The Borrowed Names, by Alexis Ravelo

Write a crime novel to alexis ravel it is to do something more sophisticated or profound. It is not about discovering the murderer or enjoying the strange morbidity of crime. Not at least as a single essence. It is a narrative capacity comparable to that Victor of the Tree always determined to tell us something else, to search for motivations, guilt and other burdens of the soul.

On this occasion Ravelo pulls the resource of the dance of identities to equip a growing plot that, mutatis mutandis, warns us about the general masquerade that is life, on many occasions ...

Tomás Laguna could well be a retired insurance broker who has come to Nidocuervo to calmly enjoy his retirement in the company of his dog Roco. And Marta Ferrer could pass for a translator who has found in the town the ideal place to live in peace with her son Abel. But the truth is that both are insomniac executioners who have come to that corner of the world with borrowed names, pretending that they are not who they have been until recently.

However, the balance between reality and fiction that each one has chosen for himself is so fragile that events as fortuitous as a storm or the choice of a photo for the cover of a newspaper will resurrect the ghosts of the past, returning them to their lives. a violence they hoped they had left behind forever.

Located in the mid-eighties of the twentieth century, The borrowed names It is a story of action and suspense, a modern western, a crime novel that also functions as an allegory that investigates the causes and consequences of political violence, the connection between victims and executioners, the obligatory stops that must be made. who travels the tortuous path to redemption.

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