Ke ola o kahi mea kākau e like Kosinsky (Josek Lewikopf en realidad) queda marcada por algo tan grave como la persecución étnica del nazismo. Sin duda eso se transmite a una obra narrativa, desde la argumentación más evidente de «El pájaro pintado» hasta el trasfondo latente de cualquiera otra de sus novelas.
Si ha de extraerse virtud de lo siniestro, Hāʻawi mai nā manaʻo o Konsinki iā mākou i ka ʻike metaphysical e ʻoi aku ana ma mua o ke kālaiʻike loea akā hollow salon. Ma muli o ke kiʻi ʻana i nā manaʻo hohonu o ka mea a mākou he hana i hoʻokokoke loa ʻia mai nā koina o depersonalization a me nā transmutations o nā hanana i ka moeʻuhane inā pili. No ka mea neʻe ʻia ke ʻano o ka neʻe e kahi manaʻo kolohe o ke ola.
No ka mea ke ola no ka mea ke kali nei ka make iā mākou. A i kēia manawa he aha ka mea e hoʻoneʻe iā mākou i nā kalaiwa e hiki ai ke hoʻokō i nā makemake nui a hoʻolilo iā mākou i pio o nā manaʻo hiki ʻole ke hoʻopili ʻia ... Pēlā e hui ai ʻo Kosinski me kahi mea kākau Polani maikaʻi e like me ʻO Stanisław Lem. Y así es como la literatura polaca del siglo XX acaba por ofrecernos destellos de trascendencia en la frontera de las dos europas.
ʻO nā mea nui a 3 ʻO Jerzy Kosinski i ʻōlelo ʻia no Novel
Ka manu pena
ʻO kekahi o nā puke moʻolelo neʻe a weliweli loa i kākau e pili ana i ka barbarism i ʻike ʻia ma ʻEulopa Hema i ka wā o ke Kaua Honua II. ʻO ka manaʻo o ka autobiography e kahakiʻi i kēlā ʻāina i ʻoi aku ka pīhoihoi o kona aka maoli, e ke kanikau no ka ʻino i lilo i leo o ka mea haʻi moʻolelo i ke kanaka mua.
I ke kauwela o 1939, i kahi ʻāina ʻEulopa inoa ʻole, ua hoʻouna ʻia kahi keiki kāne ʻeono makahiki e kona mau mākua i kahi kauhale mamao. Makemake lākou e hoʻopakele iā ʻoe mai nā mea weliweli e hiki mai ana. Lilo koke lākou i ka launa pū ʻana me kā lākou keikikāne, ka mea i waiho ʻia i kāna mau pono ponoʻī, e hoʻokikina ʻia e ʻauana a hiki i ka hopena o ke kaua, a lilo i mea hōʻeha a hōʻike no kahi moeʻuhane hiamoe ʻole. Ua manaʻo ʻia kekahi o nā puke Pelekane maikaʻi he haneli o ke kenekulia XNUMX, ʻo The Painted Bird kekahi o nā puke neʻe a weliweli loa i kākau ʻia e pili ana i ka barbarism i ʻike ʻia ma ʻEulopa Hikina i ka wā o ke Kaua Honua II, kahi puke hiki ʻole ke heluhelu ʻia me ka ʻike ʻole i ka makaʻu, hilahila. a kaumaha kaumaha loa.
Mai ka māla
ʻO ka utopia o nā makemake nui kanaka chrematistic. ʻO nā mea i luna aʻe o nā mea āpau a hiki i ka hiki ʻole ke kūʻai aku i kahi ʻuhane i ka hoʻololi a kūʻai aku paha i kahi wā i hala a i ʻole ke nalo ʻana i ke aka.
He enigma nui loa ʻo Chance: ka meʻe o ka "mean" ʻAmelika. Aloha ʻo Televise iā ia, ma hope ona nā nūpepa a me nā makasina. He helehelena kama'āina ʻo Gardiner i nā home o ʻAmelika. Kamaʻilio nā mea āpau e pili ana iā ia, ʻoiai ʻaʻohe mea i ʻike i kāna mea e kamaʻilio ai. ʻAʻohe mea i ʻike i kahi e hele mai ai, akā ʻike ka poʻe āpau he magnet ia no ke kālā, ka mana a me ka moekolohe. Ua hoʻomaikaʻi anei ʻo ia i ka wahine leʻaleʻa a pilina maikaʻi o kahi mogul Wall Street e make ana?
A i ʻole ua kau ʻo ia iā ia iho ma ka piko o ka nalu no ka mea, e like me nā kiʻi kīwī, ua hele mai ʻo ia i ka honua i kipaku ʻia e kahi ikaika āna i ʻike ʻole ai a ʻaʻole hiki iā ia ke inoa? ʻIke paha ʻo Chance i kahi mea a mākou e ʻike ʻole ai? E hāʻule? E lilo ʻino anei ʻo ia? ʻO ka mea heluhelu ka mea e hoʻoholo.
Nā kaupae
He wehewehe moekolohe kā nā mea āpau. ʻO kā mākou mau hana āpau ka makemake no ka make ʻole, e pono ai ke ola cellular e hoʻomaka me kahi orgasm e like me ka hoʻomaka a me ka hopena, e like me ka make drive, a petit morte paha, e like me ka ʻōlelo a ka Palani. ʻO kahi puke pōkole a luminous e pili ana i ka ʻike a me ka moekolohe, ka mea lanakila o ka National Book Award ma 1969.
ʻO Steps kahi nūhou nani weliweli e pili ana i ka ʻike moekolohe a me ka moekolohe a kahi kāne i ulana ai i kona ola. ʻO kēia kāne, ka mea haʻi moʻolelo, neʻe i loko o ka honua nona ka poʻe i hopu i ka pīhoihoi a i ka manawa like me ka poʻe i loaʻa ʻole i ka noʻonoʻo ʻole, kahi honua e hoʻokauwā i ka manaʻo a hiki i ka lilo ʻana i kumu. Akā he honua nō ia kahi e hoʻokūhoihoi ai i ka kiʻekiʻe o ka moekolohe, ke kūʻokoʻa a me ke kipi. Me Nā kaupae, i lanakila i ka makana National Book Award ma 1969, ua huki akamai ʻo Jerzy Kosinski i nā pūʻali koa lalo e kākoʻo ana i ka politika a me ka moʻomeheu o kēia au.
