ื“ื™ 3 ื‘ืขืกื˜ืขืจ ื‘ื™ื›ืขืจ ืคื•ืŸ Anita Brookner

ืขืก ืงืขืŸ ื ื™ืฉื˜ ื–ื™ื™ืŸ ื’ืขื–ืึธื’ื˜ ืึทื– ืฉืจื™ื™ื‘ืŸ ืคืึทืจื ื•ืžืขืŸ ื“ื™ ืฉืขืคืขืจื™ืฉ ื’ื™ื™ืกื˜ ืคื•ืŸ ืึทื ื™ื˜ืึท ื‘ืจื•ืงื ืขืจ. ื•ื•ื™ื™ึทืœ ื“ืขืจ ืขืจืฉื˜ืขืจ ื•ื™ืกื’ืึทื‘ืข ืื™ื– ื’ืขื•ื•ืขืŸ ืื™ื‘ืขืจ ืคื•ืคืฆื™ืง ื™ืึธืจ ืึทืœื˜. ืึธื‘ืขืจ ื•ื•ื™ ืื™ืš ื”ืึธื‘ืŸ ืงืึทืžืขื ื˜ืึทื“ ืคื™ืœืข ืžืึธืœ, ืžืขืŸ ืงืขืŸ ื ื™ืฉื˜ ื•ื•ื™ืกืŸ ืึทื– ืขืจ ืื™ื– ืึท ืฉืจื™ื™ื‘ืขืจ ื‘ื™ื– ืขืจ ื’ืขืคื™ื ื˜ ื–ื™ืš ื–ื™ืฆืŸ ืื™ืŸ ืคืจืึธื ื˜ ืคื•ืŸ ืึท ื“ืขืจืฆื™ื™ืœื•ื ื’ ืคื•ืŸ X ื‘ืœืขื˜ืขืจ. ืื™ืš ื’ืขื“ืขื ืงืขืŸ ืงืึทืกืขืก ืึทื–ื•ื™ ืฉืคึผืขื˜ ื•ื•ื™ ื‘ืจื™ืœื™ืึทื ื˜ ื•ื•ื™ ืœื•ื™ืก ืœืึทื ื“ืขืจืึธ o Frank McCourt ื•ื•ืึธืก ื”ืึธื˜ ืึธื ื’ืขื”ื•ื™ื‘ืŸ ืฉืจื™ื™ื‘ืŸ ืื™ื‘ืขืจ 40 ืื™ืŸ ื“ืขืจ ืขืจืฉื˜ืขืจ ืคืึทืœ ืึธื“ืขืจ ื”ืขื›ืขืจ 60 ืื™ืŸ ื“ื™ ืจื’ืข ...

ื“ื™ ืคื•ื ื˜ ืื™ื– ืึทื– ืื™ืŸ ื“ืขื ืคืึทืœ ืคื•ืŸ ืึทื ื™ื˜ืึท, ืื ื“ืขืจืข ืฉืขืคืขืจื™ืฉ ืคึผืขืจืกื•ืฅ ืœืึทืœื“ ื“ื™ ืฉืจื™ื™ื‘ืขืจ ืคึฟืึทืจ ืึท ื˜ืจื™ื™ื ื™ื ื’ ืื™ืŸ ืงื•ื ืกื˜ ืื•ืŸ ืึท ืื™ื‘ืขืจื’ืขื’ืขื‘ื ืงื™ื™ื˜ ืฆื• ื“ื™ ืคึผื™ืงื˜ืึธืจื™ืึทืœ ื•ื•ืึธืก ืฉื˜ืขืœืŸ ืื™ืจ ื•ื•ื™ ืึทืŸ ืื•ื™ื˜ืึธืจื™ื˜ืขื˜ ืื™ืŸ ืงื•ื ืกื˜ ื’ืขืฉื™ื›ื˜ืข ืื•ืŸ ืื™ืŸ ืคืึทืจืฉื™ื“ืŸ ืคึผื™ื™ื ืขืจื– ืื•ืŸ ืกื˜ื™ื™ืœื–.

Pero en la literatura tambiรฉn se pueden extender pinceles para ir perfilando esos mosaicos cargados de vida, con sus miradas que atraviesan al observador, en este caso lector, o escenas mรกs vรญvidas incluso que el mรกs realista de los cuadros. Porque la imaginaciรณn tambiรฉn pincela las fugaces escenas que la literatura provee. Y asรญ fue como Anita empezรณ a narrar como quien cubre lienzos para hacer del blanco la mรกs hermosa transformaciรณn que la razรณn, la imaginaciรณn y el don de la creatividad como pulso pueden llevar a cabo.

ื“ื™ 3 ืจืขืงืึทืžืขื ื“ื™ื“ ืจืืžืื ืขืŸ ืคื•ืŸ Anita Brookner

ืงื•ืจืฆืข ืœืขื‘ื ืก

ืงื•ืจืฆืข ืœืขื‘ื ืก ื“ืขืจืฆื™ื™ืœื˜ ื“ื™ ื’ืขืฉื™ื›ื˜ืข ืคื•ืŸ โ€‹โ€‹Fay, ืคื•ืŸ ืื™ืจ ื“ื™ืกืงืจื™ื˜ ื“ื–ืฉื•ื™ืก ืื•ืŸ ื™ืœื•ื–ืฉืึทื ื– ื–ื™ื ื˜, ืื™ืŸ ื“ื™ XNUMX ืก, ื–ื™ ืคืืจืœืื–ืŸ ืื™ืจ ื‘ืึทืฉื™ื™ื“ืŸ ื’ืขื–ืึทื ื’ ืงืึทืจื™ืขืจืข ืคึฟืึทืจ ืึท ื›ืึทืกืขื ืข ื•ื•ืึธืก ืื™ื– ื•ื•ื™ื™ึทื˜ ืึทื•ื•ืขืง ืคื•ืŸ ื“ื™ ืจืึธืžืึทื ื˜ื™ืกื™ื–ืึทื ืคื•ืŸ ื“ื™ ืœื™ื“ืขืจ ืื•ืŸ ืงื™ื ืึธ ืคื•ืŸ ื“ืขืจ ืฆื™ื™ื˜. ื ืœืขื‘ืŸ ืื™ืŸ ื–ื•ื›ืŸ ืคื•ืŸ ืœื™ื‘ืข ืื•ืŸ ืืžืช ืœื™ื‘ืฉืึทืคื˜ ืื™ืŸ ื•ื•ืึธืก ืึทืŸ ืคึผืึทื–ืจืึธื ื™ืฉ ืคืจื•ื™, ื“ื™ ื‘ืœืขื ื“ื™ืง ืื•ืŸ ื–ื™ืš-ืกืขื ื˜ืขืจื“ ื“ื–ืฉื•ืœื™ืึท, ืขื ื“ืก ื•ื•ืขืจืŸ ืึท ืกืึทื˜ืึทืœ ืึธื‘ืขืจ ืงืขืกื™ื™ื“ืขืจื“ื™ืง ื”ืฉืคึผืขื”. ืฉื•ื™ืŸ ืื™ืŸ ืฆื™ื™ึทื˜ื™ืงื™ื™ึทื˜, ืื™ืŸ ืึท ื ื™ื™ึทืข ื•ื•ืขืœื˜ ื•ื•ืึธืก ืžื™ื™ื ื˜ ืฆื• ื”ืึธื‘ืŸ ืœื™ื ืงืก ื–ื™ื™ ื”ื™ื ื˜ืขืจ, ื“ื™ ื˜ื™ื™ื– ื•ื•ืึธืก ืคืึทืจื‘ื™ื ื“ืŸ ืคื™ื™ึท ืื•ืŸ ื“ื–ืฉื•ืœื™ืึท ื–ืขื ืขืŸ ื ื™ืฉื˜ ื“ื™ ืคื•ืŸ ื“ื™ ืึทื ืกืคึผื™ืงืึทื‘ืึทืœ ืกื•ื“ ื•ื•ืึธืก ื–ื™ื™ ื‘ืึทื”ืึทืœื˜ืŸ, ื ื™ื˜ ื“ื™ ืคื•ืŸ ื“ื™ ืฉืขืจื“ ืฉืขื”, ืึธื‘ืขืจ ื“ื™ ืคื•ืŸ ื“ื™ ืžื•ืจื ืคื•ืŸ ืœืึธื•ื ืœื™ื ืึทืก.

ื ืžืึทืกื˜ืขืจืคืึทืœ ื’ืขื ื™ื˜ื•ื ื’ ืคื•ืŸ ืขืœืึทื’ืึทื ืก ืื•ืŸ ื ืึทืฉ, ืคื•ืœ ืคื•ืŸ ื’ืขืฉืคึผืขื˜, ื•ื•ืขื’ืŸ ื“ื™ ืงืึทืžื™ื˜ืžืึทื ืฅ ืžื™ืจ ืžืึทื›ืŸ ืžื™ื˜ ืื ื“ืขืจืข ืื•ืŸ ื“ื™ ื“ื™ืกื™ื–ืฉืึทื ื– ื•ื•ืึธืก ืžื™ืจ ืžืึทื›ืŸ ืื™ื‘ืขืจ ื“ื™ ื™ืึธืจืŸ. Anita Brookner, ื’ืขื•ื•ื™ื ืขืจ ืคื•ืŸ ื“ื™ ื‘ืึธืึธืงืขืจ ืคืจื™ื™ื– ืื•ืŸ ืื™ื™ื ืขืจ ืคื•ืŸ ื“ื™ ื’ืจื•ื™ืก ื‘ืจื™ื˜ื™ืฉ ืฉืจื™ื™ื‘ืขืจืก ืคื•ืŸ ื“ื™ ืฉืคึผืขื˜ twentieth ื™ืึธืจื”ื•ื ื“ืขืจื˜ ืงื•ืจืฆืข ืœืขื‘ื ืก ืื™ื™ื ืขืจ ืคื•ืŸ ื–ื™ื™ื ืข ื‘ืขืกื˜ืขืจ ืจืืžืื ืขืŸ, ื ื™ื™ื“ืœ ืคึผืึธืจื˜ืจืขื˜ ืคื•ืŸ ืœืขื‘ื ืก ื•ื•ืึธืก ืื™ื– ืื ื’ืขืฆื™ื™ื›ื ื˜ ืžื™ื˜ ื‘ืขื ืงืฉืึทืคื˜ ืื•ืŸ ืจื™ืคึผืจืขืกื˜ ื™ืžืึธื•ืฉืึทื ื–.

ืงื•ืจืฆืข ืœืขื‘ื ืก

ื ื“ืขื‘ื•ื˜ ืื™ืŸ ืœืขื‘ืŸ

ยซA sus cuarenta aรฑos, la doctora Weiss comprendiรณ que la literatura le habรญa destrozado la vida.ยป Ruth Weiss es una profesora universitaria, inteligente y solitaria que se ha especializado en los personajes femeninos de Balzac, en los que intenta ver reflejos de su propia vida.

ืื•ื™ืคื’ืขื•ื•ืึทืงืกืŸ ืื™ืŸ ืœืึธื ื“ืึธืŸ ืื™ืŸ ื“ืขื ื‘ื•ื–ืขื ืคื•ืŸ ืึท ื‘ื™ืกืœ ืขืงืกืฆืขื ื˜ืจื™ืฉ ืžืฉืคึผื—ื” - ื“ื™ ื‘ืœื•ื™ื– ื˜ืึธื›ื˜ืขืจ ืคื•ืŸ ืึท ื˜ืขืึทื˜ืขืจ ืึทืงื˜ืจื™ืกืข ื•ื•ืึธืก ืื™ื– ื’ืขื•ื•ืขืŸ ืึท ื‘ื™ืกืœ ื”ื™ืคึผืึธื˜ืฉืึธื ื“ืจื™ืึทืง ืื•ืŸ ืึทืŸ ืึทืœื˜ ื‘ื™ื‘ืœื™ืึธืคื™ืœืข ืื•ืŸ ื‘ื•ืงืขืกืœืขืจ ืžื™ื˜ ื–ื™ื™ืขืจ ืงืœื™ื™ืŸ ื˜ืึทืœืึทื ื˜ ืคึฟืึทืจ ื”ืึทื ื“ืœ - ืื™ืจ ืคึผืจื™ืกื™ื“ื–ืฉืึทืก ืœื™ื‘ืข ืคื•ืŸ โ€‹โ€‹ืœื™ื˜ืขืจืึทื˜ื•ืจ ื’ืขืคึฟื™ืจื˜ ืื™ืจ ืฆื• ื˜ืจืึทื›ื˜ืŸ ืึทื– ืื™ืŸ ื“ื™ ื’ืจื•ื™ืก ืจืืžืื ืขืŸ ืื™ืจ ืงืขืŸ ื’ืขืคึฟื™ื ืขืŸ ื“ื™ ืืžืช ืžืึธืก ืคื•ืŸ ื“ืขืจ ื•ื•ืขืœื˜. ืึธื‘ืขืจ ืื™ืฆื˜, ื•ื•ืขืŸ ื–ื™ ืงื•ืงื˜ ืฆื•ืจื™ืง ืื•ื™ืฃ ืื™ืจ ืงื™ื ื“ืฉืึทืคื˜ ืื™ืŸ ืœืึธื ื“ืึธืŸ ืื•ืŸ ืื™ืจ ืงืึธืœืขื’ืข ื™ืึธืจืŸ ืื™ืŸ ืคึผืึทืจื™ื–, ื–ื™ ื˜ืจืึทื›ื˜ืŸ ืึทื– ืื™ืŸ ืคืึทืงื˜, ืืคึฟืฉืจ ื–ื™ ืื™ื– ืคืึทืœืฉ.

ื“ืขืจ ืขืจืฉื˜ืขืจ ืจืึธืžืึทืŸ ืคื•ืŸ ืึทื ื™ื˜ืึท ื‘ืจืึธื•ืงื ืขืจ - ืื™ื™ื ืขืจ ืคื•ืŸ ื“ื™ ื’ืจื•ื™ืก ื‘ืจื™ื˜ื™ืฉ ืฉืจื™ื™ื‘ืขืจืก ืคื•ืŸ ื“ื™ ืฉืคึผืขื˜ twentieth ื™ืึธืจื”ื•ื ื“ืขืจื˜ - ืื™ื– ืึท ืงืœืึธืจ, ื™ื™ืจืึทื ื™ืง ืื•ืŸ ื•ื•ื™ื™ืš ืžื™ื™ึทืกืข ื•ื•ืขื’ืŸ ื“ื™ ืกื˜ื™ืจืข ืฆื•ื•ื™ืฉืŸ ื“ื™ ืึทืกืคึผืขืจื™ื™ืฉืึทื ื– ืคื•ืŸ ืึท ื™ื•ื ื’ ืคืจื•ื™ ืขื ืจืึทืคึผื˜ื•ืจืขื“ ื“ื•ืจืš ืœื™ื˜ืขืจืึทื˜ื•ืจ ืื•ืŸ ืึท ืœืขื‘ืŸ ื•ื•ืึธืก ื˜ืขื ื“ื– ืฆื• ื–ื™ื™ืŸ ืžืขืจ ืคึผืจืึธืกืึทื™ืง ื•ื•ื™ ื•ื•ืึธืก ืžื™ืจ ื™ืžืึทื“ื–ืฉืึทืŸ.

"ืžื™ื˜ ืึทืŸ ืื•ื ื˜ืขืจืขืจื“ื™ืฉืขืจ ืื•ืŸ ืื•ืžื“ืขืจืžื™ื“ืœืขื›ืขืจ ืื™ืจืึธื ื™ืข, [...] ื‘ืจื•ืงื ืขืจ ืขื ื•ื•ืขืœืึทืคึผื˜ ืื•ื ื“ื– ืื™ืŸ ื“ืขื ืคืกื™ื›ืืœืื’ื™ืฉืŸ ืงืœื™ืžืื˜ ืคื•ืŸ ืžื™ืกืคึผืœื™ื™ืกื˜ ื›ืขืจืึธื•ืึทื ื–, ืึทื‘ืกื•ืจื“ืœื™ ืžืึทื˜ื™ืงื™ืึทืœืึทืก, ืคื•ืŸ ืžืขืกื™ืง ืกืขื ืกื•ืึทืœื™ื˜ื™, ืื™ืŸ ื“ื™ ืฆื•ื•ื™ืฉืŸ ืคื•ืŸ ืงืจื™ื–ื™ืก ืื•ืŸ ื›ืึธื•ืคึผืœืึทืกืœื™ ื•ื•ืืจื˜ืŸ ืคึฟืึทืจ ืึท ืขื ื“ืขืจื•ื ื’ ืื™ืŸ ื–ื™ื™ืขืจ ืœืขื‘ืŸ."Lourdes Ventura (ื“ื™ ืงื•ืœื˜ื•ืจ)

ื ื“ืขื‘ื•ื˜ ืื™ืŸ ืœืขื‘ืŸ

ื ื–ื•ื ื˜ื™ืง ืื™ืŸ Ville-d'Avray

ื ืคืจื•ื™ ื‘ืื–ื•ื›ื˜ ืื™ืจ ืขืœื˜ืขืจืข ืฉื•ื•ืขืกื˜ืขืจ ืื™ืŸ Ville-d'Avray, ืึท ืฉื˜ื™ืœ ืจืขื–ื™ื“ืขื ื˜ืฉืึทืœ ื’ืขื’ื ื˜ ืื™ืŸ ื“ื™ ืึทื•ืฆืงืขืจืฅ ืคื•ืŸ ืคึผืึทืจื™ื–. ื–ื™ื™ืขืจ ืœืขื‘ืŸ ืื™ื– ื’ืขื•ื•ืขืŸ ื–ื™ื™ืขืจ ืึทื ื“ืขืจืฉ ืคึผืึทื˜ืก ืื•ืŸ ื–ื™ื™ ื”ืึธื‘ืŸ ืคืึทืจืœืึธืจืŸ ื“ื™ ืงืึทืžืคึผืœื™ืกื™ื˜ื™ ืคื•ืŸ ื–ื™ื™ืขืจ ืงื™ื ื“ืฉืึทืคื˜, ืึธื‘ืขืจ ืึทื– ื–ื•ื ื˜ื™ืง ืึธื•ื•ื ื˜, ืื™ืŸ ื“ืขื ื’ืึธืจื˜ืŸ, ืงืึทื ืคืึทื“ืึทื ืกืึทื– ื•ื•ืขื˜ ื“ืขืจืฉื™ื™ึทื ืขืŸ ืึทื ื™ืงืกืคึผืขืงื˜ื™ื“ืœื™; ืื™ืจ ืฉื•ื•ืขืกื˜ืขืจ ื•ื•ืขื˜ ื“ืขืจืฆื™ื™ืœืŸ ืื™ืจ ื•ื•ืขื’ืŸ ื“ืขื ืงื•ืจืฅ ืื•ืŸ ื“ื™ืกื˜ื•ืจื‘ื™ื ื’ ื‘ืึทืฆื™ื•ื ื’ ืžื™ื˜ ืึท ืคืจืขืžื“ืขืจ, ื ืึธืš ืคืึธืจืฉื˜ืขืœืŸ ืื™ืŸ ืื™ืจ ื’ืขื“ืื ืงืขืŸ ื˜ืจืึธืฅ ื“ื™ ื™ืึธืจืŸ ื•ื•ืึธืก ื–ืขื ืขืŸ ื“ื•ืจื›ื’ืขื’ืื ื’ืขืŸ. ื“ืขืจ ื˜ื™ืฃ ืื•ืŸ ื™ื™ื“ืœ ืจืึธืžืึทืŸ ื“ืขืจืฆื™ื™ืœื˜ ืื•ื ื“ื– ื•ื•ืขื’ืŸ ื“ื™ ื ื•ื™ื˜ ืคึฟืึทืจ ืคึผืึทืกื™ืจื•ื ื’ ืื™ืŸ ืึท ืžืึทื ืึทื˜ืึทื ืึทืก ืขืงื–ื™ืกื˜ืขื ืฅ ืื•ืŸ ื™ืงืกืคึผืœืึธืจื– ื“ื™ ืึทื ืกืคึผื™ืงืึทื‘ืึทืœ ืœืึธื ื’ื™ื ื’ื– ืื•ืŸ ืกื™ืงืจื™ืฅ ื•ื•ืึธืก ืžืึทื›ืŸ ืื•ื ื“ื– ืื•ืžื‘ืึทืงืึทื ื˜ ืฆื• ืื ื“ืขืจืข ืื•ืŸ ืืคื™ืœื• ืฆื• ื–ื™ืš: ยซื•ื•ืขืจ ืงืขืŸ ืื•ื ื“ื– ื˜ืึทืงืข? ืžื™ืจ ืฆื™ื™ืœืŸ ืึทื–ื•ื™ ื•ื•ื™ื™ื ื™ืง ื˜ื™ื ื’ื– ืื•ืŸ ืžื™ืจ ืœื™ื’ืŸ ื•ื•ืขื’ืŸ ื›ึผืžืขื˜ ืึทืœืฅ. ื•ื•ืขืจ ื•ื•ื™ื™ืกื˜ ื“ืขื ืืžืช?

ืžื™ื˜ ื“ื™ ื•ื•ื™ื™ืœื“ ืžืขืžืขืจื™ื– ืื•ืŸ ืกื™ืœืขื ืกืขืก ืคื•ืŸ ื“ืขื ืฉืžื•ืขืก ืคื•ืœ ืคื•ืŸ ื˜ืฉื™ืึทืจืึธืกืงื•ืจืึธ, ืื™ืŸ ืึท ืขื ื•ื•ืขืœืึทืคึผื™ื ื’ ืื•ืŸ ื“ื™ืกื˜ื•ืจื‘ื™ื ื’ ืึทื˜ืžืึธืกืคืขืจ, Barbรฉris ืกืึทื˜ืึทืœืœื™ ื™ืงืกืคึผืœืึธืจื– ื“ื™ ื™ืžืคึผืขืจืกืขืคึผื˜ื™ื‘ืึทืœ ื•ืžืจื•ื™ืง ืคื•ืŸ ืึท ืœืขื‘ืŸ ืึธืŸ ื™ืžืึธื•ืฉืึทื ื– ืื™ืŸ ื“ืขื ืงืœื™ื™ืŸ ืœื™ื˜ืขืจืืจื™ืฉืข ื™ื™ื“ืœืฉื˜ื™ื™ืŸ ื•ื•ืึธืก ืื™ื– ื’ืขื•ื•ืขืŸ ืึท ืคื™ื ืึทืœื™ืกื˜ ืคึฟืึทืจ ื“ื™ ืคึผืจืขืกื˜ื™ื“ื–ืฉืึทืก Goncourt ืื•ืŸ Femina ืึทื•ื•ืึทืจื“ืก.

ื ื–ื•ื ื˜ื™ืง ืื™ืŸ Ville-d'Avray
ืงื•ืจืก ืคึผืึธืกื˜ืŸ

ืœืึธื–ืŸ ืึท ื‘ืึทืžืขืจืงื•ื ื’

ื“ืขื ืคึผืœืึทืฅ ื ื™ืฆื˜ ืึทืงื™ืกืžืขื˜ ืฆื• ืจืขื“ื•ืฆื™ืจืŸ ืกืคึผืึทื. ืœืขืจืŸ ื•ื•ื™ ื“ื™ื™ืŸ ืงืึธืžืขื ื˜ืึทืจ ื“ืึทื˜ืข ืื™ื– ืคึผืจืึทืกืขืกื˜.