ʻO ka ʻaoʻao novelistic o ʻO Christopher Isherwood Hoʻokumu ia i puke puke puke o nā hana he ʻumi. A puni ʻo ia e ulu ana kēlā ʻano moʻolelo a ka mea kākau i ʻike ma hope. ʻAʻole ia e pili ana i kahi avant-garde o kona manawa akā e pili ana i kēlā kaʻina capricious o ka hoʻomaʻamaʻa ʻana o nā hana i ʻike i kahi kūpono i ka wā i manaʻo ʻole ʻia.
Pono ia e ʻike i ke kaupaona o ka biograpia, o ka loaʻa ʻana o ka mea kākau me ke kua no ka moʻolelo i hoʻomau ʻia i kona ʻano o ka huakaʻi, o ka loli mau, o ka ʻimi i ka hopena o ka lā e neʻe nei i kahi hana e like me ka crystalline i kona ʻano e like me transcendent i ka laulā o nā ʻike o kāna mau huapalapala a me nā hoʻokokoke ʻana o kāna mau hoʻolālā. Nā moʻolelo e like me nā hiʻohiʻona o ke ola holoʻokoʻa.
ʻO nā moʻolelo o ka nohona ephemeral, o ke kūlana manawa manawa nui o nā mea āpau, o ka pili ʻana i nā mea ʻala a i ʻole nā mea hoʻomanaʻo e like me ka hoʻohewa ʻana e hiki ai ke hoʻololi i kāna mau mea e ka hoʻolei ʻana iā lākou iho i ka wā e hiki mai ana i ke ola. No laila ke ola ʻana o ke ola. ʻAno o Milan kundera ʻaʻole ia e komo i loko o nā pane akā huli wale i ka hohonu o ka ʻuhane e pani i nā ʻeha, me ka ʻole o ka nui a me ka ʻole o ka liʻiliʻi.
Nā Nūhou ʻ Recommendedlelo Hou 3 na Christopher Isherwood
He kāne hoʻokahi
Aia nā mea i koho ʻole ʻia i ke ola. ʻO ka ʻoiaʻiʻo, ʻaʻole ʻo ka transcendent kahi dilemma kahi e hōʻailona ai kēlā me kēia kanaka i ko lākou ala. ʻO kahi huhū piha e manaʻoʻiʻo ai mākou i kēlā hopena a mākou e hāʻawi ai i ka wehewehe o nā mokuna o ko mākou ola.
ʻO George Falconer, he kumu ʻōlelo Pelekane ma waena o ka makahiki, e hakakā nei e hoʻomaopopo i ka make koke ʻana o kāna hoa, ʻo Jim, i kahi ulia kaʻa. ʻO 1962 ka makahiki, a ʻoiai ʻo ke ola pono āna i alakaʻi ai ma Los Angeles, ua lilo kāna hana maʻamau i mea hoʻomanaʻo ʻehaʻeha no ka mea wale nō i hiki ai iā ia ke hoʻomanawanui i ka moeʻuhane ʻAmelika: ʻo ka pilina aloha e hiki ai iā ia ke hana me ka hoʻokuʻu ʻana i kona mau manaʻo. .o na huna huna a ka ahahui e kau ai maluna ona.
Akā i ka mea hou, ua kū koke ka nalo iā George me kona mau makahiki, me ka hala o ka manawa, me kona hala i hala, a me ka hopena o kona make ponoʻī. ʻO ke kāne kaʻawale kekahi o nā puke moʻolelo kaulana a Isherwood, a ua manaʻo ʻo ia i kāna mea hana, kahi kumu a me nā hana keu o ka hana keaka i ka honua o kēia au.
Aloha i berlin
He manaʻo e pili ana i ka ʻike ʻana i ke aloha i kēlā mau wahi āu i hauʻoli ai. A ʻo ke ʻano hoʻohālikelike, pono paha ke koa e hoʻi i kēlā mau ʻāina ʻeleʻele o ka hewa a me ke kaumaha. No ka mea, ʻo kēlā me kēia wahi i hala kahi e hoʻopau ai ka hauʻoli iā mākou e hōʻailona i kēia manawa he makaʻu atavistic, kahi ʻano agoraphobia no ka mea e neʻe ana kēlā wahi e hālāwai me mākou. Ua loaʻa iā Berlin nā mea a pau no ka protagonist o kēia moʻolelo. A ʻoi aku ka paʻakikī o ka hihia ke kau ʻia ke aloha a me ke kaumaha ma kahi hoʻokahi.
ʻO Christopher, kahi kāne ʻōpio Pelekane, hoʻolimalima i kahi lumi i ke kapena Kelemania a aʻo aku i ka ʻōlelo Pelekania no kahi ola. ʻO kēia hana a me kona hoihoi ma ke ʻano he mea kākau moʻolelo e alakaʻi iā ia e hālāwai me nā ʻano o nā ʻano like ʻole, e like me ka hoʻoilina wahine Iudaio waiwai ʻo Natalia Landauer, ka ʻohana o nā limahana Nowak, ʻo Otto lāua ʻo Peter, he mau kāne kāne ʻōpio ʻelua, a ʻo Sally Bowles paha, he ʻōpio. kaikamahine. ʻO ke kūlana kiʻekiʻe, hoʻopunipuni a alakaʻi hewa i ka wahine Pelekane ?? nāna i hoʻoulu i ke ʻano o Liza Minelli i ke kiʻi ʻoniʻoni ʻo Cabaret ??. ʻO Farewell i Berlin kahi moʻolelo hōʻike a me ka naʻau o ka decadent a me ka nani o Berlin o ka Weimar Republic, kahi e ulu nei ka hoʻomāinoino o ka Nazism.
ʻO ka Vaioleta o ka Prater
Hoʻopili ʻia me nā snippets autobiographical, lawe kēia moʻolelo iā mākou i kahi neʻe moʻomeheu e kū pono ana i ka pōʻeleʻele o ka honua e kū nei i ka Nazism. I ka makahiki 1933, ʻoiai e lanakila ana ka National Socialism ma Kelemānia, ua noho wiwo ʻole ʻo ʻEnelani i nā leo o nā makahiki iwakālua hauʻoli, me ka nānā ʻole ʻana i nā makani e pā mai ana mai ka ʻāina.
Ma Lākana, ua kauoha nā hale kiʻi ʻoniʻoni ʻo Imperial Bulldog i ka mea kākau ʻōpio ʻo Christopher Isherwood e kākau i ke kiʻi ʻoniʻoni no kahi kiʻiʻoniʻoni, ʻo The Violet of the Prater, i alakaʻi ʻia e ke alakaʻi kiʻiʻoniʻoni kaulana ʻo Friedrich Bergmann. ʻO ka pilina i hoʻokumu ʻia ma waena o ka luna alakaʻi a me ka mea kākau kiʻi ʻoniʻoni a me nā hanana e pili ana i ka pana ʻana o ke kiʻiʻoniʻoni e ʻike i kahi kiʻi synthetic, ironic a ikaika hoʻi o ka ʻEulopa haehae o kēia manawa.
ʻO ka ʻeha o Bergmann, he Iudaio i koi ʻia e haʻalele iā Kelemānia a ua haʻalele ʻo ia i kona ʻohana i kahi Austria i hoʻoweliweli mua ʻia, ʻokoʻa me ka haʻahaʻa o ke kiʻiʻoniʻoni āna e pana ai a me ka ʻoihana kiʻiʻoniʻoni o ka manawa a me ka manaʻo ʻole. o kekahi hapa o Europa i ka poino e hiki mai ana. ʻO ka ʻokoʻa o kēia mau manaʻo ʻelua e hiki ai i kahi loiloi koʻikoʻi o ka pilina ma waena o ke kiʻi a me ke ola a me ke kuleana o nā mea hana i nā hui kūpilikiʻi.
