Ngokuqinisekile okuthandwa kakhulu njengamanje ngokulandisa kwaseJapan. Futhi nokho UTanizaki Kuyinsika lapho ukuthunyelwa kwalezi zincwadi ezinamandla okuba yi-kaleidoscopic kusuka kokukhethekile kugcinwa khona., universal kusuka ekuziphatheni kabi okwenziwe ngenhloso kusuka ku-avant-garde kuya kusiko. Ngoba ekuhlolweni kungenzeka futhi ukuthi ubuyele lapho uqala khona nayo yonke imithwalo elungiselelwe kahle ukufaka noma yini edingekayo esikweni elihlala lidinga izinguquko.
Ukugqugquzela kusuka Mishima emsebenzini oqhubekayo wezincwadi ezenziwe zanyuka phakathi kweMpumalanga neNtshonalanga, kugcina sekukhuphuka phezulu ezingeni lesibili le- UMurakami esevele ebalekile phakathi naleyo nkululeko ezuzwe izizukulwane ngezizukulwane. Umbuzo bekuwukuguqula kepha sigcine leyo ngxenye eyinhloko, iqiniso lokwehlukaniswa elingenakwehlulwa, izizathu zokuthi kungani umbalisi waseJapan engafinyelela ukwedlula okukhona ngisho nokukhuluma ngezinto zenyama.
Inkanuko echichimayo yamaJapane ahlola izinguqulo ezingalawuleki emithonjeni engaqondakali. Imibhalo yamafomu evezwe ekukhanyeni okukhulu kwezinkanuko kodwa futhi nezithunzi zomphefumulo, okubeka izinkomba zamasiko aseJapane kuma-trompe l'oeils abo ekugcineni ukucacisa ukuthi kwesinye isikhathi kungcono ngale ndlela, kucatshangelwa ukuhlanzeka komphefumulo njenge indlela kuphela yokubuyisa izilo, uma sezibonile ...
Izincwadi Ezinconyelwe ezi-3 Eziphezulu kakhulu ze-Tanizaki
Ekudumiseni Izithunzi
Lapho i-eseyi ivelela umbhali umqondo ongacacile wokwehluleka kwezincwadi ugcina usasele. Kulesi simo kuphela lapho kudingekile ukubheka izaba ezifanele kakhulu, ngoba kuyaqabukela umcabango udingekile kakhulu ekuhlanganiseni phakathi kwamazwe ahlukile njengoba iNtshonalanga iqhutshwa yinkululeko yayo ekwaziyo ukubulala, kanti iMpumalanga igcotshwe ngamafomu yize kucace ngokomoya.
ENtshonalanga, umfelandawonye onobuhle kunabo bonke ubelokhu elula. Ngakolunye uhlangothi, kuma-aesthetics endabuko aseJapane into ebalulekile ukubamba impicabadala yesithunzi. Ubuhle abuyona into uqobo kodwa umdlalo we-chiaroscuro okhiqizwe yi-juxtaposition yezinto ezahlukahlukene ezakhiwa ngokudlala okucashile kokuguquguquka kwesithunzi. Njengoba itshe le-phosphorescent ebumnyameni lilahlekelwa yilo lonke umuzwa walo othakazelisayo wegugu uma livezwe ekukhanyeni okuphelele, ubuhle balahlekelwa yibo bonke uma imiphumela yethunzi isuswa.
Kule ndatshana yakudala, eyabhalwa ngo-1933, uJunichiro Tanizaki uthuthuka ngokucwenga okukhulu lo mqondo oyisisekelo womcabango waseMpumalanga, ukhiye wokuqonda umbala wama-lacquers, uyinki noma imvunulo yethiyetha; ukufunda ukwazisa ukubukeka okudala kwephepha noma ukubonakaliswa okumboziwe ku-patina yezinto; ukusixwayisa ngakho konke okucwebezelayo; ukuthwebula ubuhle elangabini elikhanyayo lesibani bese uthola umphefumulo wezakhiwo ngokwamazinga wokukhanya kwento nokuthula nobumnyama bendawo engenalutho.
Ukhiye
Sí, la caja de Pandora tenía llave. Y solo era cuestión de ajustarla a su cerradora para atreverse a dar el giro que desatara infiernos, tentaciones, placeres negados y ríos de sangre. Habitado por el espíritu de Sade, Tanizaki versiona la vida libertina y obscena, adaptándola a un imaginario japonés donde lo tradicional arraiga hasta el espacio donde la moral general aferra sus raíces hasta cada uno de sus vástagos.
Umona, i-voyeurism kanye nesifiso sobulili kwenza le noveli yango-1956 ibe ngomunye wemibhalo yobuciko yezincwadi zaseJapane ezithandekayo. Okukhanyayo, okuhle, nokuhlekisayo okumnyama, Ukhiye indaba yomshado owehlayo, utshelwa ngamadayari amabili ahambisanayo. Ngemuva kweminyaka ecishe ibe ngamashumi amathathu beshadile, uprofesa wasekolishi ohloniphekile oneminyaka engamashumi amahlanu uyabona ukuthi ubuhlobo bakhe nenkosikazi yakhe enhle u-Ikuko buyaphela, futhi akakwazi ukwanelisa izidingo zakhe ezisondelene kakhulu.
Unquma ukuqala idayari yakhe lapho eqoqa khona izifiso zakhe namaphupho akhe ngenhloso yokuthi ayifunde, futhi ngaleyo ndlela avuselele uthando. Ngokushesha ngemuva kwalokho, uqala nejenali yakhe. Ngokubhala, basungula umdlalo ocwengisisiwe futhi oyingozi we-eroticism, obhekene nomona kanye nokuhlukumezeka ngokocansi, lapho i-voyeurism kanye nombukiso kudlala indima enkulu.
Odadewabo bakaMakioka
Sesizofunda inoveli lapho uTanizaki enza khona leso senzo sokuvinjelwa okuwukuhlaziya amasiko akho kusuka ekugxileni okukwazi ukubona i-ethnocentric ukuze ukwazi ukudalula izingcezu neglue ezakha isithombe isiko elikhethekile. Umuntu onjengoTanizaki kuphela, oya emuva naphambili emhlabeni wakhe, angagcina ngokuxubha indwangu yesimilo ingxenye enkulu yamaphethelo eyenza izinhlaka ngazinye zithikameze izindinganiso zokuziphatha ezikhona.
IMakioka Sisters yisithombe esibuhlungu, kepha esingapheli somndeni waseJapan nomphakathi obhekene nolasha lwakamuva. Eminyakeni embalwa ngaphambi kokuqala kweMpi Yezwe II, e-Osaka yendabuko, abesifazane abane abasezingeni eliphakeme bazama ukugcina indlela yasendulo yokuphila esesizonyamalala.
Igcwele ukuphrinta okuhle futhi okubucayi kwamasiko ezikhulu zaseJapane, ithwebula zombili izingqungquthela zomphakathi kanye nosizi olusondele kakhulu lwabaphikisi bayo. Odadewabo bakaMakioka, Umsebenzi oyisisekelo kaJunichiro Tanizaki, ungumphumela wokubhala okuhamba kancane futhi okucabangayo, lapho afune khona ukuphephela enhlekeleleni yempi, ephinda enza izwe elihle futhi elihle ngokulangazelela isikhathi nenjabulo ebiphela.
