A 2016 ya bar mu Imre Kertész, marubuci ɗan ƙasar Hungary na 2002 Nobel Prize in Literature. Muna magana ne game da wani marubuci da aka yi wa mamayar da karfi da karfi ta hanyar zamansa a sansanin taro na Auschwitz da Buchenwald lokacin yana dan shekara 14 kacal.
A lokuta kamar Kertész a ƙarshe kusan kowane motsa jiki a cikin labari ya zama tarihin rayuwa a ɓoye, a cikin hodgepodge na mafarkai da ra'ayoyin da aka ƙirƙira a cikin jahannama na bala'i da dole ne ya rayu.
Ta haka ne kawai za mu iya ci gaba da fitar da abin da muka samu. Novelize to zurfafa cikin surrealism na rayuwa, novel kawo karshen har zuwa neman batu na barkwanci, don haka jefar da wariyar launin fata a duniya, duniyar da ba wai kawai ba ta halaka ku ba, amma ta sanya ku marubuci na gaskiya, wanda ya tsira. ban tsoro..
Kuma a cikin aikin ƴancin kai kansa, tambayoyi koyaushe suna shiga game da yadda ɗan adam zai iya zama dodo. Ta yaya al'umma za ta kasance ba ta da ƙarfi yayin fuskantar mugunyar manufa ta tiyata.
Kertész ba marubuci ne mai ƙwazo ba, amma abubuwan da ya ƙirƙira ana karanta su a yau tare da mahimmancin ɗan adam.
3 littattafan da aka ba da shawarar ta Imre Kertész
Babu makoma
Abin da ya fi daure kai a cikin misalan jirgin da aka yi hackney a matsayin dama ko rayuwa shi ne, jiragen kasa zuwa sansanonin tattara bayanai ba su da wata dama ko manufa.
Canza gogewar matashi a tsakanin abin firgici zuwa wani nau'in neman nishaɗi don farin ciki ya zama dabarar adabi, sakamako na ƙarshe wanda ke haifar da buƙatar rashin ikon sel ɗin mu don rayuwa koyaushe, don haka yana iya gamsar da mu game da tekun a cikin hamada ko bugun sa'a a cikin sabon safiya ...
Takaitaccen: Tarihin shekara da rabi na rayuwar matashi a sansanonin tattarawa na Nazi daban -daban (gogewar da marubucin ya rayu a cikin jikinsa), "Kaddara Zunubi" ba, duk da haka, rubutun tarihin rayuwa ne.
Tare da yanayin sanyi na masanin ilimin ɗan adam kuma daga nesa mai ban tsoro, Kertész ya nuna mana a cikin labarinsa mummunan labarin sansanin mutuwa a cikin mafi kyawun tasirin su: waɗanda ke rikitar da adalci da wulakanci ba bisa ƙa'ida ba, da mafi kyawun rayuwar yau da kullun ta ɗan adam. siffar farin ciki.
Mashaidi mai jaje, "Ba tare da Ƙaddara ba", a sama duka, babban adabi ne, kuma ɗayan mafi kyawun litattafan ƙarni na XNUMX, yana da ikon barin alama mai zurfi da dindindin akan mai karatu.
Labarin mai bincike
Shawarwari mafi raye-raye, littafin da za a iya karanta shi don dalilai na nishaɗi a cikin nau'in bincike, amma cewa a ƙarshe ya ƙare barin sauran abubuwan da suka dace waɗanda ke mulkin marubucin Hungarian.
Takaitaccen bayani: Wani memba na 'yan sandan asirin wata ƙasa ta Latin Amurka ba tare da bayyanawa ba, yana ba da labari jim kaɗan kafin a aiwatar da ƙwarewar sa a cikin Corps. Ta wannan hanyar, tambayoyin da Imre Kertész ke yi mana koyaushe suna sake bayyana: Ta yaya ɗan adam ke shiga cikin injin mulkin kama -karya? Ta yaya za ku samu shiga ciki?
A wannan yanayin, Kertész ya ba da labari daga hangen nesa ba wanda aka azabtar ba, amma na mai kisan. Tare da matsanancin tattalin arziƙi, tare da sanyin jiki, yana bayyana faɗuwar mutum cikin halin rashin kulawa da ɗabi'a da tabbataccen talaucin rai kuma ta haka ne ya sami ɗayan maɓallan fahimtar zamaninmu.
Inji na ƙarshe
Dukanmu muna da tikitin da aka tanada don masaukin ƙarshe. Wurin na ƙarshe inda za mu kwanta kafin mu bar wurin. A masauki na ƙarshe kowannensu yana yin daidaiton asusunka na rufe da jiran aiki. Marubuci koyaushe yana da fa'ida, yana iya rufe mahimmancin lissafin kuɗi, asusun kwanakinsa tare da yalwa mai yawa, kusanci komai tare da sahihiyar gaskiya, na kwanakin ƙarshe ...
Takaitaccen bayani: A cikin ƙoƙarin fasaha na ƙarshe, marubuci mai tsananin rashin lafiya yana tunanin wani rubutu wanda ya zama shaidar gani da gani kuma wani lokacin yana tayar da hankali game da gogewarsa, da kuma gwagwarmayar ɗan adam don daraja a cikin mawuyacin yanayi. Ta haka ne Imre Kertész ya canza tarihin “riga -kafin mutuwa” zuwa aikin gaskiya da tsattsauran ra'ayi, tare da rubutu koyaushe a sararin sama, a matsayin hujja ga wanzuwar sa. Babban aikin ƙarshe na Kyautar Nobel ta 2002 a cikin Adabi.
