TĂĄ aisteoirĂ foirfe do seĂĄnraĂ Ă©agsĂșla. TĂĄ Luis Tosar agus fionraĂ sa chiall is leithne ar cheann de na teagmhĂĄlacha is sona i gcineamatagrafaĂocht na SpĂĄinne. Agus is fĂ©idir leis an ngnĂomhaĂ GailĂseach seo an t-olc a chorprĂș in aon cheann dĂĄ lĂ©irithe; nĂł ar an taobh eile, os comhair an chuid is mĂł ominous mar an laoch laethĂșil is fiĂș. I gcĂłnaĂ leis an mothĂș sin de charachtair lucht crĂ©achtaithe, ualach ciontachta, ag breathnĂș isteach i duibheagĂĄin nĂł ag tabhairt aghaidh ar dheamhan ar leith...
CuidĂonn an fhisiciĂșil, ar ndĂłigh. Toisc go dtugann a chuma cuireadh do lipĂ©adĂș atĂĄ nasctha leis an bpointe dorcha sin. Ach thar na chĂ©ad imprisean, cuireann Tosar barr feabhais ar a chumas aon lĂ©irmhĂniĂș a ghlacadh a thagann ar a bhealach go dtĂ an foircneach.
Seachas aitheantas ginearĂĄlta agus folcadĂĄin tĂłir a shroich a bhuaic le Celda 211 ina chĂĄs fĂ©in, tĂĄ aisteoir maith cosĂșil leis mĂșinte cheana fĂ©in le fada an lĂĄ. Gairm aisteoireachta lĂĄn dâĂ©achtaĂ nach fĂ©idir a bheith mar gheall ar an gcumas sin ach a gcuid fĂ©in a dhĂ©anamh de gach uile dhuine de na carachtair a dâimir. Toisc nach bhfuil sĂ© Ă©asca a chur ina luĂ orainn fĂ©in i ngach scannĂĄn nua nach Ă© an carachtar roimhe seo Ă© a thuilleadh. Agus baineann Tosar amach Ă© Ăłn gcĂ©ad radharc.
Na 3 scannĂĄn is fearr molta de chuid Luis Tosar
Agus tĂș i do chodladh
AR FĂIL AR AON CHEANN DE NA ARDĂIN SEO:Chuir an scannĂĄn seo fearg orm le teagmhĂĄil de na daoine is suaite Hitchcock. LĂ©iriĂșchĂĄn seiftiĂșil ina bhfaightear amach nach bhfuil mĂłrĂĄn tallainne eile ag teastĂĄil chun aghaidh a thabhairt ar phlota dĂ©anta teannas buan. Ar ndĂłigh, ag brath ar fheidhmĂocht suaite Tosar is cosĂșil go bhfuil an t-ĂĄbhar nĂos Ă©asca.
Is Ă© CĂ©sar, fear dorais âcairdiĂșilâ a thĂ©ann amach as a bhealach ar son ĂĄitritheoirĂ an phobail ina gcuireann sĂ© a chuid seirbhĂsĂ ar fĂĄil. Ar ndĂłigh, tĂĄ a gcuid feidhmĂochta an-amhrasach ag bainisteoir na cuideachta a sholĂĄthraĂonn seirbhĂsĂ den sĂłrt sin. Imeall eile a cheiltĂonn pearsantacht CĂ©sar go teorainneacha gan amhras.
Uaireanta is fĂ©idir a chaidreamh leis an seanmhĂĄthair a bhfuil cĂłnaĂ uirthi i gceann de na ĂĄrasĂĄn dĂșisigh fiĂș mĂ©id ĂĄirithe de greann. Toisc nach fĂ©idir leis an mbean bhocht, lena spiorad milis, an ollphĂ©ist ina bhfuil Caesar a shamhlĂș ...
Ach ag dĂriĂș ar bhunbhrĂ an scannĂĄin, is gearr go lĂ©irĂonn a chaidreamh le Clara obsession tinn, aimhreas agus frustrachas. Toisc go bhfeiceann CĂ©sar rud Ă©igin cosĂșil leis an sonas dodhĂ©anta aige. Is cinnte gur theastaigh uaidh Ă a mhĂșscailt, cĂ© nach gcuireann sĂ© an foirceann seo in iĂșl riamh. Ach is Ă© an rud a dhĂ©anann sĂ© faoi dheireadh nĂĄ cur isteach ar a saol faoi theorainneacha fĂor-ghealtacha.
NĂ fĂ©idir le Clara maith a bheith in amhras faoina bhfuil ar siĂșl ag CĂ©sar. Agus tĂĄ an lucht fĂ©achana gan urlabhra leis an bplean claon atĂĄ ĂĄ chur i gcrĂch ag CĂ©sar. Sa deireadh, conas a d'fhĂ©adfadh sĂ© a bheith ar shlĂ eile, lĂ©irĂonn gach rud toradh marfach. Is Ă© an pointe go bhfuil sĂ© i bhfad nĂos measa nĂĄ mar a d'fhĂ©adfadh muid a shamhlĂș ...
a mharaĂonn le iarann
AR FĂIL AR AON CHEANN DE NA ARDĂIN SEO:TĂĄ ceartas fileata Ă©igin le fĂĄil sa phlota. Altra cineĂĄlta Ă© Mario a thĂ©ann amach as a bhealach ar son na n-othar ag an gclinic ina n-oibrĂonn sĂ©. TĂĄ sĂ ag sĂșil lena cĂ©ad leanbh agus tĂĄ a caidreamh lena pĂĄirtĂ ag dul ar aghaidh de ghnĂĄth, sa rĂ©amhrĂĄ sĂochĂĄnta sin don athair.
Go dtĂ go dtagann cĂłnaitheoir an-speisialta chuig an ospidĂ©al. Is patriarch de theaghlach drugaĂ Ă©. Is Ă© an ceann cĂ©anna a dâfhĂ©adfadh a bheith freagrach as bĂĄs an oiread sin daoine Ăłga atĂĄ faoi lĂ© andĂșile i ndrugaĂ le blianta fada. Agus ar ndĂłigh, cuireann Mario drogall ĂĄirithe ar fĂĄil a sheirbhĂs a sholĂĄthar do charachtar chomh mĂchlĂșiteach.
NĂl ach clann an gangster i bhfad os cionn an tseanfhear. Toisc go bhfuil sĂșil acu an gnĂł drugaĂ a fhairsingiĂș uaidh, ag seachaint a threoirlĂnte agus a chaighdeĂĄin a bunaĂodh i ndeireadh na dĂĄla i bhfianaise na passivity le haghaidh treoracha nua.
Cailleann an fear "bocht" dĂĄmha mar a thĂ©ann an scannĂĄn ar aghaidh. Agus tĂĄ seans ann nach bhfuil Mario ag tabhairt an chĂșraim is fearr dĂł. ĂirĂonn rud Ă©igin suaite sa chaidreamh seo idir othar agus altra. DorchaĂonn Mario de rĂ©ir a chĂ©ile, amhail is dĂĄ mba ag dul faoi uisce i stoirmeacha iargĂșlta. Tugann fiĂș a bhean chĂ©ile torrach faoi deara ann go ndeachaigh an carachtar sin faoi uisce go tobann mar a bhĂ i seancheochĂĄin chĂłsta na GailĂse.
NĂ fĂ©idir le haon rud teacht as an ngaol sin idir an dĂĄ charachtar go maith. An boss agus an altra. LĂ©irĂonn macallaĂ an dĂoltais torthaĂ marfacha. Sa deireadh, mothaĂtear nach dtugann forĂ©igean ach nĂos mĂł forĂ©igin agus go mbĂonn an ceartas rĂł-Ă©ilitheach ann uaireanta le pionĂłs a ghearradh in am orthu siĂșd ar cheart pionĂłs a ghearradh orthu.
Cill 211
AR FĂIL AR AON CHEANN DE NA ARDĂIN SEO:Fuair ââââmĂ© amach freisin leis an lĂ©irmhĂniĂș seo Luis Tosar go raibh, fiĂș tar Ă©is a rath iontach leis na lĂ©irmheastĂłirĂ ginearĂĄlta le "Te doy mis ojos", a chiallaigh scĂłip nĂos mĂł mar scannĂĄn siamsaĂochta. NĂ fearr nĂĄ nĂ ba mheasa, deirim go simplĂ go raibh nĂos mĂł teagmhĂĄla aige i measc lucht leanĂșna na scannĂĄn i gcoitinne.
Agus is Ă© an prĂosĂșnacht sa phrĂosĂșn ina ndĂ©anann Luis Tosar an "Malamadre" do-dhearmadta a thugann nĂos gaire dĂșinn do dhomhan prĂosĂșin a d'iompaigh ifreann orainn Ăł tharla cĂrĂ©ib a nascann fiĂș leis na trĂ©ithe is tĂrghrĂĄ de phrĂosĂșnaigh ETA.
Forbairt ar an teannas uasta ina roinneann Malamadre (Tosar) an prĂomhrĂłl le Juan (a bhĂ ag Alberto Ammann). ImrĂonn Juan an dĂĄ thaobh ag ligean air gur prĂosĂșnach eile Ă© nuair is oifigeach Ă© i ndĂĄirĂre a cailleadh i lĂĄr na coimhlinte.
3 trĂĄcht ar âNa 3 scannĂĄn is fearr leis an suaite Luis Tosarâ