Enye yezimfanelo ezinhle ze U-Isaac Rosa yikhono lakhe lokubhala konke. Akuseyona nje indaba yamandla abo okuhamba phakathi kwezinhlobo, njalo ngombono wombhali oqinisekisiwe futhi ohlonyiswe ngawo wonke amathuluzi amahle wokudala wezohwebo (lawo angenisiwe nalawo eza ngokujwayelekile).
Engizokuya ngakho ukuthi kulowo mbukiso womlingo womhlaba wethu ongafinyelela uguqule usuku nosuku lube yindawo yokuzalanisa yendaba engaba nentshisekelo, U-Isaac Rosa ungene ekhanda kuqala kulo mhluzi okhonjisiwe njengoba u-Obélix enza ebhodweni lokungonakali.
Futhi ngakho-ke sihlala sigcina ngokumangazwa yimisebenzi ka-Isaac Rosa, onamandla njengoba efihla iqiniso eliseduze kakhulu kwesikhumba sethu ngemigibe yomcabango wakhe oguqukayo. Kungaba ngomfanekiso ongena futhi oshiye umhlaba wethu, osifundisa ukuthi yini okufanele siyiguqule umzuzwana olandelayo ekukhubazekeni okucacile kwalokho esikushiye ekugcineni.
Imidlalo elandisayo yenze ubuqiniso besandla sobuqiniso obuthile. Uma kubabhali bathanda UJesu Carrasco (ngokuthembeka okulandelanayo okufanayo nalokho esiyikho ngokungafani nokwehlukana kwesakhiwo) siqagela inhloso ephindwe kabili yokuhlukaniswa okuqaqa yonke into, ngaphandle kokungabaza u-Isaac Rosa ubamba iqhaza kuleyo nhloso. Okuthile mhlawumbe okujwayelekile kakhulu kwe-inertia yezikhathi esiphila kuzo kunanoma yikuphi ukuzenzisa kwesitembu sokwenza.
Amanoveli aphezulu amathathu anconyiwe ngu-Isaac Rosa
Isiphetho Esijabulisayo
Bekuyindaba yokuyiguqula, kusethwe i-hyperbaton ukuthi ikwazi ukukhuluma ngothando ngenduduzo yokuhlela izindlela ezintsha. Ngoba yebo, lonke uthando lubukeka lungcono kusukela ekugcineni kuye ekuqaleni, kusukela ekuvaleliseni kuze kube semhlanganweni obonakala ufaka konke okufana nokuqhuma kwangaphakathi okuvumelanisa amathemba, izikhathi ezilahlekile kanye nokungajabuli okukhona kwazo zonke izinhlobo.
Le noveli yakha kabusha uthando olukhulu oluqala ekugcineni, indaba yombhangqwana owathi, njengabaningi kangaka, wathandana, waphila inkohliso, waba nezingane futhi walwa nakho konke - emelene nabo kanye nezimo: ukungaqiniseki, ukungaqiniseki, umona, ”Walwela ukungapheli amandla, wawa kaningi. Lapho uthando luphela, kuphakama imibuzo: ngabe konakelephi konke? Sagcina kanjani sinje? Lonke uthando luyindaba ephikisanayo, futhi abalingiswa balo baphambana namazwi abo, babhekana nezinkumbulo zabo, abavumelani ngezimbangela, zama ukusondela. Isiphetho esijabulisayo yisidumbu esiqhubekayo sesifiso sakhe, okulindelwe namaphutha, lapho kuvela khona intukuthelo, amanga nokungaqondi kahle, kepha futhi kunezikhathi eziningi zenjabulo.
U-Isaac Rosa ukhuluma kule noveli indikimba yendalo yonke, uthando, oluvela ezintweni eziningi zokubeka izinto ezenza kube nzima namuhla: ukungazinzi nokungaqiniseki, ukunganeliseki okubalulekile, ukuphazamiseka kwesifiso, ukucabanga kothando lwenganekwane ... Ngoba kungenzeka ukuthi Uthando, njengoba satshelwa, luyinto yokunethezeka esingeke sikwazi ukuyikhokhela njalo.
Igumbi elimnyama
Enye yamanoveli lapho sithola khona kangcono ikhono lomlobi lokudlulisa iqiniso ngesihlungi esingalindelekile phakathi kokuhle nokukhona, ngaso sonke isikhathi izinyawo zakhe zibambelele kulokho esikushiyile (njengoba ngizama kaningi ukukuqamba .. .)
Iqembu lentsha linquma ukwakha "igumbi elimnyama": indawo evaliwe lapho ukukhanya kungangeni khona. Ekuqaleni bayisebenzisela ukuzama izindlela ezintsha zokuxoxa, ukwenza ucansi olungaziwa ngaphandle kwemiphumela, ngokuxubana nokudlala. Njengoba bebhekene nokuvuthwa ngezinqumo zabo, ukuphoxeka, kanye nezingqinamba, ubumnyama buba yindlela yokuphumula kubo.
Ngokuhamba kwesikhathi, ukungaqiniseki kwezenhlalo nokuba sengozini komuntu siqu kuhlala ezimpilweni zabo bese igumbi elimnyama bese livela njengesiphephelo. Iqiniso liya ngokuya landa ngaphakathi, kanti abanye bacabanga ukuthi lesi akusona isikhathi sokucasha kodwa sokuzilwela, noma ngabe izinqumo zabo zibeka lonke iqembu engcupheni.
Igumbi elimnyama kuwukuhlola amathuba okubhalwa kokufihlwa kodwa futhi nokubuka okuvelayo: isithombe salabo abakhule bezethemba esithembisweni sekusasa elingcono manje abalibona lizulazula. Ngempilo yalabo abangena futhi bayishiye esikhathini esiyiminyaka eyishumi nanhlanu, sibona ukuvuswa okunzima kweqiniso lesizukulwane esizizwa sikhohlisiwe.
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Ngiyakuvuma, izimpikiswano eziqanjiwe ezixhumene neqiniso lethu lansuku zonke bezilokhu zinginqoba kwasekuqaleni. Kuzoba ngenxa yalokho abakuxhumanisa nohlangothi lwethu olucabanga kakhulu, ingxenye yobuchopho esiholela emzuzwini ongalindelekile kakhulu endaweni ekude kakhulu eMhlabeni, ebangeni lesine noma ekamelweni lesifiso sethu esingachazeki.
Into ngokuhlangana nokuphindwe kabili kwakho ikhombe eqanjiwe lesayensi, i-dystopia, ifantasy yesayensi noma ukuphindwa kokunye, ukugoqwa kwesikhala. Iphuzu ngukuthi u-Isaac Rosa ukuthathela lapha njengendawo yokuguqula ukunikeza lelo thuba lokuphila okufiswa njalo ngezinga elithile ... Kwakukhona uValeria, esitobhini sebhasi, ngoMsombuluko ngoSepthemba, ecabanga ngezinto zakhe. Futhi kulindwe ucingo lwakhe, elinde uLaura ukuthi aphendule umyalezo wakhe wokugcina, esola ukuthi ozakwabo asebenze nabo sebesungule elinye iqembu lezingxoxo ngaphandle kwakhe.
Bese ephakamisa amehlo. Futhi wakuthola. Esitobhini ngaphambili. Omunye. Kuphindwe kabili, kuyefana. Yini obungayenza uma uzithela kumuntu onjengawe? Ukuthi akekho onjengawe? Yebo kunjalo. Ungacabangi ukuthi ubaluleke kakhulu. Awuphindeki, noma isifanekiso esingahlukile. Uma ungakaze uthole umuntu onjengawe, qhubeka ubheke. Impilo kaValeria yashintsha.
