ื“ื™ ื‘ืขืกื˜ืขืจ ื‘ื™ื›ืขืจ ืคื•ืŸ Fernando J. Mรบรฑez

ื•ื•ืขืŸ ืึท ืžื—ื‘ืจ ื“ื™ืกื™ื™ื“ื– ืฆื• ืึทื ืœื™ืฉ ื–ื™ื™ืŸ ืคืึทื ื˜ืึทื–ื™ืข ื“ื•ืจืš ืœื™ื˜ืขืจืึทื˜ื•ืจ ืึธืŸ ื•ื•ื™ื™ึทื˜ืขืจ ื˜ื ืึธื™ื, ื•ื•ืขืจืกืึทื˜ื™ืœืึทื˜ื™ ืื™ื– ื“ืขืจ ื‘ืœื•ื™ื– ื•ื•ืขื’. ื•ื•ื™ื™ึทื˜ืขืจ ืคื•ืŸ ืึธื•ื•ื•ืขืจื•ื•ืขืœืžื™ื ื’ ืœืขืฆื˜ืข ืกืึทืงืกืขืกืึทื–, Fernando J. Munez ืขืก ืื™ื– ืฆื• ื“ืขืจืฆื™ื™ืœืŸ ืžืขืฉื™ื•ืช ืžื™ื˜ ื“ื™ ื“ืขื“ื™ืงืึทืฆื™ืข ืคื•ืŸ โ€‹โ€‹ืขืžืขืฆืขืจ ื•ื•ืึธืก ื’ืขืคื™ื ื˜ ืึท ื’ื•ื˜ืข ื“ืขืจืฆื™ื™ืœื•ื ื’, ืึธืŸ ืึท ืคึผืœืึทืฅ ืคื•ืŸ ื’ืขืจืึทื ื˜ื™ื“ ื”ืฆืœื—ื” ืคืึธืจืžื•ืœืึทืก.

ื“ื™ ื‘ืึทืœื•ื™ื ื•ื ื’ ืื™ื– ื“ื™ ื”ื™ืกื›ื™ื™ึทื•ื•ืขืก ืฆื• ืœื™ื˜ืขืจืึทื˜ื•ืจ ื–ื™ืš ืื•ืŸ ื“ื™ ืฆื•ืคึฟืจื™ื“ื ืงื™ื™ื˜ ืคื•ืŸ ืึท ื’ื•ื˜ืข ืึทืจื‘ืขื˜. ื•ื•ื™ื™ึทืœ ืœืขืกืึธืฃ ืขืก ืื™ื– ืงื™ื™ืŸ ื’ื•ื˜ืข ืึทืงื˜ ืึธืŸ ื“ื™ ืœื™ื™ึทื“ื ืฉืึทืคื˜ ื•ื•ืึธืก, ืืœื ื•ื•ื™ ืคืึธืจืกื™ื ื’ ืฉืจื™ื™ื‘ืŸ, ื™ืžืคึผืขืœื– ืขืก ืžื™ื˜ ื“ื™ ื™ืจืึทื“ื•ืกื™ื‘ืึทืœ ืคืึธืจ ืคื•ืŸ ื“ืขื ื•ื•ืขื˜.

En la actual tesitura narrativa de este autor las ื”ื™ืกื˜ืืจื™ืฉืข ืคื™ืงืฉืึทื ื– ืžืขืจ ื“ื™ืกืคึผืขืจืึทื˜ืœื™ ื•ื™ืกืงื•ืžืขืŸ ืฆื• ืคืึทืจื ืขืžืขืŸ ื–ื™ื™ืŸ ื“ืขืจืฆื™ื™ืœื•ื ื’ ืขื•ื•ืึธืœื•ืฆื™ืข, ืžื™ื˜ ืื•ืชื™ื•ืช ื•ื•ืึธืก ื“ืขืจื’ืจื™ื™ื›ืŸ ื“ื™ ื˜ื™ืคืขื ื™ืฉืŸ ืคื•ืŸ ื“ืขืจืžื™ืก ืคึฟื•ืŸ ืึท ืžื™ืžื™ืงืจื™ ื‘ืœื•ื™ื– ืื™ืŸ ื“ื™ ื“ืขืจื’ืจื™ื™ื›ืŸ ืคื•ืŸ ื“ื™ ืžืขืจืกื˜ ื˜ืึทืœืึทื ื˜ื™ืจื˜ ืฉืจื™ื™ื‘ืขืจืก ืฆื• ื™ื‘ืขืจื’ืขื‘ืŸ ืขืžืคึผืึทื˜ื™. ืึธื‘ืขืจ ื“ืึธืก ืื™ื– ืึทื– ื‘ื™ื– ืึทื”ืขืจ ื–ื™ื™ืŸ ืคืขืœื“ ืื™ื– ื’ืขื•ื•ืขืŸ ืงื™ื ื“ืขืจ ืœื™ื˜ืขืจืึทื˜ื•ืจ. ื“ื™ ืงืฉื™ื ืื™ื– ืฆื• ื–ื™ื™ืขืŸ ืคืึทืจืฉื™ื“ืขื ืข ืึทืจืขืึทืก ืคื•ืŸ ืฉืขืคึฟืขืจื™ืฉืงื™ื™ื˜.

Top ืจืขืงืึทืžืขื ื“ื™ื“ ืจืืžืื ืขืŸ ืคื•ืŸ Fernando J. Mรบรฑez

ื“ื™ ืฆืขืŸ ืกื˜ืขืคึผืก

ืื™ืŸ ื“ืขืจ ืฆื™ื™ื˜ ืขืก ืื™ื– ื’ืขื•ื•ืขืŸ ืฉืจื™ื˜ 33 ืคื•ืŸ ืœื•ื™ืก ื–ื•ืขืงืึธ. ื“ืขืจื ืึธืš ืžื™ืจ ืงื•ืžืขืŸ ืึทืจื™ื‘ืขืจ ื“ื™ ืฆืขืŸ ืกื˜ืขืคึผืก. ืื•ืŸ ื“ื™ ื˜ืจืขืคึผ ื”ืึธื‘ืŸ ื–ื™ื™ืขืจ ืžื™ืกื˜ืขืจื™ืข ืคึฟื•ืŸ ื“ืขื ืžืึธืžืขื ื˜ ืžื™ืจ ื˜ืึธืŸ ื ื™ื˜ ื•ื•ื™ืกืŸ ื•ื•ื™ ื•ื•ื™ื™ึทื˜ ื–ื™ื™ ืงืขื ืขืŸ ืคื™ืจืŸ ืื•ื ื“ื– ืื™ืŸ ืึท ืคื™ื ืฆื˜ืขืจ ืฉืœืึธืก ืึธื“ืขืจ ืคึผืึทืœืึทืฅ ...

ืžืœื›ื•ืช ืคื•ืŸ ืงืึทืกื˜ื™ืœืข, 1283 ืึทื“. C. Alvar Leรณn de Lara, ืงืึทืจื“ื™ื ืึทืœ ืคื•ืŸ ื“ื™ ืงื•ืจื™ืึท, ืงืขืจื˜ ืื•ื™ืฃ ื“ืขืจ ื‘ืงืฉื” ืคื•ืŸ ื–ื™ื™ืŸ ื’ืขื•ื•ืขื–ืขื ืขืจ ืžืึทื“ืจืขืš ืฆื• ื“ืขืจ ืึทื‘ื™ ื•ื•ืึธืก ืื™ื– ื’ืขื•ื•ืขืŸ ื–ื™ื™ืŸ ื”ื™ื™ื, ื•ื•ืึธืก ืขืจ ืœื™ื ืงืก ืžื™ื˜ ืฆื•ื•ืึทื ืฆื™ืง ื™ืึธืจ ืฆื•ืจื™ืง ืžื™ื˜ ืึท ืฆืขื‘ืจืื›ืŸ ื ืฉืžื” ืคึฟืึทืจ ืึทืŸ ืื•ืžืžืขื’ืœืขืš ืœื™ื‘ืข. ื–ื™ื™ืŸ ืœืขืจืขืจ ื•ื•ื™ืœ ืฆื• ืึทื ื˜ื“ืขืงืŸ ืื™ื ืขืคึผืขืก ื•ื•ืึธืก ื•ื•ืขื˜ ื˜ื•ื™ืฉืŸ ื“ื™ ืœื•ื™ืฃ ืคื•ืŸ ืงืจื™ืกื˜ื ื˜ื•ื.

ืึธื‘ืขืจ, ื“ื™ ืึธื ืงื•ืžืขืŸ ืคื•ืŸ ืึทืœื•ื•ืึทืจ ื•ื•ืขื˜ ืึทื ืœื™ืฉ ื“ื™ ื˜ืจืึทื’ืขื“ื™ืข: ืจื™ื“ืึทืœื– ื”ื™ื ื˜ืขืจ ืคืึทืจื‘ืึธืจื’ืŸ ื˜ื™ืจืŸ, ื™ื ืึทืงืกืคึผืœื™ืกืึทื‘ืึทืœ ืงืจื™ื™ืžื–, ืกื™ืžื‘ืึธืœืก ื•ื•ืึธืก ืคื™ืจืŸ ืฆื• ืงืœื•ื– ืื•ืŸ ืงืœื•ื– ื•ื•ืึธืก ืคื™ืจืŸ ืฆื• ื˜ืจืึทืคึผืก. ื ืฉื•ื•ื™ื ื“ืœื“ื™ืง ืึทืจืึธืคึผื’ืึทื ื’ ื•ื•ืึธืก ื•ื•ืขื˜ ื–ื™ื™ืŸ ืงืึธื ืคืจืึธื ื˜ืขื“ ืžื™ื˜ ื“ื™ ืคืจื•ื™ ื•ื•ืึธืก ืจื™ื™ืกื˜ ื–ื™ื™ืŸ ื”ืึทืจืฅ ื‘ืึทื–ื•ื ื“ืขืจ, ื“ื™ ื™ื ื˜ืจืึทื ืึทืกื™ืึทื ืก ืคื•ืŸ ืคึผืึทื•ืขืจื“ื–, ื“ืขืจ ื’ืขืจืึทื ื’ืœ ืฆื• ื‘ืœื™ื™ื‘ืŸ ืฆื•ื•ื™ืฉืŸ ื“ื™ ืœืขื‘ืขื“ื™ืง ืื•ืŸ ืœืขืกืึธืฃ ื“ื™ ืฆืขืŸ ืกื˜ืขืคึผืก.

Fernando J. Mรบรฑez, ืžื—ื‘ืจ ืคื•ืŸ ื“ืขืจ ื‘ืขืกืฆืขืœืขืจ La cocinera de Castamar, ื“ืึธืก ืžืึธืœ ื˜ืจืึทื ืกืคึผืึธืจืฅ ืื•ื ื“ื– ืฆื• ื“ื™ ืคืึทืจื‘ืึธืจื’ืŸ ื•ื•ืขืœื˜ืŸ ืคื•ืŸ ื“ื™ ืžื™ื˜ืœ ืขืœื˜ืขืจ, ื•ื•ื•ึผ ื“ื™ ืื•ืชื™ื•ืช ื•ื•ืขืœืŸ ืคึผื ื™ื ืืœื˜ืข ื‘ื™ื™ื–ืข ื’ื™ื™ืกื˜ืขืจ ื•ื•ืึธืก ื ืึธืš ื‘ืœื™ื™ึทื‘ื  ืœืขื‘ืŸ ืฆื•ื•ื™ืฉืŸ ืื•ื ื“ื–: ืคึผืจืขื“ื–ืฉืึทื“ื™ืกื™ื–, ื™ืจืึทืฉืึทื ืึทืœ ื™ื™ื“ื™ืึทื– ืื•ืŸ ื™ืžื•ื•ื•ืึทื‘ืึทืœ ื“ืึธื’ืžืึทืก. ืื™ืŸ ืึท ืฆื™ื™ื˜ ื•ื•ืขืŸ ื’ืึธื˜ ืื™ื– ื’ืขื•ื•ืขืŸ ืฆืขืžื™ืฉื˜ ืžื™ื˜ ื“ืขื ืฉื˜ืŸ ืื•ืŸ ื•ื•ื•ึผ ืœื™ื‘ืข ืื™ื– ื’ืขื•ื•ืขืŸ ืงืึทื’ื“ ืื•ื ื˜ืขืจ ื“ื™ ื’ืขื–ืขืฆืŸ ืคื•ืŸ ืžืขื ื˜ืฉืŸ, ืฆืขืŸ ื˜ืจื™ื˜ ืงืขืŸ ื•ื•ื™ื™ึทื–ืŸ ื“ื™ ื—ื™ืœื•ืง.

ื“ื™ ืฆืขืŸ ืกื˜ืขืคึผืก

ืงืืกื˜ืืžืืจ'ืก ืงืืš

El gran boom de un autor que pasรณ a la consideraciรณn de superventas y se lanzรณ a las traducciones a diferentes idiomas. La novela perfecta, forjada de manera repentina, con esa cuรฑa de autor transmutado desde otras esferas creativas y precisamente por eso cargado de inusitada frescura para abordar un gรฉnero tan dispar, con esa marcada diferencia que ha cautivado a tantos lectoresโ€ฆ

ืงืœืึทืจืึท, ืึท ื™ื•ื ื’ ืžื™ื™ื“ืœ ืคื•ืŸ ืฉืึทื ื“, ืกืึทืคืขืจื– ืคื•ืŸ ืึทื’ืึธืจืึทืคืึธื•ื‘ื™ืึท ื–ื™ื ื˜ ื–ื™ ืคึผืœื•ืฆืœื™ื ื’ ืคืึทืจืœืึธืจืŸ ืื™ืจ ืคืื˜ืขืจ. ื“ืึทื ืงืขืŸ ืฆื• ื–ื™ื™ืŸ ื•ื•ื•ื ื“ืขืจืœืขืš ืงื•ื•ื™ื–ื™ืŸ, ืขืจ ืžืึทื ื™ื“ื–ืฉื™ื– ืฆื• ืึทืจื™ื™ึทืŸ ื“ื™ ื“ื•ื˜ืฉื™ ืคื•ืŸ ืงืึทืกื˜ืึทืžืึทืจ ื•ื•ื™ ืึทืŸ ืึธืคื™ืฆื™ืจ, ื“ื™ืกืจืึทืคึผื˜ื™ื ื’ ืžื™ื˜ ื–ื™ื™ืŸ ืึธื ืงื•ืžืขืŸ ื“ื™ ืึทืคึผืึทื˜ืขื˜ื™ืง ื•ื•ืขืœื˜ ืคื•ืŸ ื“ืึธืŸ ื“ื™ืขื’ืึธ, ื“ื™ ื“ื•ืง. ื“ืึธืก, ื–ื™ื ื˜ ืขืจ ืคืึทืจืœืึธืจืŸ ื–ื™ื™ืŸ ืคืจื•ื™ ืื™ืŸ ืึท ืฆื•ืคืึทืœ, ืœืขื‘ื˜ ืืคื’ืขื–ื•ื ื“ืขืจื˜ ืื™ืŸ ื–ื™ื™ืŸ ื’ืจื•ื™ืก ืžืึทื ืฉืึทืŸ ืกืขืจืึทื•ื ื“ืึทื“ ื“ื•ืจืš ื“ื™ ืกืขืจื•ื•ื™ืก. ืงืœืึทืจืึท ื•ื•ืขื˜ ื‘ืึทืœื“ ืึทื ื˜ื“ืขืงืŸ ืึทื– ื“ื™ ืจื•ื™ืง ื•ื•ืึธืก ืกืขืจืึทื•ื ื“ื– ื“ื™ ื”ืึทืกื™ืขื ื“ืึท ืื™ื– ื“ื™ ืคืึธืจืฉืคึผื™ืœ ืคื•ืŸ ืึท ื“ืขื•ื•ืึทืกื˜ื™ื™ื˜ื™ื ื’ ืฉื˜ื•ืจืขื ื•ื•ืขืžืขื ืก ืฆืขื ื˜ืขืจ ืื™ื– ืงืึทืกื˜ืึทืžืึทืจ, ืื™ืจ ื”ืืจ ืื•ืŸ ื–ื™ืš.

Fernando J. Mรบรฑez ื•ื•ื™ื•ื•ื– ืคึฟืึทืจ ื“ื™ ืœื™ื™ืขื ืขืจ ืžื™ื˜ ืึท ื“ื™ื˜ื™ื™ืœื“ ืื•ืŸ ื™ื™ื“ืœ ืคึผืจืึธื–ืข, ืึท ื•ื•ืึธืจืคึผ ืคื•ืŸ ืื•ืชื™ื•ืช, ื™ื ื˜ืจื™ื’ื–, ืœื™ื‘, ืขื ื•ื•ื™ืขืก, ืกื™ืงืจื™ืฅ ืื•ืŸ ืœื™ื’ื˜ ื•ื•ืึธืก ื™ื ื˜ืขืจื˜ื•ื•ื™ื™ื ื– ืื™ืŸ ืึทืŸ ื™ืžืคึผืขืงืงืึทื‘ืœืข ืคืึทืจื•ื•ื™ื™ึทืœื•ื ื’ ืคื•ืŸ ื“ื™ ืกืคึผืึทื™ืŸ ืคื•ืŸ 1720.

ืงืืกื˜ืืžืืจ'ืก ืงืืš
ืงื•ืจืก ืคึผืึธืกื˜ืŸ

ืœืึธื–ืŸ ืึท ื‘ืึทืžืขืจืงื•ื ื’

ื“ืขื ืคึผืœืึทืฅ ื ื™ืฆื˜ ืึทืงื™ืกืžืขื˜ ืฆื• ืจืขื“ื•ืฆื™ืจืŸ ืกืคึผืึทื. ืœืขืจืŸ ื•ื•ื™ ื“ื™ื™ืŸ ืงืึธืžืขื ื˜ืึทืจ ื“ืึทื˜ืข ืื™ื– ืคึผืจืึทืกืขืกื˜.