TĂĄ rud Ă©igin doilĂ©ir elegance i lĂ©irithe Christoph Waltz. agus ĂĄr gcara Quentin Tarantino bhĂ a fhios aige conas Ă© a bhrath lĂĄithreach chuig glĂłir nĂos mĂł an aisteoir uatha seo. Glacann radharc ar bith toisĂ nua ina lĂĄmha in aon ligean ar teannas sĂceolaĂoch.
Le Waltz, athshainĂtear fionraĂ nĂł scĂ©insĂ©ir. Toisc go dtarraingĂonn a aoibh ghĂĄire splĂ©achadh ar an gcine daonna chun dul i dtreo na bpionĂłs is gile ar deireadh. Ar a laghad, is Ă© sin an cĂĄs i gcuid de na scannĂĄin is paraidĂmeacha aige. NĂ bhaineann sĂ© le Waltz pigeonholing fĂ©in mar go bhfuil na rĂłil an-difriĂșil, ach aistrĂonn sĂ© an rian sin dĂłibh go lĂ©ir, an turraing leictreach na dothuartha, de cruĂĄlacht blaiseadh de plĂ©isiĂșir ag na aigne is olc a aistrĂodh chuig an phictiĂșrlann.
Ar ndĂłigh, nĂ carachtair dorcha iad ar fad i stĂłr Waltz. DĂ©anta na fĂrinne, i gcuid dĂĄ scannĂĄn Ă©irĂonn lena charachtair imirt leis an dualacht thragĂłideach sin agus mearbhall ginearĂĄlta. BĂodh sin mar atĂĄ, mar laoch nĂł mar fhrith-laoch, tĂĄ Waltz ar dhuine de na haisteoirĂ sin nach bhfĂĄgann Ă©inne suarach.
Na 3 ScannĂĄn is Fearr Ăł Christoph Waltz
DamĂĄistĂ bastards
AR FĂIL AR AON CHEANN DE NA ARDĂIN SEO:IonchorprĂș an uilc do Waltz i scannĂĄn ina n-athraĂtear tart dĂoltais mar phlean uafĂĄis a bhfuiltear ag sĂșil leis le fada. Toisc go bhfuil an CoirnĂ©al Hans Landa nĂos measa nĂĄ Hitler fĂ©in. Ina thuras trĂd an domhan bailĂonn sĂ© gach ciniceas agus is fĂ©idir le bheith in ann maireachtĂĄil ar thaobh amhĂĄin nĂł ar an taobh eile ag brath ar an gcaoi ar fĂ©idir leis a chraiceann a bheith nĂos saoire.
Radhairc ina raibh a lĂĄithreacht burlesque agus mĂfhoighneach, ominous, nihilistic agus atĂĄ dĂrithe go hiomlĂĄn ar phian cur cibĂ© ĂĄit a thĂ©ann sĂ©, deireadh suas ag iompar an meĂĄchan riachtanach go dtĂ plota ina bhfĂ©adfadh Brad Pitt a bheith ina antagonist Machiavellian is mĂł. BuaiteoirĂ agus cailliĂșnaithe ina suĂ ag an mbord cĂ©anna ag fĂ©asta an fhorĂ©igin.
Agus an Eoraip ag fuiliĂș chun bĂĄis le linn fhorghabhĂĄil na Naitsithe sa Dara Cogadh Domhanda, tĂĄ cathlĂĄn beag de shaighdiĂșirĂ vengeful GiĂșdach faoi Aldo Raine oilte chun Ă©acht dĂĄna a dhĂ©anamh: Hitler a fheallmharĂș agus na hoifigigh is airde sa TrĂĂș Reich GearmĂĄnach.
Cuirfear an deis i lĂĄthair iad i bPĂĄras, le linn lĂ©iriĂșchĂĄin ag amharclann scannĂĄn atĂĄ ĂĄ bhainistiĂș ag Ăospartach ceilte forĂ©igean NaitsĂoch, Shoshanna Dreyfus. I gcomhlĂonadh lĂ©i, dĂ©anann an grĂșpa fear iarracht prĂomhchathair na Fraince a bhaint amach trĂ chrĂoch arna rialĂș ag na Naitsithe, mar iarracht fĂ©inmharfach dĂoltas a fhĂĄil ar an "FĂŒrher". Agus amhras ĂĄ mhĂșscailt i measc na saighdiĂșirĂ GearmĂĄnacha, tĂĄ skirmishes fuilteacha agus cuimhneachĂĄin ag fanacht leo sular fĂ©idir leo teacht gar dĂĄ gcuspĂłir fiĂș.
Django gan athrĂș
AR FĂIL AR AON CHEANN DE NA ARDĂIN SEO:TĂĄ an cumas ag Tarantino scannĂĄin a dhĂ©anamh laistigh de scannĂĄin. Rud Ă©igin cosĂșil le suĂmh amharclainne inar fĂ©idir cuid mhĂłr den nĂłimĂ©ad deiridh den scannĂĄn a dhĂ©anamh agus a Ă©irĂonn uaireanta fĂ©in-leor laistigh den phlota. Agus nach bhfuil sĂ© Ă©asca aird an lucht fĂ©achana a choinneĂĄil mura dtĂ©ann an plota chun cinn agus na carachtair ag fĂĄnaĂocht trĂ sheomra singil.
Cuireann radhairc Waltz sa scannĂĄn seo romhainn le forĂ©igean cinĂoch agus truamhĂ©ileach. Agus an uair seo tĂĄ sĂ© suas dĂł a bheith ag rĂ©alta i saghas laoch i gcoinne a DiCaprio is cosĂșil gur chlaochlĂș go VĂĄlsa Ă©. DâfhĂ©adfaĂ a bheith ag sĂșil leis sin agus, ĂĄfach, buaileann Tarantino muid ag casadh na n-aghaidheanna a sheasann don mhaith agus don olc an uair seo.
In Texas, dhĂĄ bhliain roimh thĂșs Cogadh Cathartha MheiriceĂĄ, geallann an RĂ Schultz (Christoph Waltz), sealgaire deolchaire GearmĂĄnach atĂĄ ar lorg feallmharfĂłirĂ a bhailiĂș ar a gceann, an sclĂĄbhaĂ dubh Django (Jamie Foxx) go scaoilfidh sĂ© saor Ă© mĂĄ chabhair. dĂł breith orthu. Glacann sĂ© leis, mar go dteastaĂonn uaidh ansin dul ar lorg a bhean chĂ©ile Broomhilda (CiarraĂ Washington), sclĂĄbhaĂ ar phlandĂĄil ar leis an ĂșinĂ©ir talĂșn Calvin Candie (Leonardo DiCaprio).
SĂșile mĂłra
AR FĂIL AR AON CHEANN DE NA ARDĂIN SEO:ThĂĄinig paraidĂm an chaidrimh thocsaineach chun cinn le hĂ©abhlĂłid na mblianta uirĂsle. Cruthaitheacht Margaret ĂĄ smachtĂș ag ego mĂ©adaitheach a fir chĂ©ile, Walter. TĂĄ a fhios aige conas a bhean a threorĂș, tĂĄ a fhios aige conas an gĂ© a leagann na huibheacha Ăłrga a shaothrĂș mar go n-aithnĂtear a shaothar pictiĂșrtha mar rud an-speisialta ina chuid ama.
Is Ă© an pointe nĂĄ go n-Ă©irĂonn Walter cinnte, agus go ndĂ©anann sĂ© an rud cĂ©anna le Margaret, gur chĂłir go mbeadh sĂ© i gceannas ar na saothair. CĂ© a shĂnĂonn agus cĂ© a chuireann na taispeĂĄntais i lĂĄthair. Sa bhrĂ©ag mhĂłr, adhlacann Walter bocht a chuid frustrachas cruthaitheach. Toisc go bhfuil a fhios aige go domhain gurb Ă© Margaret Ă©, nach duine ar bith Ă©, ach amhĂĄin sa bhreis i sĂșile an phobail. Agus mar sin de, rud a dâfhĂ©adfadh a bheith ina ghnĂĄth-chĂĄs patriarchachta intĂre ag an am, go dtĂłgfaidh sĂ© gnĂ© eile sa scannĂĄn seo.
PĂ©intĂ©ir Ă Margaret Keane a raibh sĂ© mar shaintrĂ©ith aici leanaĂ a tharraingt le sĂșile an-mhĂłra a bhris an comhrĂ©iteach traidisiĂșnta agus comhrĂ©ir an duine a raibh taithĂ ag an bpobal air. Ba mhĂłr an tuiscint lĂĄithreach a bhĂ ar a chuid oibre agus bhĂ sĂ© ar cheann de na chĂ©ad lĂ©irithe trĂĄchtĂĄla ba shuntasaĂ sna 50idĂ, ĂĄit ar Ă©ascaigh an rath a rochtain den chĂ©ad uair agus inar mhĂ©adaigh sĂ© a thionchar ar lĂon nĂos mĂł daoine. Chuir saothar an ealaĂontĂłra tuilte ar shrĂĄideanna na StĂĄt Aontaithe.
In ainneoin a rathĂșlachta, bhĂ an t-ealaĂontĂłir timid ina cĂłnaĂ faoi scĂĄth a fear cĂ©ile, a chuir Ă© fĂ©in i lĂĄthair mar Ășdar a saothair don phobal agus do thuairimĂ. SocraĂonn Margaret dul i gceannas ar an gcĂĄs agus sĂ©anann Walter a chearta agus a sochair a Ă©ileamh agus a bheith ar dhuine de thionscnĂłirĂ ghluaiseacht feimineach an ama. ScĂ©al faoi streachailt mnĂĄ ag am nuair a bhĂ rudaĂ ag tosĂș ag athrĂș ar fud an domhain.