzeka ezindaweni eziyingqayizivele, imilingo ngokuziphilisa kwazo okuthile phakathi kwezwe. Isitolo se-antique lapho izinto ezivela kwezinye izikhathi zikhipha ukulangazelela lokho ababeyikho ngenkathi bephila ngempahla. Ucezu lomculo lulindele esitolo se-violinist uJulia Ansdell okwathi, lapho amaphuzu ethintekile, abonakale ethola ukubikezela kwenkazimulo yakhe.
UJulia akazange athathe isikhathi eside ukuguqula okwakubhalwe nge-violin yakhe. Umculo omnandi ubonakala uqhakaza impilo phakathi kwezintambo. I-waltz enamandla, enobudlova, edabukisayo ngezikhathi ezithile kepha ihlale inothando. Okuphuma kulokho kwakhiwa kweqa okubhaliwe, kubanjelwe emoyeni njengomnyango ovulekile oya kolunye uhlangothi.
Lowo mculo ugcina uguqula impilo kaJulia, kuze kube seqophelweni lokuthi aphoqeleke ukuthola lokho okukhethekile nge-waltz. Idolobha laseVenice liba indawo yokugcina yomculo, kulapho laqanjwa khona. Lokho uJulia angakuthola kuzombhekana nokwesaba nobumnyama, ngemfihlo engenakuqhathaniswa yolwazi azobeka impilo yakhe engcupheni ngalo.
Manje usungathenga inoveli Umlilo, incwadi entsha UTess gerritsen, lapha: