ʻO ka hihia ʻano ʻē o ʻO Barbara pym y su conversión a clásico de la literatura después de pasar desapercibida en vida. Quizás sea por eso de andar narrando intrascendencias del momento. En el sentido de que el ʻoiaʻiʻo i kekahi manawa hala i ka palaki ʻana i ka maopopo o ke ola. He mea like ia me ke kiʻi i ʻike ʻia ma hope koke iho o ke kiʻi ʻia ʻana a i ʻole, i ka ʻaoʻao ʻē, i loaʻa he mau makahiki i hala.
ʻAʻole like ka nānā a hoʻololi i nā mea a pau i ka hoʻokalakupua. ʻO nā ʻōuli o ka poʻe i hopu ʻia i kēlā manawa hūnā i nā mea huna a mākou e makemake ai e hōʻike me ke aloha nui o ka ʻuhane; ʻIke iki kahi nānā maʻalahi iā mākou ma ka ʻaoʻao ʻē aʻe me he mea lā ke hoʻowalewale ʻana iā mākou me nā mea āpau e helu ʻia e kona ʻōlinolino ...
ʻO Barbara Pym kēlā mea haʻi moʻolelo ma ke ʻano he mea paʻi kiʻi. A laila ua ʻano nondescript kā lākou mau kiʻi ke makemake nui lākou i ka make ʻole i ka hala ʻana o ka manawa. Nā Paradoxes o ka moʻokalaleo a me ke ola ʻana, i ka lōkahi. ʻO ka manawa kēia e mahalo wale ai i kahi puke me kēlā ʻala o nā ala kahiko o ka ʻike ʻana i ka honua a me ka launa pū ʻana i ka nohona me kahi ʻano kikoʻī o nā kikoʻī.
ʻO nā Novels 3 i Kākau ʻia e Barbara Pym
Wahine Maikaʻi
ʻO ka maikaʻi o ʻO Lady chatterley a ua haʻi mai kāna ipo iā mākou e pili ana i kā lākou mau mea aloha e kūʻē i nā kūpikipiki āpau i ka makahiki 1928. 30 mau makahiki ma hope ma ʻEnelani ponoʻī aia kekahi hana hoʻomake, kahi mālama ʻana i nā loina a me nā loina. A ʻo ia nā kipi ʻaʻole i hiki mau i nā wahi āpau i nā ala like. I ka ʻokoʻa kaupaona ʻia kēia mea protagonist e ka maʻa a me ka ʻiʻini ʻana no kona makemake e pahu iā ia i nā huakaʻi nui ʻē aʻe.
ʻO Mildred Lathbury, ka mea haʻi moʻolelo, kahi wahine hoʻokahi e noho ana ma Ladana nāna i hoʻolilo kona manawa i nā hana like ʻole i ka pālaki, i ka inu ʻana i ke kī me nā hoaaloha, i nā hana manawaleʻa a me ka hoʻokō ʻana i nā pono o kekahi. Akamai a makaʻala ʻo ia, akā hilahila a hilahila ʻole hoʻi, ma muli o kāna kūlana hoʻokahi, e like me ka makemake o nā mea he nui e ʻike iā ia i kēia manawa, i ka piha ʻana o nā makahiki he kanakolu.
Ma waho o kāna mau hoaaloha maikaʻi, ʻo ka vicar Julian Malory a me kona kaikuahine ʻo Winifred, Mildred, e launa pū me ko lākou mau hoanoho, nā Napiers, i noho iho i lalo mai ko lākou hale. E launa pū ʻo ia me Allegra, kahi wahine kāne make e noho ana i ka parish, a me nā mea like ʻē aʻe. E hoʻopili ʻo Mildred i nā mea like ʻole o ke ʻano sentimental.
Aloha aloha ʻole
Con cierta inspiración de contrapunto a la historia anterior, esta novela se abre a las refriegas sentimentales en pleno conflicto sociológico por la liberación moral completa. Sin despuntar en estridencia erótica, el pulso de la autora nos acelera con ese preciso desnudado de las pasiones.
ʻO Dulcie Mainwaring, ke heroine o kēia puke, ʻo ia kekahi o nā "wahine maikaʻi" hoihoi ʻole e pili mau ana; kōkua i nā poʻe ʻē aʻe akā ʻaʻole hiki ke mālama iā ia iho; ʻo ia iho, keu hoʻi e pili ana i ke kahua aloha. I loko o 'Ke aloha aloha ʻole', kahi puke ma ke kiʻekiʻe o nā mele Pelekane maikaʻi loa, ʻo Pym, me kāna ʻano hoʻomākeʻaka a me ka ʻano hoʻomākeʻaka, ke hāʻawi nei iā mākou i kahi aloha aloha lahilahi, piha i nā moemoeā ʻole a me nā mea huna hūnā ʻia.
Welina mai nā haole
I ka make ʻana o Barbara Pym ma 1980, ua haʻalele ʻo ia i ka nui o nā mea i hoʻokuʻu ʻole ʻia. Ma waena o kēia, kahi puke moʻoʻōlelo, ALIENS, WELCOME, mai ka makahiki 1936, a me "Finding a Voice," kahi palapala wale nō i kākau ʻia e Pym e pili ana i kāna ʻoihana ma ke ʻano he mea kākau a me ke kumu o kona ʻano moʻokalaleo.
I ka "malihini hoʻokipa" kahi ʻōpio ʻōpio, ʻo Cassandra Marsh-Gibbon a me kāna kāne kākau ponoʻī, ʻo Adam, ua hoʻoluliluli ʻia e ka hōʻea ʻana mai o kahi Hungarian pohihihi i ko lākou kauhale. ʻO Cassandra, kekahi o nā "wahine maikaʻi" mua loa i hiki iā Pym ke hōʻike maikaʻi loa, e ʻimi i ka lele o kona ola monotonous a ma ke ʻano o ka haole i ka ʻike ʻana i nā huaʻōlelo hoʻokamani a kāna kāne: «Maopopo iā ʻoe noʻu nei, ʻoi aku ʻoe i wahine wahine maikaʻi loa? ».
