Cradled i nā mele mai ka mele, ʻO Sara Mesa Ua hoʻopau koke ʻo ia i ka neʻe ʻana i kāna mau mele i ka prose, ka nānā nui ʻana i ka puke, me ka hopena waiwai maʻamau i nā ʻano a hohonu i hope o ka moʻolelo.
Ma muli o nā hopena, hiki ke noʻonoʻo ʻia ka ulu ʻana o nā mea kākau mai nā aʻa i ka paukū, hāʻawi i ka mea haʻi moʻolelo me kahi leo kikoʻī, me kahi māka ʻokoʻa. Hoʻomaopopo wau i kēia manawa Benjamín Prado aiʻole Carlos Zanon, nā mea kākau o nā puke wehewehe ʻōlelo ʻokoʻa i hele mai hoʻi mai ka honua o nā mele.
Ma ka hihia o ʻO Sara Mesa, ka paukū mai ka paukū i ka paukū e lilo i ʻoihana akamai truffled me nā moʻolelo nui i hāʻawi ʻia i nā makana hanohano.
Me nā hana hou i ka hoʻomaʻamaʻa hou, ʻO Sara Mesa kekahi o kēlā mau mea kākau loea, hana (e like me kā lākou e ʻōlelo ai) e hoʻololi i kā lākou ʻike i ka moʻolelo o ko mākou mau lā. Hāʻawi ʻia me kāna kiʻi ikaika, kau ʻia me nā kiʻi, kākau ʻo Sara Mesa e pili ana i kēlā ao kaʻawale mau, ke kali nei e ʻike hou ʻia e nā mea heluhelu e ʻike nei i ka huna huna o ka honua, nā ʻano pono o kā mākou maoli i ʻike wale nā mea kākau me ka ʻuhane o nā haku mele. pehea e hōʻike ai iā mākou.
3 Nā Novel i Paipai ʻia e Sara Mesa
ʻO kaʻohana
ʻO ke kelepona o ka nohona hou, e like me ka ʻōlelo a kekahi poʻe noʻonoʻo a ma hope mai ua hoʻopiʻi hou i ka nui o ka hewa i kekahi o kā lākou mau mele ʻeha. A ʻo ia ka ʻāpana e kamaʻilio ʻia i loko o kahi moʻolelo pili ponoʻī. No ka mea, aia nā wahi ʻeha i loko o ka ʻohana. ʻO nā wahi maʻamau a i ka manawa like loa i hana hou ʻia i nā hale ma nā wahi a pau o ka honua.
He moʻolelo e kono mai iā mākou e nānā i loko o kēlā pukaaniani mamao kahi e ʻike ʻia ai nā neʻe ʻana i ke kukui ʻālohilohi, kahi e hana ʻia ai nā mea e hana ai i nā hiʻohiʻona o ke kanaka e like me nā hana keaka o ka tragicomedy ʻike ʻole ʻia.
"I loko o kēia ʻohana ʻaʻohe mea huna!", hoʻolaha i ka hoʻomaka ʻana o kēia puke ʻo Damián, ka makua kāne, he kanaka o nā manaʻo paʻa a me nā manaʻo i nānā ʻia me ka pololei a me ke aʻo ʻana. Akā, ʻo kēlā hale huna ʻole, ua piha maoli ia i nā māwae, a ʻo ka hoʻoluhi ʻia i loko o kona mau paia e hoʻopau ai i nā ala pakele, nā code huna, nā huna, nā hoʻopunipuni, a me nā wahaheʻe.
ʻElua mau kaikamahine, ʻelua keikikāne, makuahine a me ka makua kāne, ʻo kēia ʻohana maʻamau, papa hana a piha i nā manaʻo maikaʻi, ʻo ia ka protagonist o kahi moʻolelo mele i hala i nā makahiki he mau makahiki a ua paʻi nā moʻolelo me ka makemake no ke kūʻokoʻa a me ka hoʻohewa. ʻO nā pou i kākoʻo maʻamau, a e kākoʻo nui ana i ka ʻoihana ʻohana: ka mana a me ka hoʻolohe, ka hilahila a me ka noho mālie.
Hōʻike hou ʻo Sara Mesa he maka lapaʻau kona no ka wehe ʻana i ke ʻano o ke kanaka, ka ʻike ʻana i nā ʻeha huna, a me ka hōʻike ʻana i loko o kona paʻakikī a pau i ka palupalu, kūʻē, a me nā nāwaliwali e hana ai mākou. He wili hou kēia puke i ke kūkulu ʻana i kekahi o nā mea kākau moʻolelo ikaika loa o nā leka Sepania o kēia manawa a me ka hōʻoia ʻana o kahi talena ʻaʻole e pau ka ulu ʻana.
Hoʻokahi aloha
I kekahi manawa, hoʻomāhuahua ka ʻōlelo iā mākou i kona waiwai, ʻaʻole hiki ke ʻike i nā mea āpau o ka wehewehe kūpono, ka huaʻōlelo kūpono, ka manaʻo hoʻomālamalama e hōʻike ana i nā mea a pau e neʻe ai iā mākou. He hana moʻolelo kēia e wehe i kēlā mau pilikia. ʻO kahi haʻalele maikaʻi loa, ka hāʻawi ʻana ma mua o ka hiki ʻole o ka transcendence o ka manaʻo mai ka palena palena o kekahi ʻōlelo. ʻO ke aloha ka memo i hiki ʻole ke loaʻa, akā ʻo ia wale nō ka hopena a i ʻole ka hoʻomaka ʻana o nā palena kupaianaha, ʻoiai nā mea āpau, hāʻawi i kahi mosaic o ke kanaka rabid i ka ʻimi ʻana i nā horizons hiki ʻole ke loaʻa. ʻAʻole ia e pili ana i ka grandiose a i ʻole ka bombastic akā e pili ana i ka kikoʻī, ke ʻano a me ka anecdotal. Ma laila kahi e noho ai kēlā ʻoiaʻiʻo weliweli e hoʻopiʻi nei iā mākou me kahi nani melancholic ʻē aʻe o ka hiki ʻole.
Hana ʻia ka moʻolelo o Un amor ma La Escapa, kahi kūlanakauhale kuaʻāina liʻiliʻi kahi i neʻe ai ʻo Nat, kahi unuhi ʻōlelo ʻōpio a ʻike ʻole. ʻO kāna konohiki, nāna i hāʻawi iā ia i ʻīlio ma ke ʻano he ʻano hoʻokipa, e hōʻike koke i kona mau kala maoli, a ʻo nā paio e hoʻopuni ana i ka hale hoʻolimalima - kahi hana maikaʻi ʻole, piha i nā māwae a me nā leaks - e lilo ia i mea nānā pono nona. ʻO ke koena o ka poʻe noho o ia wahi - ke kaikamahine mai ka hale kūʻai, ʻo Piter ka hippie, ʻo Roberta kahiko a pupule, ʻo Andreas ka Kelemania, ke kūlanakauhale ʻohana e noho ana ma laila i nā hopena pule - e hoʻokipa iā Nat me ka ʻike maʻamau, ʻoiai ʻo ka ʻike ʻole a me ka malihini. kuʻi ma hope.
ʻO La Escapa, me ka mauna o El Glauco e noho mau ana, e hoʻopau i ka loaʻa ʻana o kona ʻano ponoʻī, hoʻokaumaha a huikau, ka mea e hoʻohālikelike ai iā Nat ʻaʻole wale me kona mau hoalauna, akā me ia iho a me kāna mau hemahema. Piha i ka leo a me ka hoʻomaopopo ʻole, ka manaʻoʻiʻo a me ka hoʻomaopopo ʻole, nā kapu a me nā lawehala, Un amor addresses, implicitly but always, the issue of language not as a form of communication but of exclusion and difference.
Ke kūʻē hou nei ʻo Sara Mesa i ka mea heluhelu me nā palena o kāna pono ponoʻī i kahi hana ambiious, risky a paʻa i kahi, me he mea lā he pōʻino Helene, ʻo nā manaʻo i manaʻo ʻole ʻia o kāna poʻe protagonists e puka liʻiliʻi i ka manawa, I ka like, ka kūkulu ke kaiāulu i kona kao.
Hāʻawi ka hoʻololi kiʻiʻoniʻoni a Isabel Coixet i nā wili hou i kēia manaʻo. A hāʻawi mau ka mōʻaukala i nā mea hou no nā hiʻohiʻona like ʻole a me nā ʻaoʻao kahaha.
Maka maka palaoa
Ma muli o ka hui ʻana o Almost a me El Viejo, ua manaʻo mākou i ka mea kolohe, a i ʻole ka mea kūpono ʻole. A ʻo ia ka manawa i lanakila ai ʻo Sara Mesa iā mākou i ke kumu o ke alo ʻana i nā mea hiki ʻole e hōʻike ʻia mai ka manaʻo maikaʻi.
No ka mea ʻae, ʻaʻole kūpono i ke kanaka makua ke kamaʻilio me kahi kaikamahine, ʻoiai he mea weliweli mai ka nānā mua ʻana. Ma waho aʻe o ke aloha i kapu ʻia, alakaʻi ʻo Sara Mesa iā mākou i nā manaʻo ʻē aʻe o nā hōʻailona e hoʻoluliluli i nā totem etika. Malia paha me ka manaʻo hoʻonāukiuki, malia paha me ka makemake e hoʻopilikia a kuhi hewa ..., ʻo ka mea nui ʻo ka punawelewele o ko mākou lunamanaʻo, i ulana ʻia i ka ulu ʻana o ka pilina ma waena o nā mea aloha hiki ʻole i ko mākou mālamalama. e hoʻomau mākou i ka neʻe ʻana ma o ka punawelewele ʻoiai ʻo ia e pahele ʻole iā mākou.
No ka mea ʻo nā makau i pāpā ʻia inā he kumu ko ke kanaka. A ʻaʻohe mea e hāʻawi nui iā lākou iho i ka mea i pāpā ʻia ma mua o ka poʻe i hoʻokaʻawale ʻia, hana ʻino ʻia e ko lākou kaiapuni. Mai ko lākou kūlana o ka hōʻino ʻia no ko lākou kūlana, haehae nā mea protagonist i nā kuʻikahi kaiaulu i hoʻopau i ka hoʻopilikia ʻana iā lākou i ko lākou kūlohelohe ma ke ʻano he poʻe i loaʻa i ka collateral. ʻIke ia pehea i kona maʻalahi maʻalahi, i ka likelika o kāna mau hiʻohiʻona, lūlū ka mea kākau i nā ʻano mea i loaʻa mai ka transcendence o kāna mau kiʻi hoʻoweliweli.
Nā puke ʻē aʻe i manaʻo ʻia e Sara Mesa…
ʻEhā ʻehā
Kū ʻia ma ke ʻano he dystopia, aniani, hōʻailona o ka nohona kaiāulu, hoʻonoho kēia puke iā mākou i kēlā kūlana kūlana o ka mea e nānā ana i kahi kaiapuni āpau, kahi honua liʻiliʻi e hoʻopau ana i kahi kope liʻiliʻi o ke ao holoʻokoʻa.
Komo mākou ma lalo o ka paepae komo sober o ke Kulanui ʻo Wybrany, me kēlā manaʻo o ka holomua ma waena o kahi honua hou me kāna mau rula koʻikoʻi. A ke ʻike nei mākou i ka stratification nohona o nā haumāna, nā kumu a me nā mākua me ka pae o kahi mea pohihihi e hoʻopūhoihoi ana, pehea e hiki ai ke ʻike ʻole mākou i ka hana nui o kēlā me kēia a me nā mea e pili ana i ka makemake. Ke aʻo, ka hoʻomaʻamaʻa no nā keikikāne a me nā kaikamahine e kuhikuhi i ka manaʻolana no ka honua decadent.
ʻO nā keiki pōmaikaʻi kahi i kau ʻia ai ka manaʻolana o ka wā e hiki mai ana. ʻO ka Behaviorism mai ka manawa i pani ʻia ai nā pā a me nā puka a me ka ʻuhane kipi mau loa o nā mea paʻahao e like me Celia a me nā hoaaloha ʻē aʻe e makemake ana e haʻalele i kēlā wahi hina hina. No ka mea, no ka mea, aia kekahi mau mea a mākou i ʻike ʻole ai e pili ana i ka hana ʻana o ke Kulanui ʻo Wybrany, ʻoiai ke ʻike nei mākou i kēlā ʻano pilikia e alakaʻi ai i ka estrangement, alienation, hoʻāʻo i ka hana ʻino. A hiki i ka wā e puka mai ai ka mālamalama o ka ʻike me kona ʻike makapō.
ʻ .mala
ʻO kahi puke e loli i nā mea āpau me ka estrangement e hoʻopau i ka ʻike ʻana i kēlā mau contrad contradies a me nā dichotomies e neʻe ai i nā mea nui e like me ke aloha a i kēlā me kēia lā.
ʻO Sonia lāua ʻo Knut, nā mea ʻelua i hānai hou i kā lākou ʻike i ka honua, i lilo i mea magnetized akā ʻo wai, mai kā Sonia kuanaʻike no ka liʻiliʻi, ua hoʻopā aku i kēlā māluhiluhi i mua o kahi pilikino e like me ke ʻano like me kā Knut. ʻOiai ʻo ia, kēlā malihini i hele mai i kona ola mai kahi mamao loa o kahi PI, hōʻike i kāna ʻike o ka honua e like me ke ʻano he aberrant, kēlā ala e hele ai i ka honua e poina i nā alakaʻi alakaʻi, hoʻoponopono i nā ʻano, me ka mana nona manaʻo ʻo ia ua ʻike ʻo ia i nā ʻoiaʻiʻo haole i ke koena o ka honua.
Pololei ʻo Knut a ua hoʻokumu maikaʻi ʻo ia iā Sonia e noʻonoʻo ai i kēlā ʻano kahe me ka ʻoiaʻiʻo. ʻO ka haʻalele iā ia kahi mea hoʻowalewale nui loa. Akā ʻo ka ʻanoʻano o kēlā dislocation kahi e pono ai e pakele ua lūlū ʻia a ola ʻo Sonia e holomua ma o nā hoʻolālā improvisional o ka hōʻole i mua o ka mea i kau ʻia.
Me nā memo e pili ana i nā kumu e hoʻokomo i ka hana kākau, a puni kēlā labyrinth e pili ana i ka ʻimi ʻana i nā kumu o loko, ʻo ka pilina o ke aloha a me ka hoʻokaʻawale ʻana ma waena o Sonia a me Knut e lawe iā mākou i nā ʻano akeakamai a me nā metaphysical i kahi kaiāulu anuanu e haʻalele i kekahi hoʻāʻo o ka clairvoyance. Akā i ka hoʻohui ʻana i kēlā ʻano akeakamai e hāpai ana i nā nīnau e pili ana i nā kaukani kaukani, ʻoiai i kānana ʻia e ka ʻeleu o ka hoʻolālā, ʻokoʻa nā hanana i waena o ka moemoeā a me nā ʻano ʻē, i nā ala kupaianaha i kā lākou hoʻomau mau ʻana.
