Lokacin da marubuci ya fashe da littafinsa na farko a ƙarƙashin lakabin Coños, wanda zai iya riga ya yi tunanin cewa aniyar da ke haifar da cece-kuce da amincewar kai na da alaƙa. nasaba da budding marubuci. Kuma littafin ya ƙare wannan shine, motsa jiki na 'yantar da mutum ashirin da wani abu wanda ke amfani da ƙarfin labarinsa daga rubutu tare da ƙamshi mai ƙima, ƙwaƙƙwaran waƙa kuma hakan yana magance haramtattun abubuwa akan mata, jima'i, tarihi da turawa tare da raha da rashin girman kai. .
Yau Juan Manuel de Prada ya riga ya zama babban marubuci. Kuma nesa da bayyananniyar ruhin sa na jayayya (koyaushe tare da kyakkyawan tunani mai mahimmanci wanda shima yana ɗaukar matsayin mashahurin marubuci), wanda zai iya kai mu zuwa sauƙaƙan lakabi, a cikin kowane sabon littafin babban marubuci wanda ya mamaye harshe, albarkatu da tatsuniya na ɗan lokaci. fashe a ciki ..
Bai taɓa jin daɗin karantawa ba tare da son zuciya ba don nemo mahalicci. Za mu iya zama ko žasa da mawallafin da aka ba da kyauta ga fitowar jama'a, ginshiƙan jaridu da kuma taron jama'a. Amma wallafe-wallafen wani abu ne, dole ne ya zama wani abu dabam. Kuma Juan Manuel de Prada magaji ne Resoƙari sosai shawarar.
Sabili da haka, ba tare da nuna wariya ba, zamu iya samun manyan litattafan marubuci wanda ya bayyana kansa da wuri kuma wanda ya riga ya haɗa da littattafan makwanni biyu da lambobin yabo na adabi da yawa.
Manyan litattafan da aka ba da shawarar 3 ta Juan Manuel de Prada
Guguwar
Ba da daɗewa ba bayan wannan rikice -rikicen adabi na musamman wanda shine Coños, Juan Manuel de Prada ya lashe lambar yabo ta Planeta na 1997 yana ɗan shekara 26 kacal.
The Tempest yana gaya mana game da wannan gano mafi girman ɓangaren kasancewa, halin da aka haɗa da tuƙi, motsin rai, gano kyakkyawa da fasaha a matsayin kawai abin da zai iya nuna muku gaskiya fiye da hankali da azanci a hidimar ku.
Ba wai labari ne mai wanzuwa ba, a zahiri makircin yana ci gaba da ƙarfafawa game da ƙwarewar musamman na Alejandro Ballesteros, malamin fasaha, a cikin melancholic da enigmatic Venice inda zai rayu cikin kasadar rayuwarsa.
Ya "kawai" ya nemi yin nazarin zanen "The Tempest" na Giorgione. Amma harshe ne wanda marubucin yayi amfani da shi wanda ya ɗaga labarin zuwa wannan mahimmancin inda mutuwa, ƙauna da sha’awa ta ƙare har da ƙirƙirar launin ruwan adabi don jin daɗinsa cikin tunani na harshe.
Rayuwa mara ganuwa
Ban san yadda 'yar uwata ta kai ga ƙarshe cewa wannan labari ya tunatar da ita a lokutan rubutu na ba. Ma'anar ita ce kwatancen mara kyau a gefe, wata rana mai kyau ya ba ni.
Zai kasance saboda labarin ya fara ne daga gogewar marubuci mai tawali'u, Alejandro Losada, wanda ya san bacewar ɗayan ɗayan fuskokin waɗanda suka ƙare mamaye komai a matsayin iƙirarin talla, fuska, fil-mai suna Fanny Riffel wanda ya rage a cikin tunanin mutane da yawa da suka dawo cikin shekarun 50 kuma rayuwarsu mara ganuwa tana ƙafewa cikin rayuwar yau da kullun ta birni kamar Chicago, wanda aka ba da wasu ayyukan yau da kullun.
Kawai a wannan tafiya zuwa Chicago 'yan kwanaki kafin bikin aure, Alejandro da kansa ya ƙare samar da rayuwarsa marar ganuwa, Elena, wanda ya rufe da ƙauna da fahimta a ɗayan waɗannan hanyoyin kwantar da hankula. Ba zan taɓa iya sanin komai game da Fanny ba. Amma wataƙila Elena ta yanke shawarar sanya kanta a bayyane don ɓata komai ...
Mashin jarumin
Ba da daɗewa ba na ziyarci gidan cin abinci na Gijón a Madrid a karon farko. Zauna a ɗaya daga cikin waɗancan tebura, tare da ingantaccen kyan gani na walƙiya da kayan daki, mutum zai iya tunanin yawancin masu ƙirƙirar bohemian waɗanda, daga cikin ruɗin giya, sun yarda da kansu suna iya rubuta mafi kyawun labari na ƙarni na XNUMX, idan ba haka ba .
Wannan labari yana magana kaɗan game da wannan ruhun tare da ƙanshin ruwan inabi mai ɗorewa da abubuwan da suka ɓace a cikin cin nasara da girman kai na mahalicci. Yawancin haruffa suna yin wannan tafiya ta Madrid ta tsohuwar daular da tuni ta lalace.
Lokaci da wuri inda masu ra'ayin gaskiya da marubutan zamaninsu suka raba kaddara, nihilism, cainism da picaresque na Spain mai ɗorewa. Labarin da ke hannun marubucin ya ƙare yana aikawa da rashin tausayi da kuma dalilin da zai iya ba wa marubuci kwarin gwiwa: cin nasara.
Sauran littattafan shawarar Juan Manuel de Prada
m kamar ni
Fiye da kowane lokaci, la'akari da kanku baƙon yau shine shelar cikakken 'yanci. Domin al'ada ya zama mediocrity, sauki da kuma abin da ya fi muni, polarization ba tare da yiwuwar gyare-gyare ga abin da ya kasance kullum nagarta, cibiyar. 'Yan wasan ƙwallo, masu ban mamaki, a yau suna tsakiyar tsakiya, suna kallon taron duniya kamar 'yan wasan tennis guda biyu suna cikin nasara mafi banƙyama. Don zama mai ban mamaki, kamar yadda Juan Manuel de Prada ya ce, shine zama 'yanci, mai kirki da sanin gaskiya.
Juan Manuel de Prada yana gabatar da mu ga abokansa na ban mamaki, abubuwan da suka faru na gyarawa, abubuwan da ke cikin duniyar nan suna ƙara nuna rashin ƙarfi ...
A cikin wannan littafin mun gabatar da wani hoto mai ban sha'awa da ban sha'awa na marubutan da ba kasafai ko la'anannu ba, daga ƙwararrun ƙwararrun ƙwararrun da aka kora zuwa duhu - a can muna da shari'ar Léon Bloy - ga marubutan da ba su da mahimmanci, wani lokacin har ma da hauka kuma kusan masu ilimin tambans, waɗanda Duk da haka, suna ɓoye, tsakanin ɓangarorin rayuwa mai banƙyama da aiki mara kyau, wannan “mai ƙarfi da baƙon rai” wanda ke gigita babban hazaka.
Ga Juan Manuel de Prada, la'ananne ne marubucin da ya yi tawaye ga ƙa'idodin akida da kyawawan halaye da ke gudana a zamaninsa; don haka yana iya kaiwa ga tabbatar da cewa “la’ananne a yau ba marubucin da ke jin dadin kiran aljanu ba ne, sai dai wanda ya kuskura ya yi wa waliyyai addu’a; la’ananne ba mai fasikanci ba ne, amma manzon tawali’u ne; la'ananne ba shine ɓacin rai na 'yanci ba, amma ma'aikaci mai hikima na al'ada.
Daga cikin wadanda aka taru a Raros como yo, mun sami marubutan da aka yi ta yabo a rayuwa, daga baya kuma suka fada cikin mantuwa, kamar Concha Espina; wasu da aka raina a rayuwa wanda daga baya aka ceto, kamar Felisberto Hernández; sannan kuma mun iske wadanda aka la’anta a rayuwa kuma suna ci gaba da kasancewa a yau, suna tsare a cikin gidajen kurkukun da aka kulle muryoyin da ba a san su ba na kungiyar mawakan hukuma. Daga cikin na karshen, Argentine Leonardo Castellani ya fito waje, wanda Prada Rubenanly ya kira "uba kuma malamin sihiri wanda ya canza tunanina game da sana'ar wallafe-wallafen" kuma ya sadaukar da shafuka masu zurfi da bayyanawa. Ƙirar tana rufe da baranda da aka miƙa wa "wardi na Catalonia", ɗimbin marubuta - kusan dukkanin su daga tsara ɗaya - wanda marubucin ya gano yayin da yake sha'awar lokacin nazarin wallafe-wallafen Catalan na zamanin Azurfa.
