Jennifer Lawrence's Top 3 Movies

An actress who collects interpretive registers as if her chameleonic virtue were something easy to put into practice. No doubt Jennifer Lawrence would delight a great director of yesteryear as Hitchcock. Because in it we can find that unsuspected background that cinema always seeks as a surprise factor. Something like discovering unexpected ruptures from that easy assumption of any psychological profile that is put in front of it.

Therein lies the essence of interpretation. But it never hurts to remember him in front of some exhausted faces in his repeated formulas for each new movie like installments of a fanzine. Lawrence, however, makes use of everything, his physiognomy, his mutable rictus and even his gestures. When it is difficult for us to recognize her in her different performances, it is that he achieves that mimicry that fascinates and also puzzles us.

On the one hand, this actress is located on that threshold between charm and estrangement. Because until she takes the reins of her role, you don't know where she can go. A naturalness that makes all the films in which she works a hook towards complete verisimilitude.

There is no Lawrence film in which you do not end with the wonderful feeling that the plot has developed under a pattern of spontaneity. Something that, although it cannot be true due to the tightness of the scripts, is at the same time a necessary counterpoint that is left in the hands of good actors and actresses like Lawrence... You understand me for sure.

Top 3 Recommended Jennifer Lawrence Movies

Passengers

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The world of couple relationships taken to a fascinating scenario where alienation, estrangement and the infinite cosmos that extends beyond the ship that the protagonists inhabit, disrupts everything.

And no, the film is certainly not about couple relationships with their rough edges and daily frictions for various sparks of passion or conflict. The thing is about opportunities for immortality in a threatening space where everything is slowly moving towards a mission to save humanity.

The human being faced alone, in an improvised way, with eternity. And his decision to rescue Eva from her capsule to accompany him once her own capsule has failed as a vehicle that kept him hibernated to a new planet...

The big lie spread like a stain between their relationship. Until the truth ends up breaking through and love is channeled into hate. And anything can happen then, with the only witness being an android bartender who possibly outlives them all. Fascinating movie for me

Don't look up

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A scientist named Kate Dibiasky (our Jennifer) who discovers a large boulder headed for our planet. A crazy asshole, according to the rest of the world that doesn't have time to think about apocalypse or in terms of disappearance like dinosaurs. Her co-star, DiCaprio (Dr. Randall Mindy) as the director of the investigation

Kate has no choice but to resign herself. The boulder will be named after her and it seems that the fatality is named after her for the rest of the world. Because okay, well, maybe people will admit that our days are numbered. But in that case, why look up?

While Dr. Randall is gaining confidence and popularity, researcher Kate Dibiasky is moving away from the heart, from the point of decision that even involves the very president of the United States. And so we see in Lawrence that ultimate point of realism. She is the only one who sees how little is left of the world and gives herself to new adventures in which she leaves science behind and simply lives marvelously in everyday life.

For others there is that glory of television, interviews, gatherings and fleeting sex with female presenters in Prime Time always more concerned in the Share than in the Boom of the rock.

Even having the monstrous DiCaprio as a dance partner, it is Jennifer who captivates us all with that resignation as the only option in the face of a navel-loving world, transformed into memes on social networks and delivered to capitals capable of selling the benefits of the boulder when it reaches the Earth converted into a vein of mineral goodness...

The good side of things

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I like Lawrence better when she invites us to that dark and wild side where anything can happen. And maybe I should choose Mother! (beside Javier Bardem) to point to that authentic teaching of this actress in the most dramatic battles. But if it is a matter of making a compendium of virtues, let us also approach a more comical vis an open grave. Of course, there is an undercurrent of tragedy, like the resurgence of a phoenix in the heart of the plot. But it is that the humor enters better this way, after sensing the tears or the chaos.

With their hackneyed plot point, Lawrence and also Bradley Cooper are able to make us even more believable about second chances, or about serendipity waiting to be uncovered like in a pandora's box that is life itself...

After spending eight months in a mental institution for assaulting his ex-wife's lover, Pat (Bradley Cooper) returns with his clothes to live with his parents (Robert De Niro and Jacki Weaver); diagnosed with mental problems he must visit a psychologist every week, and has a police restraining order from his ex-wife. Determined to have a positive attitude and win back his ex-wife Nikki, his world is turned upside down when he meets Tiffany (Jennifer Lawrence), a girl who also has psychological problems.

Then, Pat discovers an opportunity to communicate with Nikki through Tiffany, as she offers to deliver a letter to Nikki, if in return he agrees to be her partner in an upcoming dance contest. Despite the initial mutual mistrust, a very special bond will soon develop between them that will help them find the bright side of things in their lives.

Other recommended Jennifer Lawrence movies

Red sparrow

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I select this film as another great film to see because in it the actress captivates us with a coldness as if from another world. And at times Jennifer charges Dominika, her character, with an alienation that ranges from a gaze that seems to pierce reality at all times to gesticulation and movements that make us believe at face value that she could be an indolent being. once overcome emotions and even pain.

Dominika is a young Russian woman recruited to his will to become a "sparrow", that is, a seductress of the Russian secret service. Despite her resistance to losing her identity she becomes one of her best. Her first target will be Nate (Joel Edgerton), in charge of infiltrated CIA agents in the Russian intelligence agency. The spiral of attraction and deception to which they will be subjected will threaten her security and that of their own governments.

4.9/5 - (15 votes)

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