Tunanin farko da ya buge ni lokacin da na gano wannan taken shine cewa ya ba da cikakkiyar ji, cike da nuances. Sautin da ke cikin igloo yana ta tsalle tsakanin bangon kankara, yana watsawa amma ya kasa sadarwa tsakanin iskar da ke cikin sanyi. Wani irin misali na mika wuya, kamar mafarki, na sadarwa tsakanin mutane ko sanyi kamar kaɗaici, baƙin ciki, tunawa mara daɗi cikin sanyin rayuwa ...
Kuma ta wata hanyar littafin The Acoustics of the Igloos ya ƙunshi wannan. Labarinsa guda goma suna ba da hotuna a wasu lokuta masu tayar da hankali, wasu kai tsaye suna mika wuya, amma koyaushe suna wucewa, madawwama, kamar yanayin sanyi da aka dakatar a cikin iska, ta inda sautin rayuka ke hasashe tsakanin gaskiya da hasashe yana haɓaka da sakewa.
Labarun da suka fi ban sha'awa suna wucewa tsakanin fashewar jirgi na sirri, farawa daga takaici ko fitowa kamar yadda mafarkai ke hasashe akan launin toka na yau da kullun. Kuma babu wani abin da ya fi kyau da za a iya isa ga ruhun haruffan da ke yawo da wannan littafin fiye da isa ga tunaninsu, jujjuya duniyoyinsu cike da kasawa ko baƙin ciki ta hanyar sabon tunanin tunani.
Kamar dai su, haruffan, a wasu lokuta suna iya tserewa daga rayuwarsu kuma suna samun biza cikin mafarkansu. Wataƙila ba mu san abin da uwa ke yi da childrena twoanta biyu a kujerar baya na mota ba ... shin ta gudu ko ta koma gida? ...
Yin bankwana da duniya da ke cikin motar kebul yana yin hoto mai nasara ga tsofaffi biyu da suka san juna a ƙofar babu inda ko kaɗan ... Duniya ƙarƙashin ƙafarsu, tana tafiya a hankali yayin da suke zamewa a kan igiya mita da yawa daga wannan ƙasar ina jiran ku ...
Yanzu zaku iya siyan ƙimar labarai Acoustics na Igloos, Sabon littafin Almudena Sánchez, a nan: