E like me ke ʻano o ka hana mau a i ʻole mai ka deformation ʻoihana. el wahine ʻeleʻele ʻO ia kekahi o nā hanana haʻi moʻolelo maʻamau i wāwahi ʻia e nā mea nūpepa koʻikoʻi o ka wā. lilo i mau mea kākau moʻolelo. Ma muli nō paha ia o kona ʻano he aniani kahi e hiki ai i kekahi ke noʻonoʻo, me ka ʻole o ka ʻoʻoleʻa o ka ʻoiaʻiʻo, kēlā ʻoiaʻiʻo ʻaʻole pinepine pinepine a lawehala hoʻi.
ʻO ia ka hihia, ʻoiai ʻaʻole ma ke ʻano he hoʻopaʻapaʻa mau, o Cristina e hāʻule ʻoe. E like me ka mea i hana ʻia me nā mea nūpepa ʻē aʻe e like me Carmen Chaparro, me ia e kaʻanalike aku ai i kēlā ʻike intrahistorical o nā hanana i uhi ʻia i ko mākou ʻoiaʻiʻo.
ʻO ka mālama ʻana i kēlā pouli kahi e puka ai nā ʻōhua o kēia ʻano puke, i ka hihia o Cristina Fallarás, kahi kūlana piha loa. ʻO kahi pōʻaiapili polychromatic e hoʻonui i ka nānā i nā hopena o ka sociological, i ka manaʻo o ka ominous e pili mau i kēlā me kēia au.
A hiki mākou i ka dystopian i kekahi manawa, i ka hihiʻo o kahi e hiki ai i kēlā ʻano kekeʻe o ke humanism ke alakaʻi iā mākou, kahi huikau o ka hoʻoliʻiliʻi laulā, ka luhi a me ka individualism aloha ʻole. Malia paha ʻo kaʻu mau mea wale nō ia, akā i kekahi manawa heluhelu kekahi ma ʻō aku o kahi papa hana hewa e kuhikuhi ai i kēia mau manaʻo āpau ...
ʻO nā puke noveloma kiʻekiʻe ʻelima e Cristina Fallarás
Nā lā hope loa ma ka Hikina Hikina
Hiki i nā mea āpau ke hoʻopau i ka nalo ʻana i ke ʻano kumu i nā lima o ka manaʻomanaʻo. Mai ke kamaʻilio e kāhea ana i ke kaulike kokoke i kahi kau o ka palena haʻahaʻa haipule i nā pono o kahi mākeke manuahi e hiki ke uku i ka mea kālepa a hoʻopaʻi i ka poʻe hana ʻole.
Hōʻike ka dystopian mai ka manawa a ke kanaka e hiki ai ke uhi i nā mea āpau me ka pono o Machiavellian. Maʻalahi loa ka polarizing e like me ka mea e hūnā, kahi makaʻi weliweli a i ʻole ka hoʻowahāwahā hohonu ...
ʻO ka wahine, ʻo La Polaca, ka hoʻopuni me kāna mau keiki a me kahi hui liʻiliʻi o nā mea kūʻē. Ua haʻalele kāna hoa, ʻo Kāpena, no nā lako a ke kali nei lākou i kona hoʻi ʻana mai, me ka emi o ka manaʻolana. ʻAʻole maopopo iā mākou ʻo wai lākou, ʻoiai ʻike mākou he aha lākou? Ua wāwahi lākou i ka honua a mākou i ʻike a hoʻopuni i ka hale.
Paʻa mau nō ia, akā hiki i ka mea i hoʻopuni ʻia ke lohe i waho o ka hoʻoweliweli, ka ʻuā i ka pō, nā māiʻu o nā ʻīlio, nā mōhai. ʻOiai ke kali nei no ka hopena, kūkulu ʻo ia me kona leo i kahi moʻolelo o ke aloha pau ʻole, ka huhū a me ka make. Me kahi ʻōlelo ʻoʻoleʻa a kuni hoʻi, ʻO nā Lā Hope i ka Hikina Hikina he kiʻi lyrical mana nui o ko mākou mau lā, kahi hoʻohālikelike no ka hecatomb i hoʻonohonoho ʻia e ka pilikia ma waena o kā mākou mea i ʻike.
E hoʻohanohano ʻoe i kou makuakāne a me kou makuahine
He aha nā mea hoʻomanaʻo akā ʻo ka ʻāpana o kā mākou puke moʻolelo. ʻO ka hana ʻana i kahi moʻomeheu ke ʻano o ka hoʻokiʻekiʻe a me ka uhi ʻana. No ka mea aia mau nā mea i ka inkwell; ʻoiai i nā mea kākau moʻolelo i hana nui ʻia e ʻike mau ʻia nā hiʻohiʻona i kū ʻole a i ʻole nā kumu e hōʻike ʻole ʻia ai.
Eia nō naʻe, he kilokilo ka moʻolelo o ke ola a ʻo ka manaʻo moʻokalaleo no ka kākau ʻana e pili ana iā ʻoe iho he ʻike hanohano ia o ka manaʻo o ko mākou manawa.
ʻO ka protagonist o kēia puke, ka mea ʻaʻole i koho wale ʻia ma hope o ka mea kākau, hoʻomaka i kahi huakaʻi (ke kino a me ka pili) e ʻimi i nā mea huna o ka ʻohana i hala a me kona ʻano ponoʻī.
E alakaʻi ka hulina iā Cristina e huki i ka pae o nā moʻolelo o kekahi mau hanauna, e ʻike i nā nalowale, nā pakele a me nā make, nā ʻeha i hoʻōla ʻole ʻia. ʻO kekahi o nā hāmau loa e hoʻopuni ana ʻo ia ka mea e hopohopo nei i kekahi mau hanana i kū i ka wā o ke Kaua Kivila: kahi kī kī ʻana ma Zaragoza, kekahi i make ma kahi o kahi mea ʻē aʻe, kahi hae o ka hānau ʻana o Mekiko i ʻike maka i kēlā hana barbarous, ʻelua mau kānaka mai nā ʻaoʻao kūʻē. ua pau i ka hui ʻia i ka wā ma hope o ke kaua ... Akā ʻo kēia immersion i nā mea huna a ka ʻohana e hele i mua loa a alakaʻi i nā wā ʻē aʻe, i nā XNUMXs, i ke kaua ma ʻApelika, i Mexico, i nā pilikia skirt, i nā keiki i hānai ʻia. i ka internship…
Kākau ʻia kēia puke kū hoʻokahi a kupaianaha hoʻi ma waena o ka puke moʻolelo a me ka puke, i mea e kōkua ai ka fiction i ka hoʻomālamalama ʻana, e hōʻike ai i kēlā mau ʻāpana o ke aka i hiki ʻole i ka protagonist ke komo i loko o kāna mau nīnau, nā palapala i kākau ʻia e ʻike ai a me nā hōʻike āna e mālama ai. .
Hāʻawi ʻo Fallarás i kahi moʻolelo i hele ma ʻō aku o nā clichés hackneyed e pili ana i ke Kaua Kivila a ma o nā moʻolelo liʻiliʻi, hōʻike ʻia ka hoʻomohala politika a me ka sociological o kahi ʻāina. He puke kēia e piha ana i nā puke hou, kahi saga ʻohana e pili ana i nā hanana maoli i kūpono e pono ai ka moʻolelo fiction a me kahi nīnau e kōkua ai ka fiction i ka wehewehe ʻana i ka ʻoiaʻiʻo. ʻO kahi hana e kamaʻilio e pili ana i nā kumakaia, nā mea hōʻeha a me nā hana ʻino, akā no ka maikaʻi, kūʻē a me ka manaʻolana.
ʻO kaʻeuanelio e like me kā Mary Magdalene
ʻOiaʻiʻo, ʻaʻole ia ka manaʻo mua o kēlā machismo atavistic e noho nui nei i nā hale kahiko loa. Eia nō naʻe, i kēia lā, ʻo ka hoʻāʻo ʻana e hōʻike i nā wahine he mea hoʻohaʻahaʻa mau, hewa, kala ʻia e ka magnanimous masculinity, e hoʻohuli i ka wahine i ke alo mau o kēlā me kēia au.
ʻO ka wahine e like me ka hakakā pono i hōʻailona i nā hoʻololi kūpono loa i ka hoʻololi ʻana i ka pono i ka manawa mua a ma nā mea ʻē aʻe a pau, no laila. Hele mākou i laila me Maria Magedalene, ka wahine hoʻokamakama a me ka haipule ...
«ʻO wau ʻo Mary, ke kaikamahine a Magdala, i kapa ʻia« ʻo Magdalene », ua hōʻea i kēlā makahiki aʻu e makaʻu ʻole ai i ka haʻahaʻa. ʻO wau, ʻo Maria Magdalena, ke huhū mau nei i kūʻē iaʻu a kūʻē iaʻu me ka lapuwale, ka hana ʻino a me ka hao a nā kāne e kau ai i nā kāne, nā kāne i ka wahine.
Ke hoʻopaʻa nei wau i nā hanana kupaianaha aʻu i ʻike maka ai. Paʻa kaʻu hoʻoholo. Ua hālāwai au me ka Nazareta. ʻO wau wale nō ka mea haʻalele ʻole i kona ʻaoʻao. ʻAʻole ia he lapuwale. Pēlā nō. Noho au i lalo e haʻi i kēia mau mea āpau i maopopo ka hopena a holoi ʻia i ka nui o nā wahaheʻe. ʻAʻohe mea e haʻi makehewa ʻia. »»
Kākau ʻo Cristina Fallarás i ka ʻeuanelio e like me Mary Magdalene ma kēia ʻaoʻao. ʻO ia ke ʻano wahine, koa a wiwo ʻole hoʻi o ke kiʻi manuahi, nona ka hana i ka hoʻokumu ʻana o ka hoʻomana Kalikiano i holoi ʻia e ka Ekalesia. ʻO kēia ka manawa e hakakā ai i ka mana patriarchy, no ka mea ua weliweli kāna kū ʻana. Me ka leo o ka Magdalena e maopopo ai nā mea āpau. Na wai i hoʻonui i nā berena a me nā iʻa? Aia he mau hana mana?
Nā puke ʻē aʻe i manaʻo ʻia e Cristina Fallarás…
ʻO ka wahine pupule
Ma kahi kamaʻilio kūpono ma waena o kēia lā a me ke kenekulia XNUMX, hana hou ʻo Cristina Fallarás me kēia moʻolelo i ke ola o kahi wahine ʻo ia ka moʻolelo o nā mea he nui. Ke haʻi ʻia ka moʻolelo e nā wahine, hoʻololi nā mea a pau. Me ka hāmau ʻana o Juana ua hoʻomaopopo ʻia nā mea a pau.
"Mai ka laka ʻana o kona makuakāne iā ia a hiki i kona make ʻana, ʻo Juana la Loca, ke aliʻi wahine o Castile, ke aliʻi wahine o Aragon, Valencia, Mallorca, Navarra, Naples, Sicily, Sardinia a me ka countess o Barcelona a me ka titular duchess consort o Burgundy, i hoʻopaʻa ʻia i loko. hoʻokahi noho ma Tordesillas. E hana hou ma hope oʻu: 46 makahiki. 552 mahina. 2.442 pule. 17.094 lā. 410.256 hola. Paʻa ʻia, ʻoiai he mōʻīwahine. I kona wā i hoʻopaʻa ʻia ai, ua pena ʻo Michelangelo i ka Sistine Chapel, ua hoʻomaka ʻo Luther's Protestant Reformation, a ua paʻi ʻo Machiavelli i ka The Prince. Hoʻopaʻanaʻau iā ia, aia nā ʻikepili e pono e waiho i ka hoʻomanaʻo e hoʻoili ʻia».
