3 ื‘ืขืกื˜ืขืจ ื‘ื™ื›ืขืจ ืคื•ืŸ George Eliot

ื“ื™ ืคึผืกืขื•ื•ื“ืึธื ื™ื ื–ืึทืš ืงืึทืจืžืขืŸ ืžืึธืœืึท ืขืก ืื™ื– ื”ื™ื™ึทื ื˜ ืกื™ืžืคึผื˜ืึทืžืึทื˜ื™ืง ืคื•ืŸ ื“ื™ ืขื ื“ืขืจื•ื ื’ ืคื•ืŸ ืฆื™ื™ื˜. ื“ืจื™ื™ ืžืขื ืขืจ ื•ื•ืืก ืฉืจื™ื™ื‘ืŸ ืžื™ื˜ ื“ืขื ื•ื•ื™ื™ื‘ืขืจืฉืข ืคึผืกืขื•ื•ื“ืึธื ื™ื... ืื•ื™ืกืขืจ ืึทืคึผืขืจื˜ื•ื ื™ื–ื ืึธื“ืขืจ ืืคื™ืœื• ื“ื™ ื’ืขืจื™ื›ื˜-ืงื•ืคึผ ืคื•ืŸ ื“ื™ ืœืขืฆื˜ ืคึฟืึทืจืงื•ื™ืฃ ืึทื˜ืฉื™ื•ื•ื“ ืžื™ื˜ ื“ื™ ืคึผืœืึทื ืขื˜ ืึทื•ื•ืึทืจื“ 2021, ื“ืขืจ ืขื ื™ืŸ, ื’ืขื–ืขืŸ ืคื•ืŸ ืึท positive ืคึผืขืจืกืคึผืขืงื˜ื™ื•ื•, ืžืื›ื˜ ืื•ื ื“ื– ื–ืขืŸ ืึทื– ืคืจื•ื™ืขืŸ ืก ืจืึธืžืึทื ื– ืคื•ืŸ ืงื™ื™ืŸ ื–ืฉืึทื ืจืึท ื”ืึธื‘ืŸ ืฉื•ื™ืŸ ื’ืœื™ื™ึทืš ื‘ืึทื˜ืจืึทื›ื˜ื•ื ื’. ืขืคึผืขืก ืึทื–ื•ื™ ื ืึทื˜ื™ืจืœืขืš ืื™ืฆื˜ ื•ื•ื™ ืขืก ืื™ื– ื’ืขื•ื•ืขืŸ ืžืึธื“ื ืข ื ื™ื˜ ืึทื–ื•ื™ ืœืึทื ื’ ืฆื•ืจื™ืง.

Porque bien sabemos cรณmo se las gastaba la crรญtica antaรฑo en no pocos paรญses hasta bien entrado el siglo XXโ€ฆ La cosa es que fobias superadas y prejuicios abandonados, el tiempo pone en su sitio la obra de una autora que, por otro lado, no siempre se ocupaba de las necesarias tentaciones reivindicativas para centrarse en la escritura porque sรญ. Naturalmente, las circunstancias histรณricas marcan su obra, deslizรกndose las necesarias dosis de crรญtica para con una sociedad encorsetada y reaccionaria, sobre todo en su obra ืžื™ื“ื“ืœืขืžืึทืจื˜ืฉ.

ืึธื‘ืขืจ ื•ื•ื™ื™ึทื˜ืขืจ ืคื•ืŸ ื“ื™ ื“ื™ืกืงืจื™ืคึผื˜ื™ื•ื• ืคื•ืŸ ื“ืขื ืงืึธื ื˜ืขืงืกื˜ ืึธื“ืขืจ ื“ื™ ืกืึธื•ืกื™ืึทืœืึทื“ื–ืฉื™ืงืึทืœ ืคึผืœืึธื’ ื•ื•ืขืŸ ืขืจ ื’ืขืจื™ืจื˜ (ืื™ืจืึธื ื™ืขืก ื•ื•ืึธืก ืกืคึผืœืึทืฉื˜ ืขืจื’ืขืฅ), ืขื•ื•ืึทื ืก ืึทื‘ืึทื•ื ื“ื™ื“ ืื™ืŸ ื“ื™ ื ืฉืžื” ืคื•ืŸ ื–ื™ื™ืŸ ืื•ืชื™ื•ืช, ืื™ืŸ ื“ื™ ืขืงืกื™ืกื˜ืขื ื˜ืฉืึทืœ, ื“ื™ ืžืึธืจืึทืœื™ืฉ ืื•ืŸ ื“ื™ ืจืขืœื™ื’ื™ืขื– ื•ื•ื™ ื™ืงืขืจื“ื™ืง ืงืึทืžืคึผืึธื•ื ืึทื ืฅ ืคื•ืŸ ื“ืขืจ ืžืขื ื˜ืฉ ื•ื•ืขื˜. ืื• ืŸ ืืคื™ืœ ื• ื“ ื™ ืคืื ื˜ืืกื˜ื™ืฉืข ืจ ื”ื ื˜ ืื™ ืจ ืื•ื™ ืš ืืžื ืœ ืฆื•ื’ืขืฆื•ื™ื’ ืŸ ืื™ ืŸ ืฆืขืจื•ื ื“ืข ืจ ื“ืขืจืฆืฒืœื•ื ื’ .

Top 3 ืจืขืงืึทืžืขื ื“ื™ื“ ืจืืžืื ืขืŸ ืคื•ืŸ George Eliot

ืกื™ืœืึทืก ืžืึทืจื ืขืจ

ื“ื™ ืžืขืจืกื˜ ื˜ืจืึทื ืกืขื ื“ืึทื ื˜ ืขืคึผืึธืก ืื™ื– ื“ืขืจ ื•ื•ืึธืก ืžืื›ื˜ ืึท ืคึผืจืึธื•ื˜ืึทื’ืึทื ืึทืกื˜ ืจื™ื‘ืึธืจืŸ ืคื•ืŸ ื–ื™ื™ืŸ ืืฉ. ืื ื”ื™ื™ื‘ืขื ื“ื™ื’ ืคื•ืŸ ืกืงืจื™ืŸ ื•ื•ื™ื™ื–ื˜ ืื•ื™ืฃ ื“ื™ ืžืขื’ืœื™ื›ืงื™ื™ื˜ ืื– ื•ื•ืขืŸ ื ืื•ืžื’ืœื™ืง ื•ื•ืขื˜ ื–ื™ืš ืงืขืจืŸ ื•ื•ืขื˜ ืžืขืŸ ืฉื•ื™ืŸ ื•ื•ื™ืกืŸ ื•ื•ื™ืื–ื•ื™ ืฆื• ืฉืคื™ืœืŸ ื“ื™ ืงืืจื˜ืŸ.

ืกื™ืœืืก ืžืืจื ืขืจ ืื™ื– ืืŸ ืื•ืžื’ืœื™ืงืœืขื›ืขืจ ืžืขื ื˜ืฉ, ื•ื•ืขืœื›ืขืจ ืื ื˜ืœื•ื™ืคื˜ ื ืืš ื ื”ืืจืฆืŸ ืื•ืŸ ื ื‘ืืฉื•ืœื“ื™ืงื•ื ื’ ืื™ืŸ ื’ื ื™ื‘ื” ืคื•ืŸ ื–ื™ื™ืŸ ืฉื˜ืื˜ ืื•ืŸ ื‘ืื–ืขืฆื˜ ื–ื™ืš ืืœืก ื ื•ื•ืขื•ื•ืขืจ ืื™ืŸ ืฉื˜ืขื˜ืœ ืจืื•ื•ืขืœืข, ื•ื•ืื• ืขืจ ืคื™ืจื˜ ื ืฉื˜ื™ืœ, ื”ื’ื ืขืœื ื˜ ืื•ืŸ ืื•ื™ืคื’ืขื•ื•ืืจืฆืœื˜ ืœืขื‘ืŸ, ื’ืขื•ื•ื™ื“ืžืขื˜ ื–ื™ืš ื’ื•ืฃ ืื•ืŸ ื ืฉืžื” ืฆื• ื“ืขืจ ืืจื‘ืขื˜. ืื•ืŸ ืึธื ืงืœื™ื™ึทื‘ืŸ ื’ืขืœื˜. ืื™ื™ืŸ ื˜ืื’ ืคืึทืจืฉื•ื•ื™ื ื“ืŸ ื–ื™ื™ื ืข ืฉืคึผืฒึทืขืจื•ื ื’ืขืŸ ืื•ืŸ ื‘ืึทืœื“ ื ืึธื›ื“ืขื, ื•ื•ื™ ืขืก ื•ื•ืึธืœื˜ ื’ืขื•ื•ืขืŸ ืึท ื’ื•ื•ืึทืœื“ื™ืงืŸ ื’ื•ืจืœ, ื‘ืึทื•ื•ื™ื™ื–ื˜ ื–ื™ืš ืึท ืคืึทืจืœืึธื–ืขื ืข ืžื™ื™ื“ืœ ื•ื•ืขืžืขืŸ ืขืจ ืึทื“ืึธืคึผื˜ื™ืจื˜. ื“ื™ ื–ืึธืจื’ ืขืจ ื’ื™ื˜ ืื•ืŸ ื–ื™ื™ืŸ ื‘ื™ืœื“ื•ื ื’ ื•ื•ืขื˜ ื˜ื•ื™ืฉืŸ ื–ื™ื™ืŸ ืœืขื‘ืŸ.

ื“ื™ ื’ืขืฉื™ื›ื˜ืข, ืึทื“ืžื™ื™ืขืจื“ ื“ื•ืจืš ื”ืขื ืจื™ ื“ื–ืฉื™ื™ืžืก, ื•ื•ื™ืจื–ืฉื™ื ื™ืข ื•ื•ืึธืœืฃ ืื•ืŸ ืงื•ื•ื™ืŸ ื•ื•ื™ืงื˜ืึธืจื™ืึท ื–ื™ืš, ืื™ื– ื’ืขื•ื•ืขืŸ ื‘ืื˜ืจืื›ื˜ ื“ื•ืจืš ืงืจื™ื˜ื™ืงืก ืฆื• ื–ื™ื™ืŸ ืึท ืืžืช ืžื™ื™ึทืกื˜ืขืจื•ื•ืขืจืง ืื•ืŸ ืžืึทืกื˜ืขืจืคืึทืœื™ ืจื™ืงืจื™ื™ื™ืฅ ื‘ื™ื™ื“ืข ื“ื™ ื“ืึธืจืคื™ืฉ ืขื ื’ืœืึทื ื“ ืคื•ืŸ ื“ื™ ืฆื™ื™ึทื˜ ืื•ืŸ ื“ื™ ื™ื ืก ืื•ืŸ ืึทื•ืฅ ืคื•ืŸ ื“ื™ ืžืขื ื˜ืฉืœืขืš ื”ืึทืจืฅ.

ื“ื™ ื ืึทืจื™ืฉ ืจืึธืžืึทื ื– ืคื•ืŸ ื–ื™ื›ืขืจ ื“ืึทืžืข ืจืึธืžืึทื ื™ืกืฅ

ืึธืŸ ืจื™ืกื˜ืจื™ืงืฉืึทื ื–, ืึธืŸ ืจืขื–ืขืจื•ื•ื™ื™ืฉืึทื ื– ื™ืžืคึผืึธื•ื–ื“ ื“ื•ืจืš ื“ื™ ื’ืขื–ืขืœืฉืึทืคื˜ืœืขืš ืื•ืŸ ืงื•ืœื˜ื•ืจ ืงืึทื ื•ื•ืขื ืฉืึทื ื– ืคื•ืŸ ื–ื™ื™ืŸ ืฆื™ื™ื˜, ืžื™ื˜ ืฆืึธืจื ื“ื™ืง ืกืึทืจืงืึทื–ื ืื•ืŸ ื“ื™ ืื™ื ื˜ืขืœืขืงื˜ื•ืึทืœ ืึทืงื™ื•ืึทื˜ื™ ื•ื•ืึธืก ืื™ื– ื–ื™ื™ืŸ ืื™ื™ื’ืขื ืข, ื“ื–ืฉืึธืจื“ื–ืฉ ืขืœื™ืึธื˜ ืจื™ืœืขื ื˜ืœืึทืกืœื™ ื ืขืžื˜ ื–ื™ื™ืŸ ืึธืคึผืฆืึธืœ ืื•ื™ืฃ ื“ื™ ืžื™ืกื˜ื™ื™ืงืก ืคื•ืŸ ื“ืขืจืฆื™ื™ืœื•ื ื’ ืื™ืŸ "ื“ื™ ื ืึทืจื™ืฉ ืจืึธืžืึทื ื– ืคื•ืŸ ื–ื™ื›ืขืจ ืœืึทื“ื™ ื ืึธื•ื•ืขืœื™ืกืฅ." ืžืขืจืกื˜ ืคึผืจืึธืกื˜ ืคื•ืŸ ืขื˜ืœืขื›ืข ื‘ืึทืจื™ืžื˜ ืฉืจื™ื™ื‘ืขืจืก ืคื•ืŸ ืื™ืจ ืฆื™ื™ื˜.

ืื™ืŸ ื•ื•ืึธืก ืื™ื– ื’ืขื•ื•ืขืŸ ืื™ืจ ืžืขืจืกื˜ ื‘ืึทืจื™ืžื˜ ืขืกื™ื™, ื•ื•ืขืžืขื ืก ื˜ืขืžืข ื”ืืœื˜ ืฆื• ื“ืขืจื•ื•ืขืงืŸ ืกื™ื›ืกืขืš ื”ื™ื™ึทื ื˜, ื“ื™ ื‘ืจื™ืœื™ืึทื ื˜ ืขื ื’ืœื™ืฉ ืžื—ื‘ืจ ื’ื™ื˜ ืื™ืจ ื˜ืขื–ื™ื– ืžื™ื˜ ืึท ืคืึทืจื‘ื™ื ื“ืŸ ืคื•ืŸ ืื™ืจืึธื ื™ืข ื‘ืื–ื™ืจื˜ ืื•ื™ืฃ ืจืขืคึผืจื™ื–ืขื ืึทื˜ื™ื•ื• ื‘ื™ื™ืฉืคื™ืœืŸ ืคื•ืŸ ืคึผืจื™ื“ื™ืงื˜ืึทื‘ืึทืœ ืคึผืœืึทื ืขื•ื•ืขืŸ, ืคืึทืœืฉืข ื›ืึทืจืึทืงื˜ืขืจืก, ื ืึธื›ืžืึทื›ืŸ ืกื˜ื™ื™ืœื– ืื•ืŸ ื“ื™ืึทืœืึธื’ืŸ. ืฉื˜ืขืœืŸ ืื™ืŸ ื“ื™ ื“ื™ื ืกื˜ ืคื•ืŸ ื–ื™ื™ืขืจ ืžืึธืจืึทืœื™ื™ื–ื™ื ื’, ืคึผืจืึธืกืึทื™ืง ืึธื“ืขืจ, ื“ืึทื•ื ืจื™ื™ื˜, ื‘ืึทืจื™ืžืขืจื™ื™ึท ืคึผืจื™ื˜ืขื ืฉืึทื ื–. ืฉืึทืจืฃ, ื”ืขื›ืกื˜ ืคึฟืึทืจื•ื•ื™ื™ืœืขืจื™ืฉืข ืื•ืŸ ื˜ื™ืฃ ืงืœืึธืจ, ื“ื–ืฉืืจื–ืฉ ืขืœื™ืึธื˜ ืคึผืึทืจืึธื“ื™ื– ื“ื™ ืงืœื™ื˜ืฉืขื“ ืจืืžืื ืขืŸ ื•ื•ืึธืก ื“ืึทืžืึทื ื™ื™ื˜ืึทื“ ื“ื™ ืคืืจืงื•ื™ืคื•ื ื’ ื˜ืฉืึทืจืฅ ืคื•ืŸ ื–ื™ื™ืŸ ืฆื™ื™ื˜, ืžื™ื˜ ื–ื™ื™ืขืจ ื›ื™ื™ื ืขื•ื•ื“ื™ืง ืื•ืŸ ืฉื™ื™ืŸ ื”ืขืœื“ื™ืŸ, ืื•ืŸ ื–ื™ื™ืขืจ ืคึผืจื™ื“ื™ืงื˜ืึทื‘ืึทืœ, ืฉื•ื’ืขืจื™ ืขื ื“ืก.

ื“ืข ืจ ืื•ื™ืคื’ืขื”ื•ื™ื‘ืขื ืข ื ืคืืจืœืข ืจ ืื• ืŸ ื‘ืจื•ื“ืข ืจ ื™ืขืงื‘

Todo escritor o escritora puede ser en mayor medida descubierto en sus rarezas. Porque cuando uno se pone a escribir de manera alternativa o casual, abordando gรฉneros poco habituales en su bibliografรญa, se despierta una sensibilidad especial, desparramada sobre los nuevos escenarios.

ื“ืขืจ ื‘ืึทื ื“ ื‘ืจืขื ื’ื˜ ืฆื•ื–ืึทืžืขืŸ ืฆื•ื•ื™ื™ ืคื•ืŸ ื“ื™ ื•ื•ื™ื™ื ื™ืง ืงื•ืจืฅ ืจืึธืžืึทื ื– ื•ื•ืึธืก ื“ื–ืฉืึธืจื“ื–ืฉ ืขืœื™ืึธื˜ ื’ืขืฉืจื™ื‘ืŸ. ืื™ืŸ ื“ื™ ืฉืœื™ื™ืขืจ ืื•ื™ืคื’ืขื”ื•ื™ื‘ืŸ (1859) ื“ืขืจ ื™ื•ื ื’ ืžืึธืจื˜ื™ืžืขืจ ืึทืงื•ื•ื™ื™ืขืจื– ืื•ืžื’ืขืจื™ื›ื˜ ื“ื™ ื˜ืึทืœืึทื ื˜ ืคื•ืŸ ืœื™ื™ืขื ืขืŸ ื“ื™ ืžื—ืฉื‘ื•ืช ืคื•ืŸ ืื ื“ืขืจืข: ื‘ืœื•ื™ื– ื–ื™ื™ืŸ ืขืœื˜ืขืจืข ื‘ืจื•ื“ืขืจ ืก ื›ืึธืกืŸ ืึทื ื˜ืงืขื’ื ืฉื˜ืขืœื  ื–ื™ืš ืื™ื ืื•ืŸ, ืึธื‘ืขืจ, ืึท ื–ืขืื•ื ื’ ืึทื ืึทื•ื ืกื™ื– ืึทื– ืขืจ ื•ื•ืขื˜ ื—ืชื•ื ื” ืื™ืจ. ืื™ืŸ ื‘ืจื•ื“ืขืจ ื™ืขืงื‘ ( 1860 ) , ื“ื•ืจ ืš ื“ ื™ ืืฐืื ื˜ื•ืจืข ืŸ ืคื• ืŸ ื“ ื™ ืžืืžืข ืŸ ืคื• ืŸ ื“ ื™ ืืฐืขื ื˜ ืŸ ืคื• ืŸ ื“ ื™ ืžืืžืข ืก (ืฐืื , ืฐ ื™ ื ืœืขืจื ืข ืจ ืคื• ืŸ ืงืื ื“ื™ื˜ืืจ , ืฉื˜ืจืขื‘ ื˜ ืฆ ื• ื–ืฒ ืŸ ื ื’ืจื•ื™ืืข ืจ ืžืขื ื˜ืฉ ืŸ ืื™ ืŸ ืžืขืจื‘ึพืื™ื ื“ื™ืข , ืฐื ื• ืข ืจ ืขืžื™ื’ืจื™ืจ ื˜ ื ืื› ืŸ ื’ื ื‘ืขื ืข ืŸ ื“ ื™ ืžืืžืข ืก ืฉืคืืจ ืŸ ) ืื• ืŸ ื–ืฒ ืŸ ื‘ืจื•ื“ืขืจ , ื“ืข ืจ ืื™ื“ื™ืื˜ , ื™ืขืงื‘ . ื ื’ืœื™ื™ืš ืื•ืŸ ื›ื™ืœืขืจื™ืึทืก ืœืขื’ืขื ื“ืข ืื™ื– ืขืจืขืงื˜ืขื“.

ืงื•ืจืก ืคึผืึธืกื˜ืŸ

ืœืึธื–ืŸ ืึท ื‘ืึทืžืขืจืงื•ื ื’

ื“ืขื ืคึผืœืึทืฅ ื ื™ืฆื˜ ืึทืงื™ืกืžืขื˜ ืฆื• ืจืขื“ื•ืฆื™ืจืŸ ืกืคึผืึทื. ืœืขืจืŸ ื•ื•ื™ ื“ื™ื™ืŸ ืงืึธืžืขื ื˜ืึทืจ ื“ืึทื˜ืข ืื™ื– ืคึผืจืึทืกืขืกื˜.