3 ื”ืกืคืจื™ื ื”ืžื•ื‘ื™ืœื™ื ืฉืœ ื‘ืจื‘ืจื” ืคื™ื

ื”ืžืงืจื” ื”ืžื•ื–ืจ ืฉืœ ื‘ืจื‘ืจื” ืคื™ื y su conversiรณn a clรกsico de la literatura despuรฉs de pasar desapercibida en vida. Quizรกs sea por eso de andar narrando intrascendencias del momento. En el sentido de que el ืจื™ืืœื™ื–ื ืœืคืขืžื™ื ื–ื” ืขื•ื‘ืจ ืขืœ ื™ื“ื™ ืฆื—ืฆื•ื— ื”ืžื•ื‘ืŸ ืžืืœื™ื• ืฉืœ ื”ืงื™ื•ื. ื–ื” ื‘ืขืจืš ื›ืžื• ืชืžื•ื ื” ืฉื ืจืืชื” ื–ืžืŸ ืงืฆืจ ืœืื—ืจ ืฉืฆื•ืœืžื” ืื• ืœื”ื™ืคืš, ื ืžืฆืื” ืขืฉืจื•ืช ืฉื ื™ื ืžืื•ื—ืจ ื™ื•ืชืจ.

ื”ืžืจืื” ืื™ื ื• ื–ื”ื” ื•ื”ื›ืœ ืžืฉืชื ื” ื‘ืฆื•ืจื” ืงืกื•ืžื”. ืžื—ื•ื•ืช ื”ืื ืฉื™ื ืฉื ืœื›ื“ื• ื‘ืื•ืชื• ืจื’ืข ืžืกืชื™ืจื™ื ืกื•ื“ื•ืช ืฉื”ื™ื™ื ื• ืจื•ืฆื™ื ืœื—ืฉื•ืฃ ื‘ืื”ื‘ืช ื”ื ืคืฉ ื”ื“ื•ื—ืงืช; ืžื‘ื˜ ืคืฉื•ื˜ ืžื•ืฆื ืื•ืชื ื• ื‘ืฆื“ ื”ืฉื ื™ ื›ืื™ืœื• ืžื”ืคื ื˜ ืื•ืชื ื• ื‘ื›ืœ ืžื” ืฉื–ื•ื”ืจ ืฉืœื• ืกื•ืคืจ ...

ื‘ืจื‘ืจื” ืคื™ื ื”ื™ื™ืชื” ืžืกืคืจืช ื”ืกื™ืคื•ืจื™ื ื›ืฆืœืžืช. ื•ืื– ื“ื™ื•ืงื ืื•ืชื™ื”ื ื ืจืื• ื›ืœื -ืžืคื•ืจืฉื™ื ื›ืืฉืจ ื”ื ื‘ืืžืช ืฉืืคื• ืœื—ื™ื™ ืืœืžื•ื•ืช ืœืื•ืจืš ื–ืžืŸ. ืคืจื“ื•ืงืกื™ื ืฉืœ ืกืคืจื•ืช ื•ืฉืœ ืงื™ื•ื, ื‘ืžืฉื•ืชืฃ. ืขื›ืฉื™ื• ื”ื’ื™ืข ื”ื–ืžืŸ ืคืฉื•ื˜ ืœื”ืขืจื™ืš ืกืคืจื•ืช ืขื ื ื™ื—ื•ื— ื–ื” ืฉืœ ื“ืจื›ื™ื ืขืชื™ืงื•ืช ืœืจืื•ืช ืืช ื”ืขื•ืœื ื•ืื™ื ื˜ืจืืงืฆื™ื” ื‘ื—ื‘ืจื” ืขื ืคื™ืจื•ื˜ ื™ืงืจ.

3 ื”ืจื•ืžื ื™ื ื”ืžื•ืžืœืฆื™ื ื‘ื™ื•ืชืจ ืžืืช ื‘ืจื‘ืจื” ืคื™ื

ื ืฉื™ื ืžืฆื•ื™ื ื•ืช

ื”ื˜ื•ื‘ ืฉืœ ืœื™ื™ื“ื™ ืฆ'ื˜ืจืœื™ ื•ืื”ื•ื‘ื” ืกื™ืคืจ ืœื ื• ืขืœ ื™ื—ืกื™ ื”ืื”ื‘ื” ืฉืœื”ื ื›ื ื’ื“ ื›ืœ ื”ืกื™ื›ื•ื™ื™ื ื‘ืฉื ืช 1928. 30 ืฉื ื” ืžืื•ื—ืจ ื™ื•ืชืจ ื‘ืื ื’ืœื™ื” ืขืฆืžื” ื”ื™ื™ืชื” ืžืขื•ืจื‘ื•ืช, ืฉืžื™ืจื” ืขืœ ืžื ื”ื’ื™ื ื•ืžื ื”ื’ื™ื. ื•ื–ื” ืฉื”ืžื”ืคื›ื•ืช ืœื ืชืžื™ื“ ืžื’ื™ืขื•ืช ืœื›ืœ ืžืงื•ื ื‘ืื•ืชืŸ ื“ืจื›ื™ื. ื‘ื ื™ื’ื•ื“ ืœื–ื” ื ืžืฆืืช ื”ื’ื™ื‘ื•ืจื” ื”ื–ื• ื›ื‘ื“ื” ื‘ื”ืจื’ืœ ื•ื›ืžื™ื”ื” ืœืจืฆื•ื ื” ืœื“ื—ื•ืฃ ืื•ืชื” ืœืขื‘ืจ ืžืกืขื•ืช ื—ื™ื•ื ื™ื™ื ืื—ืจื™ื.

ืžื™ืœื“ืจื“ ืœื˜ื‘ืจื™, ื”ืžืกืคืจืช, ื”ื™ื ืื™ืฉื” ืจื•ื•ืงื” ื”ืžืชื’ื•ืจืจืช ื‘ืœื•ื ื“ื•ืŸ ื”ืžื‘ืœื” ืืช ื–ืžื ื” ื‘ืžืฉื™ืžื•ืช ืฉื•ื ื•ืช ื‘ืงื”ื™ืœื”, ื‘ืฉืชื™ื™ืช ืชื” ืขื ื—ื‘ืจื™ื, ื‘ืขื‘ื•ื“ืช ืฆื“ืงื” ื•ื‘ืžืขื ื” ืœืฆืจื›ื™ื ืฉืœ ืื—ืจื™ื. ื”ื™ื ืื™ื ื˜ืœื™ื’ื ื˜ื™ืช ื•ืฉื•ืžืจืช ืžืฆื•ื•ืช, ืืš ื’ื ื‘ื™ื™ืฉื ื™ืช ื•ื—ืกืจืช ื‘ื™ื˜ื—ื•ืŸ, ื‘ื™ืŸ ื”ื™ืชืจ ื‘ืฉืœ ืžืขืžื“ื” ื”ื™ื—ื™ื“, ืฉื›ืŸ ืจื‘ื™ื ื”ื™ื• ืจื•ืฆื™ื ืœืจืื•ืช ืื•ืชื” ื ืฉื•ืื” ื›ืขืช, ื‘ืชื—ื™ืœืช ืฉื ื•ืช ื”ืฉืœื•ืฉื™ื ืœื—ื™ื™ื”.

ื‘ื ื•ืกืฃ ืœื—ื‘ืจื™ื• ื”ื˜ื•ื‘ื™ื, ื”ื›ื•ืžืจ ื’'ื•ืœื™ืืŸ ืžืืœื•ืจื™ ื•ืื—ื•ืชื• ื•ื™ื ื™ืคืจื“, ืžื™ืœื“ืจื“, ื™ื”ืคื›ื• ืœืื™ื ื˜ื™ืžื™ื™ื ืขื ืฉื›ื ื™ื”ื, ื”ื ืืคื™ื™ืจ, ืฉื–ื” ืขืชื” ื”ืชื™ื™ืฉื‘ื• ืœืžื˜ื” ืžื‘ื™ืชื. ืชื•ื›ืœื• ืœืคื’ื•ืฉ ื’ื ืืช ืืœื’ืจื”, ืืœืžื ื” ื”ืฉื•ื”ื” ื‘ืงื”ื™ืœื”, ื•ืขื•ื“ ืื™ื ืกืคื•ืจ ื“ืžื•ื™ื•ืช. ืžื™ืœื“ืจื“ ืชื”ื™ื” ืžืขื•ืจื‘ืช ื‘ื ื•ืฉืื™ื ืฉื•ื ื™ื ื‘ืขืœื™ ืื•ืคื™ ืกื ื˜ื™ืžื ื˜ืœื™.

ื ืฉื™ื ืžืฆื•ื™ื ื•ืช

ืื”ื‘ื” ื ื›ื–ื‘ืช

Con cierta inspiraciรณn de contrapunto a la historia anterior, esta novela se abre a las refriegas sentimentales en pleno conflicto sociolรณgico por la liberaciรณn moral completa. Sin despuntar en estridencia erรณtica, el pulso de la autora nos acelera con ese preciso desnudado de las pasiones.

ื“ื•ืœืกื™ ืžื™ื™ื ื•ื•ืจื™ื ื’, ื’ื™ื‘ื•ืจืช ื”ืกืคืจ ื”ื–ื”, ื”ื™ื ืื—ืช ืžืื•ืชืŸ "ื ืฉื™ื ืžืฉื•ื‘ื—ื•ืช" ืฉืœื›ืื•ืจื” ืœื ืžืชืขื ื™ื™ื ื•ืช ืฉื ืžืฆืื•ืช ืชืžื™ื“ ื‘ืกื‘ื™ื‘ื”; ืขื•ื–ืจ ืœืื—ืจื™ื ืืš ืœื ืžืกื•ื’ืœ ืœื“ืื•ื’ ืœืขืฆืžื•; ืืช ืขืฆืžื”, ื‘ืžื™ื•ื—ื“ ื‘ื›ืœ ื”ื ื•ื’ืข ืœืชื—ื•ื ื”ืื”ื‘ื”. ื‘'ืื”ื‘ื” ืœืœื ื”ืคืจืฉื” ', ืจื•ืžืŸ ื‘ืฉื™ื ืžื™ื˜ื‘ ื”ืงื•ืžื“ื™ื•ืช ื”ืื ื’ืœื™ื•ืช, ืคื™ื, ืขื ื”ืกืจืงื–ื ื”ืื•ืคื™ื™ื ื™ ื•ื—ื•ืฉ ื”ื”ื•ืžื•ืจ ืฉืœื•, ืžืฆื™ื’ ื‘ืคื ื™ื ื• ืจื•ืžืŸ ืื”ื‘ื” ืขื“ื™ืŸ, ืžืœื ื—ืœื•ืžื•ืช ืฉืœื ื”ืชื’ืฉืžื• ื•ืกื•ื“ื•ืช ื ืกืชืจื™ื.

ืื”ื‘ื” ื ื›ื–ื‘ืช

ื–ืจื™ื ืžื•ื–ืžื ื™ื

ื›ืฉื‘ืจื‘ืจื” ืคื™ื ื ืคื˜ืจื” ื‘ืฉื ืช 1980, ื”ื™ื ื”ื•ืชื™ืจื” ืื—ืจื™ื” ื›ืžื•ืช ื ื™ื›ืจืช ืฉืœ ื—ื•ืžืจ ืฉืœื ืคื•ืจืกื. ื‘ื™ื ื™ื”ื, ืจื•ืžืŸ ืžื•ืงื“ื, ALIENS, WELCOME, ืžืฉื ืช 1936, ื•"ืžืฆื•ื ืงื•ืœ ", ื”ืžืกืžืš ื”ื›ืชื•ื‘ ื”ื™ื—ื™ื“ ื‘ื• ืคื™ื ืžืกืคืจืช ืขืœ ื”ืงืจื™ื™ืจื” ืฉืœื” ื›ืกื•ืคืจืช ื•ืขืœ ืžืงื•ืจื•ืช ืื™ืฉื™ื•ืชื” ื”ืกืคืจื•ืชื™ืช.

ื‘ืกืจื˜ "ื–ืจื™ื ื‘ืจื•ื›ื™ื ื”ื‘ืื™ื" ื–ื•ื’ ืฆืขื™ืจ, ื”ืžื•ืจื›ื‘ ืžืงืืกื ื“ืจื” ืžืืจืฉ-ื’ื™ื‘ื•ืŸ ื•ื‘ืขืœื” ื”ืกื•ืคืจ ืฉืžืจื•ื›ื– ื‘ืขืฆืžื•, ืื“ื, ืžื–ื“ืขื–ืข ืžื”ื’ืขืชื• ืฉืœ ื”ื•ื ื’ืจื™ ืžืกืชื•ืจื™ ืœื›ืคืจื. ืงืกื ื“ืจื”, ืื—ืช ืž"ื”ื ืฉื™ื ื”ืžืฆื•ื™ื ื•ืช "ื”ืจืืฉื•ื ื•ืช ืฉืคื™ื ื”ืฆืœื™ื—ื” ืœืชืืจ ื›ืœ ื›ืš ื˜ื•ื‘, ืชื—ืคืฉ ื‘ืžื ื•ืกืช ื—ื™ื™ื” ื”ืžื•ื ื•ื˜ื•ื ื™ื™ื ื•ื‘ื“ืžื•ืช ื”ื–ืจื” ืืช ืžื™ืžื•ืฉ ื“ื‘ืจื™ื• ื”ืฆื‘ื•ืขื™ื ืฉืœ ื‘ืขืœื”:ยซ ื”ืื ืืชื” ื™ื•ื“ืข ื–ืืช ื‘ืฉื‘ื™ืœื™ ืืช ื”ืจื‘ื” ื™ื•ืชืจ ืขืงืจืช ื‘ื™ืช ืžืฆื•ื™ื ืช? ยป.

ื–ืจื™ื ืžื•ื–ืžื ื™ื
ืคื•ืกื˜ ื“ืจื’

ื”ืฉืื™ืจื• ืชื’ื•ื‘ื”

ืืชืจ ื–ื” ืžืฉืชืžืฉ Akismet ื›ื“ื™ ืœื”ืคื—ื™ืช ื“ื•ืืจ ื–ื‘ืœ. ืœืžื“ ื›ื™ืฆื“ ืžืขื•ื‘ื“ื™ื ื ืชื•ื ื™ ื”ื”ืขืจื” ืฉืœืš.