Tsis muaj dab tsi ntau hyperbolic thiab macabre dua li xav tua koj txiv. Tab sis Águeda zoo li ntawd. Nws tsis yog lub luag haujlwm uas koj yuav tsum tau ua. Nws tsuas yog ib qho teeb meem ntawm monotony thiab kev dhuav, kev xeeb tub tsis zoo, kev ntxhov siab ntawm lub neej tsis tseem ceeb thiab qhov xav tau coj txawv txawv thiab muaj zog yuav tsum tau ua kua zaub ntsuab rau qhov tseeb ntawm uas twb muaj lawm.
Ib qho kev nthuav qhia los ntawm Roberto Osa uas tsis taug kev ncig nrog cov ntaub sov lossis sov so. Qee lub sij hawm thawj cov ntawv tshiab nyiam ua rau ib yam ntawm tus kheej censorship (los ntawm kuv tus kheej kev paub thiab los ntawm cov lus los ntawm lwm tus neeg sau ntawv). . Thiab nws tau tig tawm zoo heev, tsis muaj kev poob siab. Qhov khoom plig tshiab Felipe Trigo ua pov thawj rau qhov no.
«Águeda yog nyob rau hauv nws thirties, yog yim lub hlis cev xeeb tub thiab nyob ib leeg nyob rau hauv ib chav tsev nrog cov thawv ntawv. Nws lub ntsej muag tau ploj lawm nws qhov muag sab laug tau ntau xyoo. Nws muaj ib tug hluas nraug nyob ze thiab ib tug txiv uas nws tsis tau pom ntau xyoo. Nws lub neej yog monotonous heev: nws ua haujlwm hmo ntuj, pw tsaug zog me ntsis, hais lus tsawg thiab muaj nws txoj kev npau taws li qhov nws ua tau. Tab sis txoj kev niaj hnub yuav tawg rau kev hu xov tooj.
Tus poj niam txiav txim siab, thiab yog li tshaj tawm los ntawm thawj kab lus ntawm qhov tshiab, tias nws yuav tua nws txiv. Nws yuav tsis tos kom yug los yog npaj yuav thov kev pab, nws yuav ua nws ib leeg thiab nws yuav ua tam sim no. Zaj dab neeg tshwm sim nyob rau hauv me ntsis ntau tshaj ib hnub. Kev ntxhov siab taug kev los ntawm Madrid mus rau La Mancha, los ntawm ib lub nroog nrog txoj kev npog los ntawm tons ntawm cov khib nyiab mus rau thaj chaw qhuav thiab tsaus ntuj ntawm toj siab, nrhiav kev ua phem dhau los uas yuav ua rau muaj kev sib ntsib ntawm leej txiv thiab tus ntxhais.
Ib qho kev sib ntaus sib tua tiag tiag - cov tsev tsis muaj neeg nyob, cov pas dej khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob khoob thaj thiab lub sijhawm tsis muaj keeb kwm yav dhau los ntawm kev xwm txheej classical.
Koj tuaj yeem yuav phau ntawv Koj yuav tom cov hmoov av, thawj tus tshiab los ntawm Roberto Osa, ntawm no: