Uaireanta is cosĂșil Samantha Schweblin y Mariana Enriquez ba iad an duine cĂ©anna iad. Porteñas, scrĂbhneoirĂ agus comhaimseartha go praiticiĂșil. An dĂĄ scĂ©alaĂ dian de scĂ©alta agus dâĂșrscĂ©alta trasnaĂ i substaint agus i bhfoirm. Conas gan amhras a chur air? TĂĄ rudaĂ den chineĂĄl cĂ©anna le feiceĂĄil i scrĂbhneoirĂ le dĂ©anaĂ mar carmen mola o Elena Ferrante...
Ach inniu caithfimid aghaidh a thabhairt ar an obair Mariana EnrĂquez. Agus is Ă© an rud go dtugann cuir chuige ĂĄirithe vertigo. Toisc go bhfuil dĂ©ine leanĂșnach ag litrĂocht Mariana Ăł bhĂ sĂ 19 mbliana dâaois tairisceana chum sĂ a cĂ©ad ĂșrscĂ©al «Bajar es lo measa», scĂ©al a lĂ©irigh glĂșin iomlĂĄn san AirgintĂn.
Ă shin i leith, tĂĄ Mariana curtha ar leataobh ag cĂĄsanna uafĂĄsacha, ag fantasies creepy, cosĂșil le Edgar Allan Poe aistrithe go dtĂ na laethanta neamhchinnte seo, ar feadh chuimhneachĂĄin nĂos sinister nĂĄ mise. Agus Ăł na cĂĄsanna sin, tĂĄ a fhios ag Mariana conas an t-easpĂłrtachas iontasach, marfach agus grumbling sin a chur le chĂ©ile, atĂĄ meĂĄite ar aon glimmer dĂłchais a scrios. Is ar an mbealach seo amhĂĄin is fĂ©idir a charachtair a lasadh in amanna, agus iad ag splancadh na daonnachta agus iad ag dalladh go searbh.
3 leabhar is fearr le Mariana Enriquez
Ăr gcuid den oĂche
Faigheann an meascĂĄn draĂochta idir an Gotach, an rĂ©alachas iontach agus an rĂ©alachas amh sin atĂĄ ag teorannĂș ar an existential, leibhĂ©il iontais iontacha san ĂșrscĂ©al seo.
Faoi choincheap an ĂșrscĂ©il bhĂłthair ina n-Ă©ascaĂonn an turas nochtadh cĂșiseanna do gach Ășdar, cuireann Mariana sinn i suĂochĂĄn cĂșil carr atĂĄ ceangailte do thuaisceart na hAirgintĂne. Os ĂĄr gcomhair feicimid Gaspar agus a athair, baill ĂĄbhartha dâearn nach gcreideann siad a thuilleadh go bhfuil siad oiriĂșnach ann ar chor ar bith.
Toisc ar an mbealach cĂ©anna gur fĂ©idir le gĂ©archĂ©im phearsanta duine a threorĂș chuig na cineĂĄlacha seo comhthionĂłl dochloĂte, is fĂ©idir le caillteanas mĂłr iad a bhrĂș amach, mar atĂĄ sa chĂĄs seo. Ach is eol cheana fĂ©in go bhfuil sĂ© nĂos deacra suĂomhanna ĂĄirithe a fhĂĄgĂĄil nĂĄ dĂliostĂĄil Ăł chuideachta teileafĂłin (pointe grinn a chur).
San OrdĂș, socraĂodh a rĂłl Gaspar go han-mhaith. Toisc go raibh sĂ© dĂrithe ar an meĂĄn foirfe, ba Ă© an duine is cumasaĂ deasghnĂĄtha a ardĂș go dtĂ na leibhĂ©il uasta nasc leis an tsĂoraĂocht. NĂ haon ionadh gurb Ă© seo an chaoi a ndĂ©antar Gaspar a mheas, toisc go bhfuil baint ag bunĂșs an Ordaithe le brainse a mhĂĄthar agus is oidhre ââĂ© ar bhuanna gan amhras thar ĂĄr ngnĂ©ithe laethĂșla.
Ag dul isteach sa charr i dtreo an t-ualach trom Gaspar a shaoradh a dhĂ©anann a athair iarracht Ă© a shĂĄbhĂĄil, cuimhnĂmid beo ar an mĂĄthair a rianaĂodh mar chroinic de laethanta crua na hAirgintĂne sa XNUMXĂș haois.
Le hiontas scĂĄthĂĄin shaobhadh, tĂĄ faitĂos agus mĂ-iompar an athar agus an mhic atĂĄ ag teitheadh ââin Ă©ineacht le huafĂĄis dhorcha na draĂochta dubha, le huafĂĄis i bhfad nĂos rĂ©adĂșla faoi eispĂ©ireas na mĂĄthar atĂĄ as lĂĄthair.
Mar gheall ar rith an ama tugtar an lĂ©argas corraitheach sin ar an am atĂĄ thart, inar loic na scĂĄthanna nĂ amhĂĄin thar sect na gcĂ©adta bliain ach freisin ar fud an domhain le fadhbanna sĂłisialta agus polaitiĂșla tromchĂșiseacha, a dâfhĂ©adfadh a bheith in ĂșsĂĄid ag na cumhachtaĂ is seicteacha atĂĄ ag rialtais rĂoga.
Na rudaĂ a chaill muid sa tine
Nuair a bhĂonn scĂ©al cumhdaithe sa bhrionglĂłid nĂł san iontach, bĂonn sĂ© ina scĂ©al. Agus nuair a chrĂochnaĂonn scĂ©al drochĂde gan staonadh, ag tairiscint fleascĂĄin dhian a dhĂłlann an t-anam, agus a chrĂochnaĂonn pianbhreith le morĂĄltacht a chaitheann tĂș deannach mar chnĂĄmha sa tine, Ă©irĂonn an scĂ©al mar chroĂlĂĄr na tubaiste.
Mar gheall go dtugann an t-Ășdar seo treoir dĂșinn, san aon scĂ©al dĂ©ag seo, trĂd an smaoineamh suaiteach scriosta, cĂłirithe ar gach cĂ©im ina gĂșna gala nua do gach damhsa deireanach.
Le cineĂĄl lĂ©itheora meallacach a fhĂĄgann go mbreathnaĂonn muid ar an tubaiste leis an dian-ĂĄdh a bheith ag siĂșl saor Ăł chiontacht, plĂ©ann gach scĂ©al obsessions agus eagla, i ndiĂșltĂș na sĂłisialta, i mbeochan breoite, ach freisin i laga ĂĄr dtodhchaĂ , i bhfianaise na draĂochta a ghĂ©illimid mar reiligiĂșn nuair a shĂĄraĂonn ĂĄr samhlaĂocht ĂĄr rĂ©altacht bhuailte i dtreo hecatomb.
TĂĄ sĂș agus draĂocht ag decadence do scĂ©alaĂ cosĂșil le Mariana a bhfuil a fhios aici conas na hĂomhĂĄnna is cumhachtaĂ a roghnĂș, iad siĂșd a thugann comhbhĂĄ doshamhlaithe dĂșinn leis an oiread sin carachtair atĂĄ tumtha i gcruachĂĄs, i gciontacht, i ngnĂĄthamh a itheann iad, i bpilias nĂł i bhfĂłibe. rinne sĂ sĂceapatachtaĂ idir an ghreannmhar agus an rĂł-uafĂĄsach.
Seo Ă an fharraige
ScĂ©al faoi fheinimĂ©an an lucht leanĂșna Ăłn taobh istigh, Ăłn gcuid is doimhne a iompaĂonn idĂ©il i gcothĂș folamh na saolta is gan anam. Taobh amuigh den euphoria, d'iompaigh an ceol mar shlĂ mhaireachtĂĄla, miotais scĂĄthaithe agus finscĂ©alta farae gunna de bheocht an aosa Ăłig. Ar ndĂłigh, nĂ hĂ© an gang Fallen na Back Street Boys.
TĂĄ an teachtaireacht an-difriĂșil. Is sceideal hectic Ă© an Ăłige a dhĂł, toisc nach bhfuil ann ach an titim. NĂ bhaineann sĂ© le hionchĂșiseamh a dhĂ©anamh ar theachtairĂ na decadence, ceoltĂłirĂ mar Kurt Cobain nĂł Amy Winehouse, baineann sĂ© nĂos mĂł le breathnĂș ar Ăłige a bhfuil spĂ©is aige i bhfĂ©in-dhĂothĂș a aimsĂonn i liricĂ agus foinn cordaĂ a n-imeachta go hIfreann.
Ag fĂ©achaint ar an Ăłige mar threocht lucht leanĂșna i dtreo deireadh a bhfuiltear ag sĂșil lĂ©i, cuireann Mariana EnrĂquez in aithne dĂșinn Helena, leantĂłir gĂ©ar na Fallen agus a hamhrĂĄin siren i dtreo dĂłchĂĄn spontĂĄineach na hĂłige. Is fĂ©idir leat grĂĄ a thabhairt don mhĂłr, do pharasĂtĂ an anama. Faightear cuaille an fhuatha sa rithim dheireanach sin den ghnĂ©as mar cheimic riachtanach. Is fĂ©idir leat Ă©isteacht le ceol, dĂreach ceol, ach fios a bheith agat gur cuireadh chun bĂĄis Ă© gach corda.
Braitheann gach rud ar chiall cosĂșil le hĂ©isteacht, mar sin faoi thionchar na n-ĂĄilleacht is mĂł nĂł na tromluĂ is measa. Is Ă an ghlĂłir a bheadh ââag Helena nĂĄ bualadh leis na hĂodail sin in aon turas amhĂĄin le blas searbh chun slĂĄn a fhĂĄgĂĄil le gach rud.
Toisc nach fĂ©idir leis an rĂ©altacht a bheith ann, is fĂ©idir leis na fadhbanna go lĂ©ir uaigneas agus aonrĂș na freagraĂ neamhchaighdeacha i dtreo an mhaolaithe a fhĂĄil. Agus sin an fĂĄth nach bhfĂ©achann Helena air sin ach, an cruinniĂș atĂĄ aici lena n-Ăol, a bhfuil gach rud ar eolas aici agus a bhfuil rĂșn aici a saol a thabhairt mar luach saothair as a bheith ar na daoine amhĂĄin a bhfuil aithne acu ar a cuid eagla agus Ă©irĂ as a mhaolĂș.
Fallen agus a chuid ceoil mar alibi le maireachtĂĄil ar an imeall. TagairtĂ do go leor dĂobh siĂșd a chum, a sheinn agus a chĂłnaigh dĂĄ rĂ©ir lena dhearcadh tragĂłideach ar an domhan.
An cheimic riachtanach, cĂrĂ©ib na nĂ©arĂłn agus na hormĂłin. Ăige, Ăłr agus tinsel. AislingĂ a d'ith an leisce sa naoĂș haois XXI. D'iompaigh Helena, lucht leanĂșna an scrios, ina cheol de theachtaireachtaĂ mealltacha ...
3 thrĂĄcht ar "Na 3 leabhar is fearr le Mariana EnrĂquez"