ʻO 3 mau puke maikaʻi na Aurora Venturini

ʻO kēlā mea he mea kākau pono ʻoe e heluhelu pono ʻia e hōʻike ʻia e ke kiʻi o Aurora venturini. No ka mea, ʻo ka mea moʻolelo moʻolelo i hoʻolaʻa iā ia iho i ka puke moʻokalaleo ma kāna ʻano unuhi i hoʻopau i ke kākau ʻana i kēlā hana nui i ka wā i haʻihaʻi ʻia ai kona mau lā. ʻO ia ka mea e hōʻoiaʻiʻo ai i kahi mea ʻē aʻe; hiki i kekahi ke hoʻoholo e lilo i mea kākau i nā manawa a pau e makemake ai, i ka iwakālua a i ʻole kanawalukūmālima. ʻO ka manaʻo, ʻo ka hōʻiliʻili ʻana i nā heluhelu e ʻike pehea e haʻi ai i ka mea i puka ikaika mai loko mai.

ʻO ka hoʻouluulu a kahi mea kākau kaulana ʻē aʻe mai Argentina ʻoiai ʻo ia ʻO Mariana Enriquez, i laila au e hoʻololi i kēlā manaʻo o ka palapala e like me ka estrangement, e like me ke aniani distorting, kahi e hiki ai i nā mea a pau ke nānā iā lākou iho me kēlā ʻano hoihoi o ka depersonalization, makaʻu a ʻakaʻaka paha.

Akā ʻo ka hōʻike ʻana iā ia iho he mea kākau moʻolelo i ka wā lōʻihi, ʻo ka ʻoiaʻiʻo ua haki ʻo Venturini i kāna mau mele ma mua o nā unuhi. I ka manawa he poema ia a mai na pauku mamao o kona mau la opiopio ua hiki mai kekahi mea kakau okoa, aole i ikeia e like me na mea kakau nui e ae ma ka olelo Paniolo, aka, ua piha i ke ano a me ka maikai o ka moolelo.

Nā Nūhou 3 e Kūkā ʻia e Aurora Venturini

Nā hoahānau

Ke kali lōʻihi ʻoe e kākau i kāu moʻolelo mua ma ka ʻeleʻele a me ke keʻokeʻo, hiki mai ka mea i hala ma luna ou e like me ka ʻino o ke kauwela. ʻO kēia manawa wale nō nā mea a pau no ka maikaʻi. No ka mea i ka hoʻi ʻana i ka mea a Aurora Venturini i haʻalele ai i kona ʻāina hānau kahiko, hiki mai nā kiʻi me ka manaʻo ʻole, me ka ʻakaʻaka a me ka melancholy i loko o kahi wai inu ʻē aʻe.

ʻEhā mau wahine e hoʻohuli mau ana i ka ʻole. ʻO ka puke mua mua o ka octogenarian Aurora Venturini. ʻO ka moʻolelo hoʻomaka i hoʻokumu ʻia i nā makahiki 1940 e hōʻike ana i ka honua weliweli o kahi ʻohana papa waena waena haʻahaʻa i hana ʻole ʻia mai ke kūlanakauhale ʻo La Plata. ʻO ka hapalua ma waena o ka autobiography delusional a me ka hana impudent o ka ethnography pili, Las prima kahi puke kūikawā a me ka puke, me kahi prosa e hoʻoweliweli i nā kuʻikahi āpau o ka ʻōlelo moʻokalaleo.

Inā ʻo ka moʻolelo i haʻi ʻia i loko o kēia puke kahakaha na Aurora Venturini i hoʻokumu ʻia ma Texas, he mea ia i loko o ia mea he psychopaths pepehi kanaka, a me nā ʻōpū a me nā koko i nui. ʻAʻole kēia ka hihia, ʻo ka mea pōmaikaʻi no ka poʻe heluhelu, ʻoiai ʻo ka ʻoiaʻiʻo ma loko o ka ʻohana e hōkū iā ia aia he poʻe pepehi kanaka - a me nā mea pepehi kanaka -, nā wahine hoʻokamakama, nā mea pono ʻole, hoʻolohi ʻia ka noʻonoʻo a me kahi ʻūʻī. ʻO kekahi kumu aʻo hana maikaʻi, kahi haumāna maikaʻi a kumu aʻo makuahine.

Hoʻolahalaha ʻo Aura Venturini i ke kaiāulu o kona wā ʻōpio, ma La Plata (Argentina) i ke kanaha makahiki, kahi ʻohana i haku ʻia o nā wahine a me nā hana pono ʻole e hōʻike ana i kahi hiki kupaianaha e hele i mua, a hiki i kahi i hiki ai i ka protagonist ke lilo i pena pena kaulana. ʻO Yuna, ka mea haʻi moʻolelo, haʻi i ka mea mua i nā makahiki o ka hoʻomaʻamaʻa a me ka hoʻomaikaʻi ʻana iā ia iho, me kahi ʻano hoʻomākeʻaka a me ka ʻole o nā huaʻōlelo minamina. Nā hoahānau ua manaʻo ʻia ka loaʻa a me ka hoʻolaʻa ʻana o kāna mea kākau, i ke kanawalukūmālima mau makahiki: he ʻoiaʻiʻo, ʻaʻole lōʻihi loa inā maikaʻi ka puke. I kēia hihia maikaʻi loa ia.

Kaikamahine

Inā ʻoe i waiho ʻia me ka makemake e heluhelu ana i nā uku nui, i kēia kau hou e ʻoluʻolu ʻoe i kahi kuʻina mālie o ka "noho" ʻana o kāna mau protagonists.

ʻO ka mea pena kiʻi ʻōpio ʻo Yuna Riglos, ka protagonist o Las prima, i hoʻi mai ma ke ʻano he wahine nona ka makahiki he kanawalu a ʻoi paha kona mau makahiki i hauʻoli i nā hoʻomanaʻo ʻana o ka wā i hala a me kahi mehameha i hoʻopōkō ʻia e nā kuhi hewa ʻole i hiki iā ia ke lilo i hoa aloha. ʻO lākou nā "hoaaloha" e kīkēkē ma ka puka o kona keʻena hale ma La Plata, a kaʻana like ʻo Yuna me lākou i kāna mea a me kāna mea e nele ai. Akā paʻakikī e loaʻa nā manaʻo o ke aloha ma kēia choreography o nā wahine mehameha i hoʻoneʻe ʻia e ka ʻimi ʻana i kahi aloha iki.

"ʻO kahi puke hou e kūʻē ana i ka palaoa o nā manaʻo maikaʻi: ʻaʻole hoʻi ka ʻelemakule a me ke kaikuahine nā hiʻohiʻona maʻalahi e noho ai," kākau ʻo Liliana Viola i ka prologue i kēia paʻi. Eia nō naʻe, ʻo Aurora Venturini, kūʻiʻo i kāna kaila, hoʻokele hou e hoʻopaʻa i nā laina ma waena o ka fiction a me ka hoʻopunipuni, a mālama i ka wā ʻelemakule o kahi Yuna keu, a me ka manaʻo pono ʻole a me ka hana maʻamau ʻole. ʻO Las amigas kahi puke i hoʻopuka ʻole ʻia e Aurora Venturini, kahi monologue i hoʻomaka ʻo ia e kākau ma hope o ka kūleʻa o Las prima a ma laila ʻo ia e hoʻomau ai i ka hana no nā makahiki. Loaʻa nā Tusquets Editores i ka hana a kekahi o nā mea haʻi moʻolelo kumu o nā moʻokalaleo o kēia wā.

Nā kaʻa uila

ʻO ka moʻolelo ka onamism no ka mea kākau akā hiki paha i ka orgasm no ka mea heluhelu. No ka mea huki ka pōkole iā ʻoe e like me ke kai o lalo ke kākau ʻoe ʻoiai e lūlū iā ʻoe i nā nalu i ke kai ke heluhelu ʻoe iā ia. ʻO nā kiʻi o Aurora Venturini ʻaʻole wau i ʻike i ka mea make ʻole liʻiliʻi ma waena o decadence a me ka hanohano o ke ola wale ʻana. Me nā paʻi ma waena o ka maikaʻi a me ka moemoeā, ʻo kēlā me kēia moʻolelo ke hele nei ma ke ala o nā mea āpau e hiki ke hana i kēlā manawa pōkole. No ka mea inā ʻaʻole, ke ʻole, no ke aha e helu ʻia ai?

ʻO "Variations on Monsieur Le Diable" ke poʻo inoa o kekahi o nā mokuna o kēia puke neʻe, kahi e kū paʻa ai ʻo Aurora Venturini ma ka laina lahilahi ma waena o ka hiamoe a me ke ala ʻana, ma waena o ka pupule a me ke kumu, a i ʻole, ma waena o ke ola a me ka make, e pili ai. kēlā mau manawa pōkole o kona noho ʻana ma kahi āna i manaʻo ai ua hiki mai kona manawa e haʻalele ai i kēia ao. Eia nō naʻe, ke hakakā nei, me nā huaʻōlelo e like me ka mea kaua nui, eia ʻo ia, he 90 mau makahiki, e hōʻike ana i ke kumu o kāna kākau ʻana (e like me ka ʻōlelo ʻana i kona ola) hiki ke alo aku iā Monsieur Le Diable a lanakila i ka pāʻani.