Gan pointe na lyricism disenchanted a bhaint amach Charles Bukowski, is Ă© ceann de na machnaimh is soilĂ©ire ar rĂ©alachas salach sa SpĂĄinn Ray Loriga, ar a laghad ina thĂșs mar scrĂbhneoir, toisc go bhfuil nĂos mĂł sofaisticiĂșlachta foirmeĂĄlta ag Ray Loriga faoi lĂĄthair gan a thoil chriticiĂșil a chailliĂșint agus a rĂșn lĂĄn le searbhas. Leis sin, is lipĂ©ad comhlĂĄntach Ă© an rĂ©alachas salach ar an Ășdar a leanann Ășdair eile sa SpĂĄinn ar aghaidh ag baint suilt as a chĂ©ile, ar nĂłs TomĂĄs Arranz lena chuid ĂșrscĂ©al An iliomad, faoi thionchar rĂ©alachas salach ChĂșba Pedro Juan GutiĂ©rrez ina dhiaidh sin.
Ach mar a deirim, an reatha Ray Loriga is Ă© an dearcadh sin den rĂ©alachas salach, a bhfuil a dhĂłthain saibhris agus spĂ©ise cruthaitheach ann cheana fĂ©in ach atĂĄ lĂonta le dĂĄileoga mĂłra de cheird an scrĂbhneora. NĂ measa an mĂ©id a scrĂobh sĂ© roimhe seo nĂĄ an mĂ©id a scrĂobh sĂ© anois. TĂ©ann gach rud leis an cĂĄch. Ach go domhain sĂos tĂĄ sĂ© ina Ă©abhlĂłid inmholta a bhfuil meas i gcĂłnaĂ air toisc go dtugann sĂ© Ă©abhlĂłid, turgnamh, fiosrĂșchĂĄn, corraĂl agus uaillmhian chruthaitheach le fios.
Agus in ainneoin gach rud, is fĂ©idir le lĂ©itheoirĂ Loriga Ăłn tĂșs bunchĂșiseanna an scrĂbhneora a bhrath agus taitneamh a bhaint astu. Is fĂ©idir an t-athrĂș ar an gclĂĄr nĂł ar an seĂĄnra a thuiscint mar athnuachan tĂ©amach nĂł stĂl, ach bĂonn anam an scrĂbhneora ann i gcĂłnaĂ. Agus cinnte tĂĄ an fhĂric dhifreĂĄlach a fhĂĄgann go bhfuil tĂș cosĂșil le healaĂontĂłir, go dtiĂșinann tĂș leis nĂos suntasaĂ ag an spreagadh domhain sin a fhĂĄgann a mharc ar gach carachtar agus ar gach radharc, ar an mbealach le cur sĂos a dhĂ©anamh agus fiĂș sna meafair.
Na 3 ĂșrscĂ©al is fearr a mhol Ray Loriga
GĂ©illeadh
ĂrscĂ©al iontach nua, an ceann is iomlĂĄine go dtĂ seo. An chathair trĂ©dhearcach Is iad na carachtair sa scĂ©al seo meafar an oiread sin dystopias a shamhlaigh go leor scrĂbhneoirĂ eile i bhfianaise na gcĂșinsĂ dochracha a tharla le linn na staire.
BâfhĂ©idir go dtagann dystopia chun Ă© fĂ©in a chur i lĂĄthair dĂșinn mar bhronntanas ina mbĂonn iontas ar gach duine faoin gcaoi ar Ă©irigh leo ann. Is pointe tagartha i gcĂłnaĂ na cogaĂ chun an tsochaĂ fholamh sin a ardĂș, gan luachanna, deachtĂłireach.
idir George Orwell y huxley, Le Kafka ag rialuithe an tsuĂmh neamhrĂ©adĂșil nĂł osrĂ©alaĂoch. DĂ©anann lĂĄnĂșin phĂłsta agus fear Ăłg nach bhfuil in ann a theach a aimsiĂș agus a chaill a ĂłrĂĄid an turas pianmhar go dtĂ an chathair thrĂ©dhearcach. Is fada leo a gcuid leanaĂ, caillte sa chogadh deireanach.
FĂ©adfaidh an fear Ăłg balbh, a athainmnĂodh Julio, an eagla a bhaineann le mothĂșchĂĄin a chur in iĂșl nĂł bâfhĂ©idir nach bhfuil sĂ© ag fanacht ach lena nĂłimĂ©ad labhairt. StrainsĂ©irĂ sa chathair trĂ©dhearcach. Glacann na trĂ charachtar lena rĂłl mar shaorĂĄnaigh ghlasa atĂĄ indoctrinated ag an ĂșdarĂĄs comhfhreagrach.
MarcĂĄlann an plota an fad neamh-inathnuaite idir an duine aonair agus an comhchoiteann. DĂnit mar an t-aon dĂłchas go bhfanfaidh tĂș fĂ©in in ainneoin scuabadh cuimhne, coimhthiĂș agus folĂșntas. CloĂonn cinnteacht anrĂłiteach le saol na gcarachtar, ach is Ă© an duine fĂ©in amhĂĄin a scrĂobhann na crĂochfoirt.
SolĂĄthraĂonn an litrĂocht i gcoitinne, agus an obair seo go hĂĄirithe, tuiscint luachmhar nach gĂĄ go dtiocfadh deireadh le gach rud mar a bhĂ beartaithe, chun feabhais nĂł chun measa.
NĂl grĂĄ ag TĂłiceo dĂșinn nĂos mĂł
Ceann de na hĂșrscĂ©alta deireanacha de chuid an Ășdair is fĂ©idir a lipĂ©adĂș fĂłs faoin lipĂ©ad Generation X. Crith todhchaĂoch aisteach, spĂ©isiĂșil, suimiĂșil agus fiĂș fealsĂșnachta ar cosĂșil go dtugann sĂ© casadh sĂcideileach don Domhan Sona Huxley.
Ceimic a shaoradh, gnĂomhairĂ eis-ocsaĂdeacha atĂĄ in ann cuimhne a mhodhnĂș chun leasa an ĂșsĂĄideora drugaĂ a shaorann Ă© Ăł chiontacht agus Ăł aifĂ©ala. Le bheith sĂĄsta go gcaithfidh tĂș tĂș fĂ©in a dhĂhunanĂș, nĂl aon bhealach eile ann. TĂĄ sĂ© ciallmhar mĂĄ mheasann muid gurb Ă© an cuspĂłir deiridh atĂĄ ag an duine a bhreith, tosĂș ag anĂĄlĂș agus ag ithe Ă© fĂ©in san ocsaigin chĂ©anna a thugann beatha dĂł.
InsĂonn an t-ĂșrscĂ©al fĂ©in an turas fada Ăł na StĂĄit Aontaithe go tĂr i bhfad i gcĂ©in san Ăise, bĂłthar ĂșrscĂ©il a threoraĂonn i ndĂĄirĂre sinn trĂ mholtaĂ existentialist faoi na rudaĂ a dâfhĂ©adfaimis a bheith gan chuimhne. Is Ă© an turas a dhĂ©anann fear an-ĂĄirithe atĂĄ crochta ar dhrugaĂ agus a thugtar do ghrĂĄ saor in aisce nuair a bhĂonn SEIF dĂothaithe Ăłn domhan cheana fĂ©in.
Tugann imeacht an ĂșrscĂ©il seo le fondĂșireachtaĂ ficsin eolaĂochta siar i 1999 aird ar an mbraistint suaiteach tipiciĂșil ar athrĂș na mĂlaoise (rud Ă©igin cosĂșil le hĂ©ifeacht 2000 sa domhan liteartha) agus is Ă an fhĂrinne nĂĄ go mbaintear taitneamh as sa iniĂșchadh trascendental sin faoin todhchaĂ , faoi riocht an duine, trĂĄma, drugaĂ agus coinsiasa ...
TĂĄ deireadh le haon samhradh
Is fĂ©idir le lionn dubh teacht nuair a bhĂonn tĂș fĂłs Ăłg agus, le teacht an tsamhraidh, tĂĄ a fhios agat go mbeidh nĂos mĂł fĂłs ann. Is Ă©ard atĂĄ i gceist le nostalgia nĂĄ aifĂ©ala na samhraĂ nach fĂ©idir a aisghabhĂĄil cheana fĂ©in ar bhealach amhĂĄin nĂł ar bhealach eile. Idir an dĂĄ mhothĂșchĂĄn, bogann an iliomad carachtair laethĂșla ach eisceachtĂșla toisc go n-osclaĂonn siad sa tĂłir ar an taobh amuigh den viscera, ĂĄit ar fĂ©idir le mothĂșchĂĄin na spriocdhĂĄtaĂ atĂĄ imithe in Ă©ag agus chuimhneachĂĄin a thĂ©ann i lĂ©ig in am atĂĄ caite b'fhĂ©idir idĂ©alach ach i gcĂłnaĂ nĂos fearr nĂĄ an t-am atĂĄ caite maireachtĂĄil. . Agus fĂłs fĂ©in baineann sĂ© leis an dara seans, brĂșnna agus amhras mothĂșchĂĄin a shroicheann nĂos dĂ©ine fĂłs sinn nuair nach bhfuiltear ag sĂșil leo a thuilleadh...
Ba mhaith le duine bĂĄs a fhĂĄil. NĂl sĂ Ăłg a thuilleadh, agus tĂĄ sĂ ag smaoineamh ar cad atĂĄ i gceist le lĂĄ eile, is cuma cĂ© chomh pribhlĂ©ideach, taitneamhach agus cineĂĄlta atĂĄ a saol fĂłs. Ba mhaith le duine Ă©igin grĂĄ. NĂl a fhios agat go cinnte an ndĂ©anann siad a chĂ©ile, an dtuigfear do mhothĂșchĂĄin, an bhfuil sĂ© de cheart agat fiĂș iad a chur in iĂșl. taistealaĂonn duine Tabhair cuairt ar chathracha, trĂĄnna, beĂĄir, cĂłisirĂ coimhthĂocha, cĂĄbĂĄin in aice leis an uisce ĂĄit ar fĂ©idir leat an oĂche a chaitheamh ag Ăłl agus ag gĂĄire. LĂ©irĂonn duine Ă©igin leabhair ĂĄille agus dĂ©anann duine Ă©igin aire dĂłibh a fhoilsiĂș.
OibrĂonn siad gan deifir, le meas ar a chĂ©ile, le braiteadh ĂĄirithe decadent atĂĄ ann cheana fĂ©in i ndomhan atĂĄ ag imeacht. BhĂ fadhb thromchĂșiseach slĂĄinte ag duine Ă©igin, Ă©irĂonn sĂ© go mall, gropes a chuid Ă©adaĂ agus socraĂonn leas a bhaint as an dara seans. Is maith le duine Ă©igin, dĂșisĂonn sĂ© dĂșil, bĂonn sĂ© ag dul trĂ shaol daoine eile i gcĂłnaĂ, dĂ©anann sĂ© mionghĂĄire, Ăocann as dinnĂ©ar. Is Ă© duine Ă©igin an cara is fearr le duine eile agus an duine is fearr leat. Ba mhaith le duine bĂĄs a fhĂĄil.
InsĂonn Ray Loriga duibheagĂĄin na gcarachtar seo, agus cumann sĂ© siansa faoi chairdeas, faoi ghrĂĄ agus faoi dheireadh na hĂłige. ĂrscĂ©al a labhrann faoin mbĂĄs ag tost an tsaoil. ĂrscĂ©al faoin samhradh atĂĄ fĂłs le sult as sula dtagann an geimhreadh.
Leabhair molta eile le Ray Loriga
NĂ labhraĂonn sĂ© ach faoi ghrĂĄ
TĂĄ mothĂș an ruaig ar cheann de na foinsĂ inspiorĂĄide is torthĂșla dâaon chruthaitheoir. Cinnte nĂ thagann aon rud fiĂșntach as an sonas as a dtagann innopia cruthaitheach.
Is Ă an fhĂrinne nĂĄ go bhfuil mothĂș an ruaig an-tipiciĂșil i ngach duine againn, mortals aitheanta. Is Ă an cheist nĂĄ a fhios a bheith agat conas an leas is fearr a bhaint as an ruaig sin atĂĄ, go paradĂłideach, cruthaitheach go plĂ©ascach.
Is allegory Ă© an t-ĂșrscĂ©al seo uaireanta marfach agus uaireanta glĂłir don chruthaitheoir frustrach. TĂĄ SebastiĂĄn trĂ©igthe ag a phĂĄirtĂ, Ăł fuair an duine eile amach nach bhfuil sĂ© ag iarraidh a laethanta a thabhairt suas don duibheagĂĄn intleachtĂșil tipiciĂșil sin dâintinn chruthaitheacha.
Ar a laghad creideann SebastiĂĄn gurb Ă© seo an nĂłimĂ©ad is fearr chun beatha a thabhairt dĂĄ Don Quixote ar leith, cĂĄineadh fear darb ainm RamĂłn Alaya ag siĂșl trĂ leathanaigh doilĂ©ire ĂșrscĂ©al foighneach sa dĂ©antĂșs.
Agus fĂłs go tobann casann gach rud Ăłna dheasc leadrĂĄnach, i bhfithis ĂĄirithe a rialĂłidh ar fud an domhain ar fad. As an ĂșrscĂ©al seo gheobhaidh tĂș detractors iontach agus go leor lĂ©itheoirĂ eile a bhfuil an-ĂĄthas orthu. Gan smaoineamh domsa gurb Ă© an obair is fearr atĂĄ aige, cuirim sa trĂĂș hĂĄit Ă© ...