When you have doubts about the border between writing and writing skills, you have the solution Fran lebowitz. There is no other writer like her, nor is there a writer who can raise her eyes the least bit over her shoulders.
And Fran had not scribbled a page beyond volume-length journalistic chronicles for a few decades. But she was, she is and will be a writer. Because being a writer is a philosophy, a genetic burden, a vital project materialized when and how you want. For Fran, nothing is more evident than a gift for writing balanced with the laziness of sitting down to do it. Thus, the label of writer that others give is more in line with the imposture than with the reality of the suffering writer locked in her room for a long time. Ken follett o Danielle Steel.
It is true that being in the right place, to achieve that visualization and the recognition of the writer despite everything, is more than relevant above the number of published works (remember that neither JD Salinger is that he wrote so much and so good and everyone continues to call him a writer today…). Because New York does more for the filmmaker Woody Allen than your own movies. Yes, if Woody Allen had lived in Teruel he would be a damn taciturn redneck without a soul. The same is true of the New York - Lebowitz synergy.
So the writer Fran Lebowitz is because she claims it and because that shameless vainglory works in her favor with transgressive humor and an overwhelming mastery, of course, of language and communication...
Top 3 recommended books by Fran Lebowitz
An ordinary day in New York
"Hilarious… Add to a dose of Huck Finn a little Lenny Bruce, Oscar Wilde and Alexis de Tocqueville, a dash of cabbie, various puns and a hint of slang, and top it off with a touch of know-it-all." The New York Times. "An elegant and cleverly sharpened prose." The Washington Post. "That cocktail of irony, narrowness, cruelty and bitter orange." Pau Arenos, El Periodico
She is a born provocateur, capable of lowering the fumes of most of her fellow citizens and laughing at any situation: the search for an apartment, unpaid phone bills, a trip, book signings, sleeping (or not sleeping) to indecent hours, the desire to succeed, have a few drinks with celebrities, good restaurants or the (adult) education of children.
In case you haven't guessed yet, we're talking about Fran Lebowitz. We are talking about New York. Famous in line with the series Pretend It's a City, by Martin Scorsese, Fran Lebowitz has been a great stranger who, finally, and in all fairness, has obtained the success she deserved. His prose, now assembled, is a compendium of the most refreshing and scathing humor that has been read in decades.
Brief manual of civility
Passionately in favor or fiercely against were the reactions to Fran Lebowitz's first book, published by Tusquets in the spring of 1984. There is no reason to believe that, with Breve manual de urbanidad, the same will not happen. Fran Lebowitz does nothing here but reinforces all of his well-known absolute freedom of thought and opinion that gives his humor that insolence that stimulates so many and is simply intolerable to others.
What, in any case, no one can deny this kind of free-shooter is personality. Like it or not, irritate it or not, it is there, very present, so soon charming, so soon hateful in its egocentric phlegm and its unshakable poise. His satirical humor can provoke hilarity in some (although they are neither rich, nor Jewish, nor homosexual, nor of the right, nor of the left, nor are they from New York) and it can also arouse in others the most blind indignation.
Whatever happens, it does not go unnoticed. In A Brief Manual of Urbanity, parodying the pontifical tone of the graduate in social sciences that she was, Fran Lebowitz entertains herself by advising the guy who lives in any big city to live it with the highest dose of neurosis possible and inviting him to love her, not in spite of their problems, but precisely because of them.
Metropolitan life
Fran lebowitz makes here the ruthless chronicle of the lives of the handsome, famous and rich of a fierce city like New York. Few have described with such precision and with such sarcasm that extravagant fauna that moves in the sophisticated circles of fashion, publishing, art galleries, cinema and theater, clinging to the telephone and stimulants, lost neurotic. The Lebowitz knows all these people very well, because, in New York, the intelligent, who end up becoming famous and rich, also end up surrounding themselves with handsome men.
Fran lebowitz they are part of the type of people who really could not live in another place than in New York and who feel a real horror for California, nature, healthy people, uneducated people, pets, summers, weekends away of the city and the children. He writes, of course, in "Andy Warhol's Interview," "Vogue," and all those New York publications that have been the real setting for the generation of writers we know today as "new journalists." After this book, and ironically about brainy university studies, Fran lebowitz has written another titled social studies.
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