Ngokuqinisekileyo eyona incinci ithandwayo ngoku ngokwengxelo yaseJapan. Kwaye u UTanizaki Yintsika apho ukuhanjiswa kolu lwazi lunakho ukuba lube yi-kaleidoscopic ukusuka kwindawo ethile kugcinwa., kwindalo iphela ukusuka ekuziphatheni gwenxa kwenziwa ukubandakanyeka kwi-avant-garde ukuya kwisithethe. Kungenxa yokuba kulingo kunokwenzeka ukuba ubuyele kwindawo yokuqala nayo yonke imithwalo elungiselelwe ukuba inyanzelise nantoni na efunekayo kwinkcubeko ehlala ifuna iimvukelo.
Ukhuthazo oluvela Mishima Kumsebenzi oqhubekayo woncwadi owenziwe ngokuyinyibilikisa phakathi kweMpuma neNtshona, iphela sele inyuka kwinqanaba lesibini le UMurakami esele ibalekile ngejelo lelo nkululeko liphumelele kwisizukulwana emva kwesizukulwana. Umbuzo ibikukutshintsha kodwa ugcine loo nto ingundoqo, inyani engenakuphikiswa, izizathu zokuba umbalisi waseJapan angakufezekisa ukugqwesa okukhoyo ade ajongane nemicimbi yenyama.
Ubunewunewu obuphuphumayo bokuba amaJapan ahlole iinguqulelo ezingafunekiyo kwimithombo engenakuqondakala. Uncwadi lweefom lubonakalisiwe kwizibane ezikhulu zeminqweno kodwa nakwizithunzi zomphefumlo, zibeka inkcazo yaseJapan kwinkcubeko yabo kwi-trompe l'oeils zabo zokugqibela zokumisela ukuba ngamanye amaxesha kungcono ngale ndlela, becinga ubunyulu bomphefumlo njenge ekuphela kwendlela yokubuyisa izilo, wakuba ubonile ...
Iincwadi ezi-3 eziphezulu eziCetyiswayo zeTanizaki
Ekudumiseni izithunzi
Xa isincoko sivelile kumbhali imo engacacanga yokusilela koncwadi iphela ishiyekile. Kule meko kuphela kuyimfuneko ukujonga esona sizathu silungileyo, kuba kunqabile ukuba ingcinga iyimfuneko kulungelelwaniso phakathi kwamazwe ahlukeneyo njengoko iNtshona ibaleka ngenkululeko yayo ekwaziyo ukubulala, kunye neMpuma igcinwe ziifom nangona ngaphezulu icace gca ngokomoya.
ENtshona, eyona ally inamandla yobuhle ihlala ikhanya. Kwelinye icala, kwi-aesthetics yesiko laseJapan eyona nto ibalulekileyo kukubamba intsingiselo yesithunzi. Intle ayisiyonto iyodwa kodwa ngumdlalo we-chiaroscuro oveliswe kukuxutywa kwezinto ezahlukileyo ezenziwa kukudlala ngokungacacanga kwemodyuli yesithunzi. Njengokuba ilitye lephosphorescent ebumnyameni liphulukana nayo yonke imincili yalo yobucwebe xa lithe lavezwa kukukhanya okupheleleyo, ubuhle baphulukana nobukho bayo ukuba iziphumo zesithunzi ziyasuswa.
Kule ncoko yeklasikhi, ebhalwe ngo-1933, uJunichiro Tanizaki uphucula ngokucokisa okukhulu le ngcamango ingundoqo yeengcinga zase-oriental, isitshixo sokuqonda umbala wee-lacquers, i-inki okanye isinxibo senkundla yeqonga; ukufunda ukuxabisa imbonakalo yakudala yephepha okanye ukubonakaliswa okugqunywe ngepatina yezinto; ukusilumkisa ngayo yonke into ebengezelayo; ukubamba ubuhle kwilangatye eliqaqambileyo lesibane kwaye ufumanise umphefumlo woyilo ngokwamanqanaba okukhanya kwezixhobo kunye nokuzola nobumnyama bendawo engenanto.
Isitshixo
Ewe, ibhokisi kaPandora yayinesitshixo. Kwaye yayiyinto nje yokuyilungisa ukuze isondele ekuzameni ukuthabatha ithuba eliya kukhulula isihogo, izilingo, iziyolo ezinqatshelwe kunye nemilambo yegazi. Ihlalwe ngumoya kaSade, iinguqulelo zeTanizaki ze-libertine kunye nobomi obungamanyala, ukuziqhelanisa nentelekelelo yaseJapan apho isithethe sithatha iingcambu kwindawo apho ukuziphatha ngokubanzi kubambe iingcambu zayo kwinzala yayo nganye.
Umona, i-voyeurism kunye nomnqweno wesini zenza le noveli yango-1956 yenye yezinto zobugcisa boncwadi lwaseJapan. Ukuqaqamba, ubuhle, ukuhlekisa okumnyama, Isitshixo libali lomtshato owehlayo, oxelwe kwiidayari ezimbini ezifanayo. Emva kweminyaka engamashumi amathathu sitshatile, unjingalwazi ohloniphekileyo wasekholejini kwiminyaka yakhe yamashumi amahlanu uyaqonda ukuba ubudlelwane bakhe nenkosikazi yakhe entle u-Ikuko buyaphela, kwaye akakwazi ukwanelisa ezona mfuno zakhe zisenyongweni.
Uthatha isigqibo sokuqala idayari yakhe apho aqokelela khona iminqweno yakhe kunye neminqweno yakhe ngenjongo yokuba ayifunde, kwaye ke avuselele uthando. Kungekudala emva koko, uqala nejenali yakhe. Ngokubhala, bamisela umdlalo ococekileyo noyingozi wokwenza inkanuko yesini, uhlawuliswe umona kunye noxinzelelo lwezesondo, apho i-voyeurism kunye nomboniso udlala indima ephambili.
Oodade baseMakioka
Sele siza kufunda inoveli apho uTanizaki ephumeza khona isenzo sokuthintela ukuhlalutya inkcubeko yakhe ekugxilwe kuyo ekwaziyo ukubona i-ethnocentric ukuze akwazi ukutyhila iziqwenga kunye neglue eyenze imibala enjalo. inkcubeko ekhethekileyo. Ngumntu onjengoTanizaki kuphela, oya ngapha nangapha kwihlabathi lakhe, onokuphelela ekuxhobeni iyelenqe lesimilo kwinxalenye enkulu yemiphetho eyenza ukuba amabakala ngamanye atyibilike kwiindlela zokuziphatha ezixhaphakileyo.
Oodade baseMakioka ngulo mfanekiso ubukekayo, kodwa ongapheliyo wosapho lwaseJapan kunye noluntu olujamelene nenzonzobila yanamhlanje. Kwiminyaka embalwa ngaphambi kokuqalisa kweMfazwe yesibini (II) yeHlabathi, kwi-Osaka yesiko, abafazi abane abakumgangatho ophezulu bazama ukugcina indlela yakudala yokuphila eza kuthi shwaka.
Izele ziiprinta ezintle nezintekenteke zesiko lobukhosi baseJapan, ithimba zombini iindibano zentlalo kunye noxinzelelo olusondeleyo lwabalinganiswa bayo. Oodade baseMakiokaUmsebenzi osisiseko kaJunichiro Tanizaki, sisiphumo sokubhala kancinci kunye nokucinga, apho wayebalekela khona kwintlekele yemfazwe, ephinda ebuyela kwilizwe eliqaqambileyo nelinomtsalane ixesha kunye nolonwabo olwaluphela.
