Inā hiki ke ʻōlelo ʻia aia nō ka poʻe akeakamai i ke kenekulia XNUMX, mahalo ʻia iā a ʻO Antonio Escohotado Ua kūlou i ka manaʻo a me ka huki ʻana i kahi empiricism metaphysical ma o ka nānā ʻana i ka hohonu. ʻAe, nā lāʻau lapaʻau ma o. ʻO nā mea a pau e hoʻokō i kēlā lucidity kaleidoscopic i ʻano maʻamau o nā psychedelic seventies, mai kahi e huki ai i ka synthesis me nā ea o ka ʻoiaʻiʻo no kahi honua i nā aka.
ʻAʻole ia nā kuhikuhi nui o kēlā ʻano akeakamai o nā kenekulia ʻumikūmāiwa iwakāluakūmāiwa, e like me ia iho Nietzsche, no recurrieran a la alteración o la despersonalización de ciertos estimulantes psicoactivos. La cuestión en Antonio es la experiencia como ejercicio vital. A cada nuevo viaje uno puede traer nuevas impresiones sobre cualquier aspecto de lo humano.
Incluso se puede disertar de los propios medios, de esas drogas que alteran y modifican la perspectiva de todo, con sus riesgos inherentes. Pero como todo buen espíritu creativo, Antonio Escohotado era mucho más que las particularidades por las que se dio a conocer en una Ibiza hecha faro de la vida alternativa gracias a él. Y así luego llegaron, en nuevas fases y época, ensayos sociológicos o económicos. Hasta hacer de su firma todo un referente para casi cualquier ámbito del pensamiento reciente.
ʻO nā puke kiʻekiʻe e 3 na Antonio Escohotado i ʻōlelo ʻia
ʻO ka mōʻaukala kumu o nā lāʻau
ʻAʻohe mea hou ma lalo o ka lā. ʻAʻole nā lāʻau lapaʻau a me ka ʻoki ʻana i ka exclusivity. Ua hele aku ke kanaka i nā lāʻau lapaʻau, ma ʻō aku o nā maʻi ʻeha, i nā manawa a me nā wahi he nui ʻole. Hāʻawi ʻo Antonio Escohotado iā mākou i kēlā "huakaʻi" ma o ka moʻolelo hapalua lāʻohana kapu esotericism.
Hāʻawi ʻo "Elementary history of drug" i kahi huakaʻi i kākau ʻia a hoʻonanea i ka mōʻaukala ma o ka ulu ʻana o nā ʻano lāʻau like ʻole a me kā lākou hoʻohana ʻana, mai nā hana haipule e kiʻi i ka ʻoiaʻiʻo i hōʻike ʻia i loko o kekahi mau kaiāulu i ka hoʻouka kaua ʻana o ka crack a me nā mea hoʻolālā, mai nā kaua opium i ka laha ʻana o ka psychedelia.
Nānā kēia synthese o ka Mōʻaukala nui nui o nā lāʻau āpau i ka ulu ʻana o nā manaʻo i nā lāʻau i loko o ka mōʻaukala; hoʻohana ʻia no nā hana haipule, therapeutic a i ʻole hedonistic wale nō; ka hopena o ka Mokuʻāina a me nā pilikia e pāpā ʻia, ka hana anatemization a me ka hoʻomāinoino ʻia e nā mākaʻi ... Hāʻawi ka hana i ka nui o ka ʻike a noi i kahi kokoke i ke ao holoʻokoʻa o nā lāʻau e hōʻalo i nā clichés, nā trivialization a me nā hihi maʻalahi.
Hōʻoiaʻiʻo ʻo Escohotado i loko o ka ʻōlelo prologue «ʻoiai a hiki i kēia manawa he kahua ia i mālama ʻia no ka sensationalism journalistic, a i ʻole nā abstract toxicology manuals, ka mōʻaukala kikoʻī o nā lāʻau i hoʻomālamalama i ka mōʻaukala laulā o ke kanaka me kona kukui ponoʻī, e like me ka wā i wehe mākou i ka puka aniani a laila pani ʻia i ʻike ʻia ka ʻaoʻao a me nā mea like ma lalo o kahi kuanaʻike hou ».
ʻOiaʻiʻo a me nā mea pono
ʻO kā Escohotado hana akeakamai a pau loa. ʻO kahi kokoke i ka noʻonoʻo nui e pili ana i nā ʻoiaʻiʻo, nā ʻoiaʻiʻo a me kā mākou hoʻohewa i ka ʻike kumuhana āpau o nā mea āpau a puni mākou. Me ke kaulike o kahi kumu i hoʻoholo ʻia e hana i nā manaʻo i kaʻoiaʻiʻo ʻole, me ka nānā ʻole i nā instincts e hiki ke kuhikuhi i nā mea ʻē aʻe i nā ʻano nahele akeakamai i kēia ʻano ...
Hiki ke wehewehe ʻia ka hana akeakamai ma ke ʻano he hana no ka hāʻawi ʻana i ka manaʻo i kekahi mau huaʻōlelo, nona ka ʻike i kēlā me kēia manawa e hōʻike ana i ka hoʻomaopopo o ke kanaka i kāna ʻano. ʻAʻohe mea, ke, ke kumu, ke kumu, ka mea, ke ʻano, ka hakahaka, ka manawa, ke kumu, ka pōpilikia, ka pono ... no ka opaque a me ka mālamalama i ka manawa like, lokomaikaʻi a me ka mālama nui, hāʻawi lākou i ke ʻano e kū e komo i loko o ka hihiʻo iā lākou. nona ponoʻī e pili ana i ka mea maoli.
ʻO kēia kuʻikahi ma nā metaphysics e hoʻihoʻi i ka luakini o ka ʻike kahiko e noʻonoʻo hou iā lākou mai kēia manawa, me ka nānā nui i ka wehewehe ʻana i nā manaʻo o ka ʻoiaʻiʻo a me ka waiwai. ʻO ka mea huakaʻi i ka huakaʻi huʻihuʻi o ka ʻike ontological ʻaʻole loaʻa ka hopena o ka ʻāina i hoʻohiki ʻia, ʻoiai aia kahi i hoʻonohonoho i hoʻonohonoho ʻia i nā panalāʻau me ka ʻole o ka palapala ʻāina. Ke ʻole ke panana ʻē aʻe ma mua o ka hoʻohuli ʻana i ka manaʻo Hegelian .
Nā wahine hoʻokamakama a me nā wahine
Mālama nā moʻolelo i nā manaʻo, nā huapalapala puke. Hōʻike nā moʻolelo i nā ʻano, nā manaʻo hou i ke ola. I ka hoʻohālikelike ʻana i ka prose e hāʻawi ana i nā kiʻi a me nā mele, haʻi ʻia nā haʻi moʻolelo i kā mākou moʻolelo mai ka moʻolelo o nā poʻe ʻē aʻe, me kahi kaʻina hana e like me ka pāʻani o nā pēpē Lūkini.
ʻO kā lākou ponoʻī a me nā mea ʻē aʻe, ma loko a ma waho, i nehinei a ʻapōpō a nalowale ko lākou ʻano like ʻole: ʻo ka kikoʻī o kēlā me kēia hihia kekahi e hōʻike ana i kahi mea mau a maʻamau. Hoʻomanaʻo nā ʻaoʻao aʻe i ʻehā mau kaao i hiki ke ʻōlelo ʻia ʻewalu, ʻoiai ʻo nā kaʻao o Ishtar, Hera, Deyanira a me Maria kekahi o Gilgamesh, Zeus, Hercules a me Joseph. ʻO ka holomua i ka manawa, ke Kaiwaenahonua i ke ʻano ākea, hoʻomālamalama lākou i nā ala like ʻole o ka manaʻo ʻana i ka hopena "kāne" a me ka hopena "wahine". Hoʻohui ʻia e hōʻike i nā pae o ke kaua lōʻihi, piha i ke kuhi hewa ʻole, me nā kumu a me nā paukū no nā armistices leʻaleʻa.
