I do not know when Tarantino and Camilla Lackberg for the writer to consider this sequel to the movie "Kill Bill" by the always surprising American director.
Or at least, qualifying the previous exaggeration, that can come off the idea of the fiercest protagonist in search of revenge without limits or moral filters.
Because Faye was very comfortable in her newly won comfort zone; in his idyllic life approach with a partner he loves; in a central Stockholm apartment from which he had made a comfortable home like never before in his life. Because it is true that the Faye of the novel's opening moment has little to do with the Faye who moved on the wild side of life, as Lou Reed would say. Except that we anticipate that information without knowing it with the necessary precision.
But that yesterday can be the perfect tool for when you paint coarse. Because together with Jack, life is peering into unexpected nooks and crannies, into dark spaces where good old Faye never expected to find herself ...
What is clear is that if she once survived what came to her and herself in the hard days of childhood in Fjällbacka, by now she can overcome anything. It is only necessary to recognize the limit, that point of no return to which she is being irretrievably led, deception and lies, far beyond any other sensations that were making her make sure that behind the luxury was the peeling tinsel of a doomed relationship failure.
When the time comes, Faye will have to overcome the misery in which she will be plunged. And, as much as we may disagree, revenge is food to move on, hatred can push to continue to lay life in an emptied soul. Between being destroyed or destroyed, Faye will choose the second option. And neither Jack nor anyone else will be prepared for the crudest and scariest revenge ever conceived.
You can now buy the novel A Cage of Gold, the new and anticipated book by Camilla Lackberg, here: