Ma ka hihia o ʻO Robert Walser, ua hoʻomalu ka mea kākau i ka pupule me ka makemake e hoʻomalu. Ma ka nui o ka pupule, ua puka mai nā puke nui ma waena o nā ʻoihana mele ʻē aʻe i loaʻa i ka Walser mua. Akā, ʻo kēlā me kēia manaʻo i hoʻopaʻa ʻia i loko o nā labyrinths o ke kaumaha, ka ʻeha, ka makaʻu a me ka poina ʻana e pau i ka haʻalele ʻana i ke kumu a, no laila, ma ka palapala i ka hihia o Walser.
Ma waho aʻe o nā manaʻo hoʻopunipuni pseudo-romantic e pili ana i kekahi ʻano dementia a me ka pupule, ʻoi aku ka nui o ka bibliography o kēia mea kākau Swiss i kāna mau hōʻoia mua ʻana ma ke ʻano he mea kākau moʻolelo ʻōpio a ua hoʻoheheʻe ʻia i nā pae hope. Ua huli mau ʻo Walser i ka palapala i puʻuhonua mai kona mau ʻeha a me nā kīnā. Akā, i kekahi mau manawa wale nō ʻo ia i ʻike ai i kēlā ʻike ʻē aʻe ma ka lihi o ka hohonu ma ka palapala. ʻO kahi ʻike maopopo, ʻae, hāʻawi iā ia i ka manawa e haku ai i nā moʻolelo nui.
Me ka mea o Walser a me nā maʻi noʻonoʻo e wehe ʻia kahi wahi hoihoi kahi e loaʻa ai kahi wahi o nā mea kākau ʻē aʻe o nā manawa āpau, mai Edgar Allan Poe i luna ʻO Foster Wallace. Akā he mea hou aʻe ia e kamaʻilio ai. I kēia manawa ua koe mākou me ka ʻoi loa o Robert Walser.
ʻO nā mea kākau moʻolelo kiʻekiʻe e 3 na Robert Walser
ʻO nā kaikunāne Tanner
ʻO ka ʻoiaʻiʻo a ka mea kākau i hoʻokokoke ai i kēia hana e hōʻike koke i kahi hoʻololi huna ʻole o kona ʻano. Loaʻa i nā mea a pau ke kumu a i ʻole ke kumu, mai ka eccentricity maopopo loa a hiki i ka nānā pono loa. ʻO ka hana ʻana i nā palapala e pili ana i ka mea e hoʻoneʻe ai iā mākou ma ke ʻano he ʻōlelo ʻaʻole e alakaʻi iā mākou e like me nā poʻe ʻē aʻe he heroism hana.
ʻO ka manaʻo, ma waho aʻe o ka ʻoiaʻiʻo ʻo Simón, kāna protagonist, ʻo Robert Walser a ʻaʻole paha, ʻo ka ʻōlelo pololei e like me ka uhi paʻakikī o nā ʻoiaʻiʻo, nā hōʻike, nā ʻoiaʻiʻo ʻoluʻolu a me nā manaʻo o ke koʻikoʻi o ke ola, o kēlā manawa he ʻoiaʻiʻo. . kū hoʻokahi me ke kanalua. ʻO kā mākou manaʻo paʻa ʻaʻole e noho a noho i kēlā wahi e hoʻoholo ai i kēlā me kēia kekona e hala i ka manawa a mākou e hanu ai, ʻo ia ka mea hōʻoluʻolu loa o nā kūʻē. ʻO ka ʻike ʻana e hiki ke ʻoiaʻiʻo e like me ka pupule. Ua ʻike koke ʻo Robert Walser iā ia a ua hōʻike ʻo ia i loko o kēia moʻolelo nani mua o kona ola.
ʻO ka poʻe Tanners he pūʻulu o ka poʻe pio, i hōʻailona ʻia paha e ko lākou inoa hope (genetics) a i ʻole kuhi hewa ʻia e nā kūlana. ʻO ka mea nui e ʻike i loko o lākou ka hoʻohewa ʻana i ka hopena. No laila, ʻaʻohe koho ʻē aʻe ma mua o ka hele ʻana me ka ʻono ʻana i kēlā manawa ma ke ala, kahi ʻaʻohe pio a me nā pilikia, ʻo ke ala wale nō a me nā cadences o kekona a me ka hanu.
ʻO Jakob von gunten
Mai kona wā ʻuʻuku mai, ua manaʻo mua ʻo Walser i ka hoʻopau ʻana i nā makemake a me nā manaʻo nui, kahi lanakila nui e noho kaʻawale mai nā noho pono ʻole e hoʻopau i nā ola a me ka hewa. Malia paha he ala ia e hoʻokahe ai i kāna phobias pilikanaka kaulana loa. ʻO ka manaʻo, ua paʻa ʻē ka manaʻo, e like me ke kanaka ʻōpio ma The Catcher in the Rye ʻO Salinger, akā ma kahi ʻano nihilistic hou aʻe inā hiki.
«Aʻo liʻiliʻi loa ʻoe ma ʻaneʻi, aia ka nele o nā limahana aʻo a ʻo mākou, nā keikikāne o ka Benjamenta Institute, ʻaʻole loa e helu i kekahi mea, ʻo ia hoʻi, ʻapōpō e lilo mākou i poʻe haʻahaʻa a haʻahaʻa. ʻO ke aʻo ʻana a lākou e hāʻawi mai ai iā mākou, ʻo ia ka hoʻoulu ʻana i loko o mākou i ke ahonui a me ka hoʻolohe, ʻelua mau ʻano e hoʻohiki liʻiliʻi a ʻaʻole kūleʻa. Nā holomua kūloko, ʻae. Akā, he aha ka pōmaikaʻi e loaʻa mai iā lākou? Na wai e hanai na na'i loko?
Pēlā e hoʻomaka ai ʻo Jakob von Gunten, ke kolu o ka puke moʻolelo a Robert Walser, ka mea i aloha nui ʻia e ka mea kākau, akā ʻo ia nō ka mea hoʻopaʻapaʻa a me nā mea hou loa, i kākau ʻia ma 1909 ma Berlin, ʻekolu mau makahiki ma hope o ka haʻalele ʻana i ka Institute kahi i aʻo ʻia ai. A ʻo ka protagonist nui o kēia "moʻolelo lahilahi", e like me ka hoʻoholo a Walter Benjamin, ʻo ia ka Benjamenta Institute ponoʻī: ʻo ka haumāna ʻo Jakob, ma o kāna puke moʻomanaʻo, hoʻolauna iā mākou i kāna mau mea huna a pau, kāna mau hana keaka a me nā pōpilikia liʻiliʻi a me nā mea pohihihi, e hoʻolilo ana iā ia i kekahi o nā hoʻonohonoho hoʻomanaʻo loa ʻia i ka moʻokalaleo XNUMX kenekulia.
Kōkua
I kēlā manawa, ʻoi aku ka maʻi o kēia moʻolelo no ka mea ua pili kokoke i kekahi mau hanana a puni kahi manawa a Walser i lawelawe ai i kahi ʻano kūpono o kona manawa. I kēia mau lā, e pili ana i kahi mea ʻē aʻe. No ka mea, ʻo ka hihiʻo o Walser, i hoʻololi ʻia i loko o ka Joseph kōkua, e lawe iā mākou i kēlā mau mea i loko o nā kāne i uhaʻi, nā noho pū ʻana e pahū, nā ʻeha e wehe ʻole e pani hou.
Kōkua haʻi, me ka hoʻohenehene kupaianaha, ka moʻolelo o ka ʻenekini ʻo Tobler, nāna i hoʻokaʻawale mai kāna wahine a me kāna mau keiki ʻehā ma hope o ka panakalupa ʻana, kahi hana e hele ai i kēlā me kēia ʻāpana, a me ke ala hoʻolohe nui, kāna mea hana ʻo Iosepa. Ua hōʻike ʻo Walser i kahi ʻike pilikino, ua hoʻololi iki ʻia, ma hope o ka hana ʻana i ʻeono mahina i ka hale o ka ʻenekinia Dubler. Ua paʻi ʻia ka puke moʻolelo i ka makahiki 1908, a ua hoʻokipa ʻia e ka poʻe loiloi me ka pīhoihoi nui.
