Kuhi ʻia nā puke moʻolelo Chile i kēia manawa ma waena Isabel Allende y ʻO Marcela Serrano (ʻo kēlā me kēia me kāna hoihoi hoihoi a me kona kaila) nā pōmaikaʻi o nā mea kūʻai aku maikaʻi loa me nā dregs o nā puke moʻolelo nui. A ʻo ia nō hiki ke wehe ʻia nā mea āpau mai ka prism wahine i nā kaulike kupaianaha i māʻona ai nā mea heluhelu koi loa.
I ka hihia kikoʻī o Marcela, a ma kahi o 30 mau makahiki o ka ʻoihana, haku kāna puke pai puke i kahi mosaic waiwai o ka nānā ʻana ma kahi e hāʻawi ai kēlā me kēia meahana i ko lākou mau kukui a me nā aka, nā laulā o nā kala a lākou e ʻike ai i ka honua i ka papa me ka wahine maoli ke pāʻani lākou.
He mea noʻeau e haku i nā kihi ola me kēlā ʻano kikoʻī o ke kikoʻī i nā mea protagonist. Akā Loaʻa iā Marcela Serrano ma muli o ka mea āpau a hoʻopili ʻia nā mea āpau, a ʻo ia hoʻi, ʻaʻole e hoʻolei i ka ʻōwili e ʻimi ai i nā hōʻike psychological a i ʻole sociological, no ka mea he ʻoi aku ka nui o ka hana a ka mea heluhelu e makemake e kū hou i kēlā me kēia hiʻohiʻona.
No laila ʻo ka heluhelu ʻana iā Marcela Serrano ʻo ia ka huakaʻi o kahi kokoke. ʻAneʻane kahi huakaʻi i alakaʻi ʻia i ka ʻuhane. ʻO kahi huakaʻi a mākou e neʻe ai me nā huapalapala a alakaʻi iā mākou i kahi loiloi e ʻike pinepine ʻole ʻia e ka humanistic, mai kahi prose e like me ka ikaika.
ʻO nā puke noveloma kiʻekiʻe ʻekolu e Marcela Serrano
He ʻumi mau wahine
ʻO nā ʻike paʻakikī loa e hoʻopuka i kahi ʻano nausea hohonu ʻaʻole pono mākou e pale aku. ʻO ka luaʻi ʻana i kēia mau hihia, ʻo ia ka hoʻokuʻu ʻana o ka ʻōlelo ʻana, o ke kamaʻilio ʻana a i loko o kēlā cascade e puka mai ana mai loko mai, puka mai nā mea ʻino e hōʻeha ai i ka ʻuhane.
ʻEiwa mau wahine ʻokoʻa loa i hālāwai ʻole ma mua e kaʻana like i kā lākou moʻolelo. Ua hoʻoholo ʻo Natasha, ko lākou mea hoʻoponopono, e hoʻākoakoa iā lākou i ka manaʻo paʻa e hoʻomaka ana nā ʻeha e hoʻōla i ka wā e haki ai nā kaulahao o ka hāmau.
He mea ʻole ke kumu a me ka wehe ʻana i ka nohona, ka makahiki a i ʻole ka ʻoihana: hāpai lākou āpau i ko lākou mau poʻohiwi i ke kaupaona o ka makaʻu, ka mehameha, ka makemake, ka hopohopo ʻole.
Kū kekahi i kekahi manawa me kahi hala i hiki ʻole iā lākou ke haʻalele; nā poʻe ʻē aʻe, ma mua o kahi makana i like ʻole me ka mea a lākou e makemake ai, a i ʻole kahi wā e hiki mai ana e makaʻu iā lākou. Nā makuahine, nā kaikamahine, nā wahine, nā wahine kāne make, nā ipo: alakaʻi ʻia e Natasha, ʻae ka poʻe protagonist i ka ʻaʻa o ka hoʻomaopopo a hana hou i ko lākou ola. ʻO kahi puke e kahaha ai, neʻe a waiho iā ʻoe i ka kānalua: kahi hōʻike a me ka wiwo ʻole i nā pilina kanaka i kēia ao.
ʻO ka Novena
Kaha ʻia ka wā nui e hiki mai ana o ka mea kākau e nā pio a me kāna mau ʻeha, e like me ka hapa ʻole o nā poʻe Chile i ka wā o Pinochet. No laila kēia novel kahi e puka mai ai nā ʻoiaʻiʻo ʻo ia ke ala ola e kūʻē i ka ʻuhane kanaka i hiki ke waiho ma o ka makaʻu.
Ma muli o kahi ulia pōpilikia lapuwale, ua hopu ʻia ʻo Miguel Flores i kahi kūʻē kūʻē iā Pinochet dictatorship. Ma hope o kekahi mau lā i loko o ka lua o ka mākaʻi, hoʻouna ʻia ʻo ia i kahi mahiʻai kokoke i ke kapikala, akā hoʻokaʻawale ʻia mai nā hana politika āpau.
Me ka ʻole o nā kumuwaiwai a koi ʻia e pūlima i kēlā me kēia lā ma ka wahi huli ʻo Carabineros, hala kona mau lā ma kahi mehameha a me ka mea liʻiliʻi e ola ai. ʻO ko lākou alo i ka makaʻu a i ʻole inaina i waena o nā kamaʻāina, koe wale no ʻo ʻAmelia, kahi wahine waena, wahine kāne make a me ka mea nona ka mahiʻai ʻo La Novena.
Hoʻokipa ʻo ia i ka mea i kipaku ʻia, wehe i nā puka o kona home a me lākou kekahi o ka honua moʻomeheu a me ka nohona e hōʻike i nā mea āpau a Miguel e hoʻowahāwahā nui ai. ʻO ka liʻiliʻi ma ka liʻiliʻi ma waena o lākou ka mea i nīnau iā ia i kāna prejudices, ʻoiai e neʻe ana kona mau manaʻo mai ka makemake nui e inaina iā ia i kahi hoʻokipa paʻa mau. Akā ʻo ka hanana a me kā Mika hana politika hana i mea hoʻohuli ʻeha loa a me ka hiki ʻole ke hoʻoponopono ʻia no lāua ʻelua.
ʻO kahi moʻolelo neʻe a Marcela Serrano e lawe aku ai iā mākou i loko o ke aloha o kekahi mau hanauna he nui o nā wahine e kū i mua o ka puʻuwai puʻuwai o ka kumakaia ʻana a me ka kumakaia i ka huli.
Ka ʻahuʻula
Hiki ke hōʻola i ka puke moʻokalaleo ma o ka placebo o nā huaʻōlelo. ʻAʻole wale no ka poʻe heluhelu akā no nā mea kākau. Hoʻomaopopo wau i ka hihia o ʻO Sergio del Molino me kāna «ʻO ka hola Vaioleta»E pili ana i ka lilo o ke keiki. Ma nā ala o ka minamina a me ka hopohopo hoʻi, kahi nani i kekahi manawa e hoʻokokoke ʻia mai ka lawe ʻana i ka prose, e komo ana i nā alo. No ka mea, ʻoi aku ka nani o kā mākou mea nalo ke haʻalele lākou iā mākou.
Ma waena o ka diary a me ka moʻolelo, ʻo El Manto kahi hiʻohiʻona nui i ka make a me ka nalo. Ua haʻi ʻo Marcela Serrano i ke kanikau no ka make ʻana o kona kaikuahine ma ke kākau ʻana i kahi moʻolelo weliweli a koʻikoʻi hoʻi.
ʻO nā mea āpau i loaʻa iā ia i loko o ka makahiki i ukali i kēia ʻike i hoʻopaʻa ʻia e ka mea kākau i loko o kēia nūpepa kahi, i ka manawa like, hoʻopili ʻo ia i nā heluhelu e pili ana i ka make e hele pū ana me ia i ka hana koʻikoʻi. Kākau ʻia i loko o ka poetic like a me ka ʻohana ʻohana nāna i wehewehe i kāna mau hana āpau, kākau ʻo Marcela Serrano ma El Manto i kahi ʻano neʻe o ka make a me ke aloha.
