ื“ื™ 3 ื‘ืขืกื˜ืขืจ ื‘ื™ื›ืขืจ ืคื•ืŸ Ana R. Caรฑil

Toda investigaciรณn en pos de una historia puede derivar en su versiรณn novelada o en una opciรณn mรกs cronรญstica. Al final todo es una tarea de recopilaciรณn de informaciรณn a la que el narrador de turno da esa forma oportuna para acercarnos al escenario de turno. En el caso de ืึทื ืึท ืงืึทื ื™ืœ ืžืืœ ื“ื™ ื–ืึทืžืœื•ื ื’ ืคื•ืŸ ืื™ื ืคึฟืึธืจืžืึทืฆื™ืข ื‘ืจื™ื™ืงืก ืฆื• ื“ื™ ืคื•ื‘ืœื™ืฆื™ืกื˜ืŸ ืึธื“ืขืจ ืฆื• ืึทืŸ ืขืกื™ื™.

ื‘ืฉืขืช ืื™ืŸ ืื ื“ืขืจืข ืžืืœ ื“ืขืจ ืจืึธืžืึทืŸ ืฉื˜ื™ื™ื˜ ืื•ื™ืก ืึทื– ืขืคืขืก ืกืึทื‘ืœื™ืžืึทื˜ื™ื– ื“ื™ ืคืืงื˜ืŸ ืฆื• ืึท ืžื™ืŸ ืคื•ืŸ ื“ืขืจืฆื™ื™ืœื•ื ื’ ืงืึทื˜ืึทืจืกื™ืก. ื ืฆืขืฉืžืขืœื˜ืขืจ ื˜ืืค ืฆื•ื•ื™ืฉืŸ ืจืขืืœื™ื˜ืขื˜ ืื•ืŸ ื‘ืขืœืขื˜ืจื™ืกื˜ื™ืง, ื•ื•ืื• ื“ื™ ืื™ื ื˜ืจื-ื’ืขืฉื™ื›ื˜ืข ืื™ื– ืื ื˜ื•ื•ื™ืงืœื˜ ืื™ืŸ ื ื’ืจืขืกืขืจืข ืžืึธืก ืฆื• ื™ืขื ืขืจ ืžื™ืžื™ืงืจื™ ืžื™ื˜ ื ืฆื™ื™ื˜ ืื“ืขืจ ืื•ืžืฉื˜ืขื ื“ืŸ. ืึธืŸ ืึท ืฆื•ื•ื™ื™ืคืœ, ื•ื•ืขืŸ ื“ื™ ืžืขืจืกื˜ ืžืขื ื˜ืฉืœืขืš ื“ื™ืคึผืึทื ื™ื ื’ ืื™ื– ื’ืขื–ื•ื›ื˜, ื’ืึธืจื ื™ืฉื˜ ื‘ืขืกืขืจ ื•ื•ื™ ื‘ืขืœืขื˜ืจื™ืกื˜ื™ืง ืžื™ื˜ ื–ื™ื™ึทืŸ ืงืึทืคึผืึทืฆื™ื˜ืขื˜ ืฆื• ื‘ืึทื•ื•ื•ื™ื ืขืŸ ื ืฉืžื•ืช ืื™ืŸ ื™ื‘ืขืจื’ืึทื ื’ ื“ื•ืจืš ื“ื™ ืกืฆืขื ืข ืคื•ืŸ โ€‹โ€‹โ€‹โ€‹ื’ืขืฉืขืขื ื™ืฉืŸ.

ื•ื•ื™ ืขืก ืงืขืŸ ื–ื™ื™ืŸ, ื“ืึธืก ืžื™ื™ื ื˜ ืฆื• ื–ื™ื™ืŸ ืึท ื–ืฉื•ืจื ืืœื™ืกื˜ื™ืง ื“ื•ืึทืœื™ื˜ื™ ื•ื•ืึธืก ื ื™ื™ึทื’ืขืจื™ืง ืื™ื– ืจื™ืคึผืจืึทื“ื•ืกื˜ ืื™ืŸ ืึท ื’ืจืขืกืขืจืข ืžืึธืก ืื™ืŸ ืงืึทืกืขืก ืคื•ืŸ ืžื—ื‘ืจื™ื ืึทื–ืึท ื•ื•ื™ Ana Caรฑil, ื–ื™ื™ึทืœ ืื•ื™ื’ o ืฉื ื™ื™ ืฉืžื™ื“. ืคื•ื‘ืœื™ืฆื™ืกื˜ืŸ ืึทืœืข ื˜ื•ื™ื’ืขื•ื•ื“ื™ืง ืคื•ืŸ ืึทื– ืึทืžื‘ื™ื•ื•ืึทืœืึทื ืก ืคื•ืŸ ืึท ืฉืคึผืจืึทืš ื’ืขืžืื›ื˜ ืคืึทื›ืžืึทืŸ ื’ืขืฆื™ื™ึทื’ ืžื™ื˜ ืึทื ืกืึทืกืคึผืขืงื˜ื™ื“ ืคึผืึทื˜ืก.

Top 3 ืจืขืงืึทืžืขื ื“ื™ื“ ื‘ื™ื›ืขืจ ื“ื•ืจืš Ana R. Caรฑil

ืคืจืขืžื“ ืœื™ื‘ื”ืื‘ืขืจืก

ื“ืขืจ ื›ื™ื™ืŸ ืคื•ืŸ ื•ื•ืึธืก ืื™ื– ื ืึธืขื ื˜ ืื™ื– ืคืึทืจืงืœืขื ืขืจื˜ ืคื•ืŸ ื“ืขื ื•ื•ืึธื›ืขื“ื™ืงืŸ, ืคื•ืŸ ื“ืขืจ ื‘ืึทืงืึทื ื˜ืขืจื”ื™ื™ื˜ ื•ื•ืึธืก ืคืึทืจื˜ืจืึธื’ื˜ ื–ื™ืš, ืคื•ืŸ ื“ืขื ื’ื™ื™ืŸ ื•ื•ืึธืก ืึธื‘ืกืขืจื•ื•ื™ืจื˜ ื ื™ืฉื˜ ืื™ื‘ืขืจ ื“ืขืจ ืขืจื“ ืึธื“ืขืจ ืคื•ืŸ ื“ืขืจ ื”ื ื—ื” ืคื•ืŸ ื•ื•ื™ื™ื˜ืŸ ืื•ืŸ ืขืงื–ืึธื˜ื™ืฉ ื•ื•ื™ ืžืขืจ ืคืึทืจื“ื™ื ืกื˜ ืื•ื ื“ื–ืขืจ ื“ืขืจืงืขื ื•ื ื’. ืึทื–ื•ื™ ืขืก ืื™ื– ื’ืึธืจื ื™ืฉื˜ ื‘ืขืกืขืจ ื•ื•ื™ ื•ื•ืขื ื“ืŸ ืฆื• ืื ื“ืขืจืข ื•ื•ืึธืก ืคึผื•ื ืงื˜ ื–ืขืŸ ื“ืขื ืœืึทื ื“ ื•ื•ื™ ืึทืŸ ืขืงื–ืึธื˜ื™ืฉ ืึธืจื˜ ืฆื• ืฆื•ืจื™ืงืฆื™ืขืŸ ืคึผืจืขื“ื–ืฉืึทื“ื™ืกื™ื– ืื•ืŸ ืœืขืจื ืขืŸ ื•ื•ื™ ืฆื• ืึธืคึผืฉืึทืฆืŸ ื•ื•ืึธืก ืื™ื– ืงืœืึธื•ืกืึทืกื˜ ืฆื• ืื™ืจ.

ื“ืขืจ ื–ืฉื•ืจื ืึทืœื™ืกื˜ Ana Caรฑil ื ืขืžื˜ ืึทืŸ ืึธื ื•ื•ื™ื ืงืขืŸ, ืฉื™ื™ืŸ ืื•ืŸ ื™ืงืกื™ื™ื˜ื™ื ื’ ื ืกื™ืขื” ื“ื•ืจืš ืขื˜ืœืขื›ืข ืคื•ืŸ โ€‹โ€‹โ€‹โ€‹ื“ื™ ืžืขืจืกื˜ ืขืžื‘ืœืขืžืึทื˜ื™ืง ืขืจื˜ืขืจ ืื™ืŸ ืื•ื ื“ื–ืขืจ ืœืึทื ื“ (ื“ื™ ืึทืœื”ืึทืžื‘ืจืึท, El Escorial, ื“ื™ Paseo del Prado ืึธื“ืขืจ ื“ื™ Camino de Santiago, ืฆื•ื•ื™ืฉืŸ ืื ื“ืขืจืข) ื”ืึทื ื˜ ืื™ืŸ ื”ืึทื ื˜ ืžื™ื˜ ื’ืจื•ื™ืก ืคืจืขืžื“ ื˜ืจืึทื•ื•ืึทืœืขืจื– ื•ื•ืึธืก ื‘ืื–ื•ื›ื˜ ืื•ื ื“ื– ืื•ืŸ ืื•ื™ืกื’ืขื“ืจื™ืงื˜ ื–ื™ื™ืขืจ ืจื™ื–ื™ืง ืœื™ื‘ืข ืฆื• ืกืคึผืึทื™ืŸ, ืื•ื™ืš ื‘ื™ื™ื“ ืื™ืŸ ื’ืœื™ื™ึทื›ื’ื™ืœื˜ืงื™ื™ื˜ ืื•ืŸ ื‘ื™ื˜ื•ืœ ืคึฟืึทืจ ืื•ื ื“ื–ืขืจ ืกืชื™ืจื•ืช.

ื“ืึธืก ื‘ื•ืš, ื•ื•ืึธืก ืื™ื– ื’ืขื‘ื•ื™ืจืŸ ื’ืขื•ื•ืึธืจืŸ ืคึฟื•ืŸ ื“ืขืจ ืคืึทืจืœืึทื ื’ ืฆื• ื”ืึทืœื˜ืŸ ื“ื™ ื›ื™ื“ืขืฉ ืื™ืŸ ืคึผื ื™ื ืคื•ืŸ ืฉื™ื™ื ืงื™ื™ื˜, ืงืึทืœืขืงืฅ ืงื•ืงืŸ ื•ื•ืึธืก ื™ื‘ืขืจืจืึทืฉืŸ ืื•ืŸ ืื™ืœื•ืกื˜ืจื™ืจืŸ ืื•ืŸ ื•ื•ืึธืก ืžืืœ ืื•ื™ืš ืฉืึทื˜ืŸ, ืึธื‘ืขืจ ื•ื•ืึธืก ืœืึธื–ืŸ ื ื™ืฉื˜ ื’ืœื™ื™ึทื›ื’ื™ืœื˜ื™ืง. ื˜ืจืึทื•ื•ืขืœื™ื ื’ ื“ื•ืจืš ื“ื™ XNUMX ื™ืึธืจื”ื•ื ื“ืขืจื˜ ืกืคึผืึทื™ืŸ ื”ืึทื ื˜ ืื™ืŸ ื”ืึทื ื˜ ืžื™ื˜ ืื•ื™ืคื’ืขืงืœืขืจื˜ืข ื ื™ื˜-ืฉืคึผืึทื ื™ืฉ ืื™ื– ืึท ื“ื™ืœื™ื™ื˜ืคืึทืœ ืคึผืึทืกื™ืจื•ื ื’ ืื•ืŸ ื™ืจืึทื˜ื™ื™ื˜ื™ื ื’ ืื•ืŸ ื‘ื™ื™ื–ืข.

ืื•ื™ื‘ ื ืืš ื“ืจื™ื™ ื™ืืจ ื‘ื™ืŸ ืื™ืš ื ื™ืฉื˜ ืฆื•ืจื™ืงื’ืขืงื•ืžืขืŸ

ืžืืœ ืขืกื™ื™ ืึธื“ืขืจ ืึทื ื˜ืคึผืœืขืงื•ื ื’. ืึธื‘ืขืจ ืื•ื™ืš ืื™ืŸ ืขื˜ืœืขื›ืข ืคื•ื ื˜ ืึทืœืฅ ื™ืžืคึผืœืึธื•ื“ื– ืฆื• ืคืึทืจื™ื™ื ื™ืงืŸ ืื™ืŸ ืึท ืื™ื™ืŸ ืงืึทื ืึทืœ ืžื™ื˜ ืžืขืจ ืคืขืจื–ืขื ืœื™ื›ืขืŸ ื“ื™ืขืก ื•ื•ื• ื“ื™ ืกืึทื‘ื“ื–ืฉืขืงื˜ื™ื•ื• ืงืึธืžืคึผืึธื ืขื ื˜ ืื™ื– ื“ื™ืกืงืึทื•ื•ืขืจื“ ื•ื•ื™ ื“ืขืจ ื’ืจื•ื™ืก ืจืึธืžืึทืŸ ืœืึธื•ื“ื™ื“ ืžื™ื˜ ื“ื™ ื˜ืจื•ื™ืกื˜ ืขืคึผืึธืก ...

Hace ya un tiempo, la periodista Ana R. Caรฑil empezรณ a seguirle la pista a una terrible historia: la de las prisioneras de la posguerra cuyos hijos les fueron arrebatados por sus carceleros para internarlos en seminarios y conventos o darlos en adopciรณn. Una prรกctica cruel que encontraba su ยฟjustificaciรณn? En teorรญas pseudocientรญficas, propias de los regรญmenes totalitarios y defendidas sin fisuras por mรฉdicos, religiosos y legisladores de renombre de la รฉpoca.

ื“ ื ืื™ ื– ื’ืขืฐืข ืŸ ืžืื˜ืขืจื™ื ืœ ืคื ืจ ื ืคืจืขื›ื˜ื™ืง ืข ืขืกื™ื™ . ืึธื‘ืขืจ ื“ื™ ืžื—ื‘ืจื™ืŸ ื”ืึธื˜ ื ื™ืฉื˜ ื’ืขืงืขื ื˜ ืื•ื™ืกืžื™ื™ื“ืŸ ืึทืŸ ืขืžืึธืฆื™ืึธื ืขืœืŸ ืฆื•ื’ืึทื ื’, ื•ื•ื™ ื“ืขืจ ื•ื•ืึธืก ื–ื™ ื”ืึธื˜ ื–ื™ืš ืฉื•ื™ืŸ ืื•ื ื˜ืขืจื’ืขื ื•ืžืขืŸ ื“ื™ ืคืจื•ื™ ืคื•ืŸ ื“ืขืจ ืžืึทืงื™, aunque, en este caso, con mucha mรกs ambiciรณn narrativa. El resultado de su esfuerzo es una novela imposible de soltar, no solo por el hecho terrible que denuncia, sino por la manera en que ese hecho se encarna en dos antagonistas inolvidables: Jimena Bartolomรฉ, la joven esposa de un comunista, y Marรญa Topete, la directora de la cรกrcel de mujeres de Ventas.

ืื•ื™ื‘ ื ืืš ื“ืจื™ื™ ื™ืืจ ื‘ื™ืŸ ืื™ืš ื ื™ืฉื˜ ืฆื•ืจื™ืงื’ืขืงื•ืžืขืŸ

ื“ื™ ืžื•ื˜ ืคื•ืŸ ืžื™ืก ืจืขื“ืคื™ืขืœื“

ืื™ื™ืŸ ืงืึทืœื˜ ืžืึธืจื’ืŸ ืื™ืŸ ื™ืื ื•ืืจ 1962, ืขืœืกืึท ืจืขื“ืคื™ืขืœื“, ืึท ื™ื•ื ื’ ืขื ื’ืœื™ืฉ ืคืจื•ื™ ื•ื•ืึธืก ืื™ื– ื›ื™ื™ืขืจื“ ื•ื•ื™ ืึท ื ืึทื ื™ ืคืืจ ื“ื™ ื™ื™ื ื’ืกื˜ืข ืคื•ืŸ โ€‹โ€‹ื“ื™ ืื™ื™ื ื™ืงืœืขืš ืคื•ืŸ ื“ืขื ืืจื™ืกื˜ืืงืจืื˜.

ืฉื˜ืจืขื ื’, ืงืึธืžืคึผืขื˜ืขื ื˜ ืื•ืŸ ื˜ื•ื™ื’ืขื•ื•ื“ื™ืง, ืžื™ืก ืจืขื“ืคื™ืขืœื“ ืงื•ืžื˜ ืฆื• ืžืึทื“ืจื™ื“ ืžื™ื˜ ืึท ืžื™ืกื™ืข: ืฆื• ื˜ืจืขืคืŸ ืื™ืจ ืึทืœื˜ ืคืจื™ื™ึทื ื“ ืื•ืŸ ืžืึทื“ืจืขืš, ืžื™ืก ื”ื™ื‘ืก, ื ืึทื ื™ ืคึฟื•ืŸ ืคืจืึทื ืงืึธ'ืก ืื™ื™ื ื™ืงืœืขืš, ืฆื• ื•ื•ืขืžืขืŸ ืขืจ ื‘ืจืขื ื’ื˜ ืึท ืึธื ื–ืึธื’ ืื•ืŸ ืึท ืจื™ื ื’ืขืœืข ืžื™ื˜ ืื•ืžืงืึทืœืึทืœืึทื‘ืึทืœ ื•ื•ืขืจื˜. ืขืœืกืึท ื•ื•ืขื˜ ืžื•ื–ืŸ ืฉื˜ืขืœืŸ ืื™ืจ ืคึผืจื•ื•ื•ืŸ ืฆื• ืคึผืจื•ื‘ื™ืจืŸ, ื•ื•ื™ื™ึทืœ, ื˜ืจืึธืฅ ื–ื™ืš, ื–ื™ ื•ื•ืขื˜ ื–ื™ื™ืŸ ื™ื ื•ื•ืึทืœื•ื•ื“ ืื™ืŸ ื“ื™ ืขื ื™ื ื™ื ืคื•ืŸ ื“ื™ ืคึผืขื ืึทืœืึทืจืึท, ืึท ืžืฉืคึผื—ื” ื•ื•ืึธืก, ืื•ื ื˜ืขืจ ื–ื™ื™ึทืŸ ื‘ืœืขื ื“ื™ืง ืื•ื™ืกื–ืขืŸ, ื‘ืึทื”ืึทืœื˜ืŸ ืฉืจืขืงืœืขืš ื•ื•ื•ื ื“ื– ื•ื•ืึธืก, ืึธืŸ ื•ื•ื™ืกืŸ ืขืก, ื“ื™ ื™ื•ื ื’ืข ืื•ืŸ ื™ื ื™ืงืกืคึผื™ืจื™ืึทื ืกื˜ ื ืึทื ื ื™ ืื™ื– ื•ื•ืขื’ืŸ ืฆื• ื‘ืจืขื ื’ืขืŸ ืฆื• ืœื™ื›ื˜ ืžื™ื˜ ืึทื ืกืึทืกืคึผืขืงื˜ื™ื“ ืงืึทื ืกืึทืงื•ื•ืขื ืกืึทื–.

ื“ื™ ืžื•ื˜ ืคื•ืŸ ืžื™ืก ืจืขื“ืคื™ืขืœื“
ืงื•ืจืก ืคึผืึธืกื˜ืŸ

ืœืึธื–ืŸ ืึท ื‘ืึทืžืขืจืงื•ื ื’

ื“ืขื ืคึผืœืึทืฅ ื ื™ืฆื˜ ืึทืงื™ืกืžืขื˜ ืฆื• ืจืขื“ื•ืฆื™ืจืŸ ืกืคึผืึทื. ืœืขืจืŸ ื•ื•ื™ ื“ื™ื™ืŸ ืงืึธืžืขื ื˜ืึทืจ ื“ืึทื˜ืข ืื™ื– ืคึผืจืึทืกืขืกื˜.