I kēia mau lā, ʻo ia ʻo Venezuelan a me ka mea kākau, a i ʻole ka ʻaoʻao ʻē aʻe, e hoʻāla mau i kēlā manaʻo o ka mea haʻi moʻolelo ma ke alahele ideological. No ka mea, nānā ka hapalua o ka honua iā Venezuela me ka kānalua aʻo ka ʻaoʻao ʻē aʻe e nānā me ka manaʻolana hopohopo. A no laila, ʻo ka haʻi ʻana i nā mea a pau e haʻi ʻia nei, ʻoi aku ka maikaʻi o ka pili ʻana no ka mea nona ka ʻāina i nīnau ʻia, no ka mea, hele mai ia mai kahi ʻāina me kahi kipi e kali mau ana, i manaʻo ʻia he mau kipi honua a me ka aila, nui ka aila.
I nā hihia o nā mea kākau ʻōpio ʻo Venezuelan, a i ʻole ka hope, e like me ʻO Rodrigo Blanco Calderon o Karina Sainz Borgo Ua ʻike mua ʻia kāna palapala e nānā ʻia me ke aniani hoʻonui. No ka mea, ʻo lākou, nā mea kākau moʻolelo a me nā mea kākau moʻolelo o Venezuela e noho nei, pono lākou e wehewehe i nā mea i koe a hōʻike i nā mea i nalowale. Ma ka mōʻaukala ua like ia me kēia. ʻO ka hope loa, haʻi ka mea kākau a haʻalele i ka ʻeleʻele ma ke keʻokeʻo me ka sila nui o ka notarial o ka ʻuhane, ka mea ma mua o nā ʻike kūhelu.
Maikaʻi i kekahi manawa akā maikaʻi i nā manawa ʻē aʻe. No ka mea, i ka hopena, ua hoʻopau ʻia ka ikaika, piʻi ka manaʻo a ola nā ʻano ʻoiai inā mai ka caricature o ka nūhou a i ʻole nā hōʻike. ʻO ka manaʻo e lanakila i nā mea āpau a kū i waho me ke ʻano o nā mea kākau nui i lanakila i nā mea āpau, no ka mea, he leo paʻakikī ko lākou a me ka mana, me nā moʻolelo ikaika a me nā moʻolelo e hoʻopau ai i nā stereotypes a i ʻole nā manaʻo i manaʻo ʻia.
ʻO nā puke kiʻekiʻe e 3 a Rodrigo Blanco Calderón i paipai ʻia
Minamina
ʻO kekahi hoaaloha maikaʻi naʻu no Venezuela ʻo Ulises ka inoa. No laila ʻaʻole ia he mea exotic hou e ʻike i kahi ʻano me kēlā inoa. Akā aia ka manaʻo ma laila ʻoiai nā mea āpau. No ka mea ua unuhi ʻia kahi makemake no ka hoʻokaʻawale a me ka fable mai kahi papa i hōʻike ʻia e ka mea kākau mai ka viscera o kēia lā ʻo Venezuela i nā ʻike ākea ākea āpau o ka pilina kanaka ..., ʻaʻole no ke kanaka.
He keiki makua ʻole ʻo Ulises Kan a me kahi pā kīwī. ʻO Paulina, kāna wahine, e like me ka nui o ka poʻe e heʻe nei i ka ʻāina neoneo a lākou e noho ai, ua hoʻoholo e haʻalele. Me ka ʻole ʻo ia. Hoʻopilikia ʻelua mau hanana hou aʻe i kona ola: ka hoʻi ʻana o Nadine, kahi aloha pau ʻole mai ka wā i hala, a me ka make ʻana o kona makuahōnōwai kāne, ʻo General Martín Ayala. Mahalo i kāna hōʻike, ʻike ʻo Ulises ua hāʻawi ʻia iā ia i kahi nuʻukia: e hoʻolilo iā Los Argonautas, kahi home ʻohana nui, i hale no nā ʻīlio haʻalele. Inā hiki iā ia ke hana ia ma mua o ka manawa i hōʻike ʻia, e hoʻoilina ʻo ia i ka hale leʻaleʻa āna i kaʻana like ai me Paulina.
E hoʻokuʻu ka palapala hoʻopaʻapaʻa i kahi hoʻolālā e wahī iā Ulysses ma waena o nā mea hoʻowalewale o Paulina a me ke aka o Nadine, ka mea hiki ʻole iā ia ke wehewehe. I kēia manawa, e hoʻolālā ka poʻe kamaʻāina ʻē aʻe o ka hale i kā lākou mau moʻolelo ponoʻī a me nā ʻuhane ma ka hoʻolālā ʻano ʻē.
I loko o kahi kaiāulu panakalupa, kahi e pau ai nā pilina kanaka āpau, ua like ʻo Ulysses me kahi ʻīlio hele hewa e ʻohi ana i nā ʻāpana o ke aloha. Hiki iā ʻoe ke ʻike maoli i kāu mea e aloha ai? He aha, he ʻohana hohonu? ʻO nā ʻīlio i haʻalele ʻia he hōʻoia o ka noho a i ʻole ʻole o ke Akua? Hoʻokomo ʻo Ulysses me ka ʻike ʻole i kēia mau nīnau, ma ke ʻano he huakaʻi aloha i ke au ma hope o ke aloha.
ʻO ka pō
ʻAʻohe mea mōʻaukala i hoʻomaka mai ka anecdote. A ʻo nā ʻeleʻele e like me nā mea a Caracas i ʻeha ʻia ma mua o hoʻokahi manawa i hiki ke alakaʻi i kekahi ʻano kipi kipi i loko o ke kūlanakauhale nui i komo i loko o ka pouli. Eia nō naʻe, hoʻomaka mau nā moʻolelo maikaʻi mai kahi anecdote a i ʻole manawa...
ʻO Caracas 2010. Hoʻohana ʻia ka pilikia ikehu e ke aupuni kipi e hoʻoholo i ka ʻoki mana, no nā hola, e hoʻolilo i ka ʻāina holoʻokoʻa i ʻeleʻele. I kēlā mau manawa, hele a hoʻi ʻo Venezuela i ka mōʻaukala i kahi wā Pōhaku hou e kipa ana i nā māwae āpau. I waenakonu o kēia lewa, ʻelua mau hoaaloha, kahi mea kākau hopohopo a me kahi psychiatrist e pili ana i ke ola o kāna mau maʻi, e kūkākūkā ana i nā ʻano hana hewa i kū i ka makahiki i hala.
ʻO Pedro Álamo, kekahi o nā kiʻi i loko o kēia moʻolelo polyphonic, huli nui i nā pāʻani huaʻōlelo - nā mea āna i hana ai a me nā mea āna i moeʻuhane ai no kāna mea mahalo ʻia ʻo Darío Lancini - no ke kī e hoʻomaopopo i ka honua pupule āna e noho nei. Me he mea lā e ʻimi nei e hoʻohuli i ka ʻoiaʻiʻo i mea ʻokoʻa, e hoʻololi i ka hoʻonohonoho ʻana o nā mea i kūkulu ʻia, pēlā e hoʻāʻo ai e ʻike i kona ʻano kikoʻī.
ʻO ka moʻokalaleo, ka pōhaku, nā moeʻuhane, ka hana ʻino, nā politika, ke aloha, nā hele ʻole a me nā makaʻu e piʻipiʻi nei i ka manaʻo o nā mea hoʻokūkū. Wehe lākou i nā maze, hana i ke alahaka a me nā pōʻai pōkole i mea nui. Me kēia moʻolelo e ʻike ai nā mea āpau i ka palena o delirium. Ma kahi e ʻike ʻia ai ka Venezuela o kēia aniani i loko o ke aniani i hele aʻe e nā aka apocalyptic a kū ke alo o nā kamaʻāina i ka hopena e kali nui ʻole nei iā lākou; ʻo kēia ka hoʻokō ʻana o kāna mau pulakaumaka a make paha.
Nā keiki bipi
He leʻaleʻa mau ia e hoʻohaʻahaʻa iā ʻoe iho i nā mea kākau i ʻike hou i ka lapuwale o kēlā Valle Inclán ma waena o nā kuhi hewa a me kahi papa mālamalama o ka romantism. ʻO ka wai ʻawaʻawa nāna e hoʻohālikelike me ka ʻoiaʻiʻo e hoʻopau mau i ka ninini ʻana i waho o ka cocktail. ʻO nā mea āpau e hana ʻia mai ia manawa he drama hohonu a leʻaleʻa paha o ka absurd, me ka ʻole o waena.
ʻO nā mea pena kiʻi ʻauhau i moku ʻia i loko o kahi kaiāulu ʻenemi, nā makapō ʻike i nā labyrinths o ke kūlanakauhale, nā kaʻa kaʻa ʻōlohelohe e hoʻopuni nei ma nā ala hele, nā haole e aʻo i kahi ʻōlelo e ka haʻi ʻana, nā pailaka make e hoʻomaha nei me ka heluhelu ʻana o Saint-Exupéry a i ʻole nā mea i lawe pio ʻia e Cervantes lāua ʻo Petrarca. Noho kekahi ma waenakonu o ka hopohopo o Venezuelan, ʻo kekahi me ka hoʻoweliweli e kau nei ma Palani a i Mexico paha he hōʻailona o nā pōkā o ke kipi.
Kūkulu ʻole a mākaukau hoʻi i kāna mau moʻolelo, kūkulu ʻo Rodrigo Blanco Calderón i ke kuahu o nā huapalapala nocturnal, ka mea i lilo i poʻe hōʻeha a me nā mea hoʻokō o ka mōhai, o ka hoʻolilo kālā ke ola i kēlā me kēia manawa, i kēlā me kēia wahi, kahi a mākou «nā keiki bipi».
