I loko o kēlā mau puke i hoʻomaopopo i ka hoʻokiʻekiʻe ʻia ma ke ʻano he hana i ka sophistication formal, erudition a hiki ke lilo i hohonu hohonu hoʻopaʻapaʻa i ka mea i loaʻa. ʻO Marcel Proust ʻo ia kekahi o kāna kia ikaika. ʻO ke kenekulia iwakāluakumamālima i hāʻawi kikoʻī ʻia e hoʻopakele i nā puke i ka mea ʻoi loa o ka lāhui i hōʻike i kona helehelena maikaʻi loa i kēlā kenekulia i hala, i hoʻomanaʻo ʻia no kāna mau kaua (me ka hoʻohui ʻana i nā hoʻoweliweli koʻikoʻi o ka honua) me nā mea kaua o ka luku nui.
ʻOiai, noho kēlā me kēia mea kākau i ka noho ma waena o kāna iho. A no laila CelineHe mamo puke moʻomeheu Palani koke ʻo ia, ʻo ia ka haumāna makana i ʻoi aku i kekahi manawa ma mua o ke kumu i kekahi o kāna mau hana nui loa.
Akā ma ke ʻano he ʻano ʻokoʻa i ka hihia o ta ʻo ke kauka ʻo Louis Ferdinand Céline, E hoʻomaopopo e hoʻopau ana kāna prosa i kahi kokoke i kēlā kāʻei kua i ʻōlelo ʻia ma mua ʻO Emil Cioran ma mua o Proust. He mea fatalism paha ia o nā kauka ʻē aʻe i pili i nā mea kākau o ke kenekulia iwakālua e like me ʻO Pío Baroja o ʻO Chekhov.
ʻO Adventurer i kona ʻano koʻikoʻi loa, ʻeha i ke kaua, hoʻomaʻamaʻa ʻana i ke kauka a male ʻia i nā manawa he nui, ua ninini ʻo Céline i kāna puke i puka maka ʻole ʻia i loko o kāna mau makahiki he kanakolu, ʻaʻole wale nā manaʻo nui a me nā manaʻo hohonu akā ʻo kekahi o kāna mau ʻike waiwai.
ʻO Céline's Top 3 Recommended Novels
Huakaʻi a hiki i ka hopena o ka pō
Ua ʻimi koke ʻia ka hoʻohālikelike me Proust i loko o kēia puke i hana ʻia kahi blog kūpono i piha me nā ʻike a kāhiko ʻia me nā ʻiʻini, makemake paha a hewa paha ... nā mea āpau a ka mea kākau i hoʻokahuli ai i kona wā e hōʻoia ai he ʻaoʻao biograpical kāna hana.
A ʻo ka pilikia paha, ka hoihoi nui ʻole i ka papa inoa inoa mai ka mea ma mua. No ka mea ma kekahi ʻano e ʻoi aku ana kēia puke i nā ʻaoʻao o «In Search of Lost Time», ʻaʻole ma ke ʻano nui o kāna kūkulu ʻana, i kona hōʻike ʻana i kahi hana o ka fiction i hana ʻia i kahi ʻano kikoʻī o ke ola ma ke ʻano he kiʻi hyper-realistic, akā ma ʻo ka mea liʻiliʻi loa i hoʻokokoke aku i ka realism me ka ikaika nui loa o ka mea ʻoiaʻiʻo maoli, o ka mea i loaʻa ʻeleʻele i ke keʻokeʻo mai ke ola ponoʻī e hoʻopau iā ia me kēlā moʻolelo maikaʻi o ka mea kākau nui. No ka mea, aia i kēia puke kēlā wahi Homeric o transcendent huakaʻi i ka hopena o ka pō a i ke kikowaena o ka ʻuhane kanaka, me kona pouli a me nā hiki ʻana o ka lā.
Ke hele nei ka protagonist Ferdinand Baradamu ma ka honua i piha i ka manaʻo ikaika a me ke kaumaha nui, ʻo kāna mau kūʻē paʻa a paʻa e kūʻē i ke ʻano o ke kanaka. ʻO ka manaʻo o ka nui o nā wahi i noho ʻia e ka mea kākau e hoʻopau i kēia moʻolelo i hana hoihoi e ʻono e like me kēlā ʻōmole nui i wehe ʻia no ka hanana. Me ka pōmaikaʻi hiki ke wehe hou ʻia a heluhelu hou e ʻike i nā nuances hou i nā manawa like ʻole o ke ola o ka mea heluhelu.
Make ma ka aie
Me kahi patina kaulana hou aku i nā manawa i kāna ʻōlelo - kahi mea e pono ai ma muli o ke ʻano o ka hoʻonohonoho ʻana i nā kaiāulu haʻahaʻa -, kēia puke ʻelua, i kākau ʻia i loko o kona mau makahiki maikaʻi ma hope o ka hoʻonāukiuki nui ʻia. kanaka mai ke ola ʻana.
No ka mea, ʻike ʻo Céline, e like me nā mea kākau i hāʻawi ʻia i kēlā mana nānā pono e wehe i nā ʻoiaʻiʻo hope loa, ʻo nā mea ʻike wale nō e nānā ana i ka hohonu e ʻike e ola nei lākou. Aia nā mea i ko lākou kū'ē i kēia ao. Nanea wale ka hauʻoli i ka hiki ʻana mai, ʻike ʻia ke kaumaha. ʻIke wale ʻia ke kanaka, ʻo ia ka maikaʻi kūlohelohe o ka huaʻōlelo, ke loaʻa ʻo ia i nā kānaka ʻē aʻe i hiki ke hoʻopōʻino iā ia iho.
ʻO ka ʻakaʻaka ʻawaʻawa loa, ʻo ka ʻakaʻaka me nā leo o ka pio, ʻoliʻoli wale ʻia ke ʻike ʻoe i ka ʻae ʻana he wimp ʻoe, inā he mōʻī ʻoe a he vassal paha (ʻo ia wale nō ka mea i ʻike mua ʻia e nā vassal a ʻo ia ke kumu e ʻakaʻaka ai lākou. ʻoi aku ka ʻawaʻawa). ʻOiaʻiʻo, ʻo ka mea haʻi moʻolelo mua e hāʻawi iā mākou i nā ʻike nui mai nā leʻaleʻa liʻiliʻi i hōʻole ʻole ʻia ma nā ʻano moʻomeheu kiʻekiʻe. ʻO ka ʻiʻo, ka wahine, ka hāʻawi ʻana i ka hedonism o kahi protagonist, ma mua o ka holomua ʻana i ke ola, ʻauwana makemake e hoʻouka i ka mea hiki iā ia, e hoʻokuʻu i kāna mau kuko i hana hewa. ʻO ke koena, ʻo ka hala ʻana o kona mau lā ma waena o nā ʻano hana maʻalahi a me nā hana maʻalahi nona, ʻo ia ka ʻili ʻē aʻe o ka mea nalo i ʻike iā ia iho e make koke ana ma mua o ka hope.
Fantasy no kekahi hanana hou aʻe
ʻO kekahi o nā hoʻohālikelike nui loa ma kā Céline hana i ʻike ʻia ma ka ʻokoʻa ma waena o ka ʻōlinolino o ka prose, ke kūpono o nā huaʻōlelo, ka momona o ka lexicon ke hoʻonohonoho pono ʻia e like me kahi momi me ka manaʻo i ʻimi ʻia ..., ʻo kēia mau mea āpau me aʻu. ʻ saylelo i ka hoʻohālikelike ʻana i kēlā ʻano eo o ka naʻau, o ka ʻuhane o ka mea nalo e hoʻokūʻiwa ana i ka nānā ʻana i kēia puke, me kahi kiko o ka moʻolelo pilikino i hoʻopololei ʻia, i ka hoʻāʻo e hōʻike i ka mea ʻoi loa ʻoi aku ka maikaʻi me ka ʻaʻa ʻole.
ʻAʻohe sublimation a i ʻole resilience, ʻo ia wale nō ka ʻokoʻa hoihoi ma waena o ka nani o ka ʻōlelo a me ka popopo o ka pōʻino kanaka. Me nā noʻonoʻo i hoʻokomo ʻia ma ʻaneʻi a ma ʻaneʻi (i kekahi manawa e hoʻokaʻawale i ke ʻano o ka manaʻo o ka manaʻo) ua haʻi ʻia mākou e pili ana i ka honua e hele ana ka protagonist ma waena o nā kaua kahi e lanakila ai ka lanakila a me ka pōʻino, i loko o nā hale paʻahao kahi i hele ai i ka hoʻi ʻawaʻawa. ʻO ka hale o kahi mea i nalowale i kona ʻuhane a ʻike iā ia iho ua hoʻohewa ʻia i kona ʻuhane ʻuhane, ʻaʻole loa e ʻike i ka hoʻomaha a me ka manaʻolana.
